Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

As I am looking searching for un-posted songs of Pankaj Babu, I am also coming across movies, that were supposedly major draws in their times. Adhikaar (1938), a New Theatres production from Calcutta, is another significant social drama directed by PC Barua.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

A wonderful, but scarcely heard melody this one. As I am scouting for more songs composed by Usha Khanna, I came across this gem of a song from the film Flat No. 9, in my collection. As I heard it again, after a long time, I simply had to send it in for posting right away. We have already discussed three songs of this film, and each one is turning out to be a melody that should have commanded more popularity and listening time on the radio waves. Alas, there are obscure films and unheard songs that are almost lost. But play them, and the music lover’s heart will fill with appreciation, and also wonder, ‘where was this song so far’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This song by Pankaj Babu, is a non film offering. Another one of his iconic recordings that is without comparison. Another great favorite of mine for many decades. It appears that during the years from 1930s to 50s, there was a more serious interest in music, as in there is a huge body of great music that was recorded as non-film music. I am not saying that the recording of non-film music is any less in the current years, but the content and quality is a matter of debate. No doubt there are some good quality songs that still get produced, but compared to the entire music that gets generated in a year, the percentage of music that is memorable, and that carries along with the collective memory of the society is definitely diminishing. When one thinks of the singers of the 30s, 40s and 50s, names like Saigal Saab, Pankaj Babu, Jagmohan, KC Dey, and more, their level of good quality memorable songs, in films and outside of films, is almost one hundred percent of what has been recorded. Rather, it is a misfortune that probably a much larger body of their work, as part of live programs and music conferences that happened in those years, is lost now, because it is not recorded, either as audio or even as documentary records of what all they sang. And yet, we are fortunate that we have, what ever that is available on record.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Doctor (1941) is a classic landmark film produced under the banner of New Theatres, Calcutta. This film is the zenith of Pankaj Babu’s performance as a singer-actor, and all the songs of this film attained iconic popularity. A brief description of the earlier episodes of the film are summarized in the write up for the song Kab tak niraashaa ki andhiyaari .
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Barsaat Ki Raat (1960) – just take away everything else, all the story, the screenplay, the characters, the histrionics, all the songs and music, and on screen plays, just take it all away, and leave just the three qawwaalis, and the greatness of this film will not be dimmed one bit. The three qawwaalis are the epitome of what this music and art form is all about. The first in the sequence, Nigaah e naaz ke maaron ka haal kyaa hogaa was discussed yesterday. The third, and the best known iconic qawwali of the three, Na to kaarwaan ki talaash hai…ye ishq ishq hai(Barsaat ki raat) has been discussed almost a little over three years ago, and then recently updated to its complete form. We are now left with the second offering in sequence, which is the subject of this post.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A tongue in cheek song, if ever there was one. The first line itself suggests that this one is going to be a very very interesting song. Recorded sometimes late 30s or so, this is a gem of a song from the pen of Pt. Madhur. What a pace and a rhythm, reminds one of, ‘aayee bahaar aaj aayee bahaar’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Mehmood, on his birth anniversary (29th september).

The name brings on the image of a dhoti clad south Indian Brahmin music teacher with a clean shaven head, and a long choti. The year is 1968. Comedy actor, producer and director Mehmood, released his film Padosan. With Kishore Kumar, Sunil Dutt, Keshto Mukherjee etc., the film has gone on to be the most enduring and memorable comedy films in Hindi cinema. (As the story goes, once early in his acting career, Mehmood went to Kishore Kumar to request for casting in one of his films. Kishore da was reluctant, considering that he himself was generally doing comic roles. Mehmood came away with a comment that one day, he (Mehmood) would get an opportunity to produce films, and then he would definitely cast Kishore da in it. It happened with Padosan 🙂 )
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This article is written by Sudhir, a fellow enthusiast of Hind movie music and a regular contributor to this blog.

The decade of 60s was the most prolific and busy for Usha Khanna. A very large body of work of music compositions created by her, came during these years. And all the music she has created is wonderfully hummable and still tingles the heart when one of her songs is played. The 1965 film, ‘Ek Sapera Ek Lutera’ is no different. Practically all the songs of this film went on to become very popular, although the movie itself was a B grade production, and did just OK on the box office. Produced under the banner of Dimple Films, Bombay and directed by Naresh Kumar, the film has lyrics written by Asad Bhopali and the music composition is by Usha Khanna. The star cast is a typical B grade lineup for those times, featuring Feroze Khan, Kumkum, Uma Dutt, Mumtaz Begum, Shyam Kumar, Indira Bansal, Tuntun, Ramavtar, Rashid Khan, Daljeet,Sheikh, Sunder, Gopal Ralhan, Rani, Madhu Apte, Krishna, Khairaati etc. The film is a costume action cum romance drama, that is based on the life style and culture of snake charmers and gypsies.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

One song of the film Flat No. 9 (1961) is already posted on this blog. That one is the iconic Mukesh song, ‘Gaa Deewaane Jhoom Ke, Raat Ki Zulfen Choom Ke’. But the remaining songs in this film are no less a delight to listen to. Despite its wonderful music, there is literally no information available online, about this film. From the Geet Kosh, one finds that this film was produced under the banner of WS Films, Bombay. It is a social drama directed by Ramesh Sharma. There are a total of 6 songs in this film, four are sung by Lata Mangeshkar, one by Mukesh, and one by Asha Bhosle. The lyrics are written by Majrooh Sultanpuri, and the wonderful music is by Usha Khanna. The star line up for this film includes Ashok Kumar, Saeeda Khan, Tiwari, Jagdish Sethi, Helen, Dhoomal, Narbada Shankar, Ravikant, Dinesh Kumar, Kehsav, Prem Saagar, Razia, Aasi etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Film Barsaat Ki Raat (1960) is a tale of romance and love, built around a poet’s dream, and a troupe of singers who specialize in qawwaali singing. The storyline progresses as two sub plots intertwined with each other. The first is about Bharat Bhushan and his romantic interest in Madhubala. And the second is about Shyama and her family, who are the troupe of qawwaali singers, and their progression in the qawwaali competitions. Besides the wonderful songs that have been created for this film by Sahir Ludhianvi and Roshan, there are three iconic, and very famous qawaalis in this film, that basically defined its popularity in the minds of film goers.
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