Archive for the ‘Post by Sudhir’ Category
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Put together the year 1964, the names like Dara Singh, Ameeta, Feroze Khan, Mumtaz, King Kong, Tiger Jogender, a director by the name Nanabhai Bhatt, and a film title like Samson. And here is a ready recipe for a B/C grade stunt film. The name and presence of Dara Singh could well have been the saving grace of this film, in the local B/C grade cinema halls circuit, and likewise the name of the film does not sound so unfamiliar. But then, pour into this mix some lyrics by Majrooh Sultanpuri, and some melodious tunes by Chitragupt. Well now, the recipe does turn out to be more interesting, for now at least we are assured there will be some good music coming along with the stunts. Mind not the situations and the people who would perform these pieces of music on screen, the promise of some good songs will not be turned down.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Continuing with the series of posts about rare Mukesh gems, here is a wonderful solo song from the film Hum Matwaale Naujawaan (1961). This film is a social drama, produced under the banner of Rover Films, Bombay and directed by LR Asthaana. The star cast includes Shekhar, Saeeda Khan, Jeevan, Agha, Lillian, Mirza Musharraf, Chaman Puri, Gopal Sehgal, Tun Tun, Indira Bansal, Kammo Tripathi, Ravikant, Baby Farida etc. The film was not any major success at the box office, but it did leave its mark. Its music and songs are really very good – a typical grade A quality of music for a B/C grade film. The lyrics are Majrooh Sultanpuri and the music composition is by Chitragupt. This song is a lovely melody, that has been wonderfully rendered by Mukesh.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Presenting the song in response to the farmaish posted by Arun ji Deshmukh.
I am sure the number of folks would be very few, those who have not heard the iconic song, ‘Mere Piyaa Gaye Rangoon’ . The film Patanaga comes from the year 1949, which is considered as a watershed year in the annals of Hindi film music. So many wonderful movies with great music and great songs were released in this year, that it became a memorable year in terms of rising popularity of film music in India. The film is produced under the banner of Verma Films, Bombay and is directed by the distinguished Harnam Singh Rawail.
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Samay o dheere chalo
Posted on: November 7, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Bhupen Hazaarika, the sound and the soul of culture of the east, is now silent, forever. A stalwart of many talents who would be honored by audiences and critics in many countries, a multi faceted personality who was single handedly responsible for breathing life into the endeavors of Assamese cinema, bringing international recognition to the age old music and culture of far eastern India.
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Aaj madhuvaataas doley
Posted on: November 7, 2011
- In: Duet | expression of love | Feelings of heart | Guest posts | Lata Mahendra Kapoor duet | Lata song | Mahendra Kapoor songs | Post by Sudhir | Semi Classical song | Songs of 1960s (1961 to 1970) | Songs of 1961 | Translation by Sudhir | Translations by readers | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
Presenting the song in response to the farmaish posted by Lalitha ji.
Stree (1961) is another classic creation by the legendary V Shantaram. The film depicts the story of Shakuntala and Dushyanta (from the epic Mahabharat). For V Shantaram, this was a remake of his earlier film Shakuntala (1943). Interestingly, the earlier film was made with Jayashree (mother of Rajshree) in the role of Shakuntala. At that time, Jayashree was married to V Shantaram. The 1961 remake featured Sandhya in the main role, and after divorce with Jayashree, Sandhya was now the wife to V Shantaram, who himself re-enacted the role of Dushyanta in the movie.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
What to say about this qawwaali. . . what a gem, what a superb, almost impromptu presentation, and the lyrics, gosh, such wonderful, impactful, crisp, and short, with a punchline in each antaraa that spontaneously evokes the reaction, ‘waah waah kyaa baat hai’, ‘kya misra maaraa hai. . . kamaal hai.’.
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Meri jaan na zulfen kholo
Posted on: November 3, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
As we are trudging through lists of songs from various sources, as well as published songs on the internet, everyday there is a this ‘A haa’ moment when one comes across unheard, or heard-long-back-but-now-lost songs. These moments make this search and this journey worth its while. And the notable point is that these wonderful songs, now rare and obscure, mostly come from films which themselves are obscure. Their lack of success on the box office relegated their memory and the related information into depths of anonymity, and the music of such films also went the same way. The great consolation is projects like this blog, and the internet connectivity, that has provided the music lovers with a via media to publish and share the music that sits on forgotten vinyl records or music cassettes, probably stowed away in storage that is not often visited. These valued publications, and the ‘A haa’ moments they generate almost on a daily basis are a wonderful impetus for music lovers everywhere.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
A change in sequencing – I pulled this song up from later in sequence to today, and I shall explain. This song is simply THE most favorite soft romantic song of mine. This write up is about my search for this song, that suddenly culminated today as I finally located a very recently posted video of this song on YouTube.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Reviving a wonderful qawwaali from one of those not so well known films, and yet a gem of a composition and a fabulous presentation. The film is Mujrim Kaun Khooni Kaun (1965). It is a social drama produced under the banner of Pratima Pictures, Bombay and it is directed by Ramneek Vaidya. The star cast includes Jairaj, Indira aka Indira Billi, Heeralal, Sapru, Shammi, Bela Bose, Asit Sen, Raj Mehra, Brahm Bhardwaj, Gopal Sehgal, Shyam Kumar, V Gopal, Mirza Musharraf, Sherry etc. The lyrics for this film are written by three poets viz., Anjum Jaipuri, Akhtar Romani and Naqsh Lyallpuri. This particular qawwaali is written by Akhtar Romani. The music composition is by Baabul – another one of the unsung talents that have produced absolutely A class music, but never really got their due recognition in the industry.
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Sajaayaa na karo phool baalon pe
Posted on: November 1, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
With this write up, I initiate a series of posts (at least ten, may be some more) to cover some very wonderful gems, and yet, very obscure and rarely heard songs of Mukesh. Mukesh, a voice filled with magic, a poignant and a simple, unpretentious sound. A voice that attracts with its sweet mellifluous tones. A voice that remains a unique rendition to date. Never up there is the top brackets like Rafi Saab or Kishore Da. And yet, the voice that has left an indelible mark on the Hindi film music. And also bequeathed scores of veritable gems for the listening pleasure of music lovers.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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