Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The film ‘Manzil’ is a 1936 production from New Theatres Calcutta, directed by P Barua. The star cast includes Jamuna, Molina Devi, Prithviraj Kapoor, KC Dey, PC Barua, Nemo, Harimati, Sitaara, Shor, Indu Mukherjee. The songs of this film are written by Aarzoo Lucknowi and Asgar Hussain ‘Shor’. The music composition is by RC Boral, assisted by Pankaj Mullick. The screenplay is based on the novel ‘Grih Daah’ by Saratchandra Chatterjee.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the 1920s and 30s, and also later, Pankaj Babu’s affinity for Rabindra Sangeet has had a significant influence in making this music form popular with the general public. He had made a choice of music as his calling in life, at a very early age, and although he joined college, but he did not go ahead with higher education. He first became a student of the noted musician Durgadas Bannerjee, and then later studied music under Dinendranath Tagore. Dinendranath or Dinu Thakur, as he was popularly called, is the grandson of Rabindranath Tagore’s eldest brother, Dipendranath Tagore. This association brought Pankaj Babu into the culturally rich environment of the Jorasanko Thakur Bari, the ancestral home of the Tagore family. It had an everlasting influence on him, and the influence of this culture is visible in all his works.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The mention the word ‘qawwaali’ to a Hindi film buff, and 95 out of 100, the response will be the humming sounds of ‘Ye Ishq Ishq Hai Ishq Ishq. . .’. As a poetry form, qawwali originated in Persia and traveled to the subcontinent, during the emergence of the Sufi philosophers in the 12th and 13th centuries. In its original form, its intent is to sing the praises of Allaah, the Almighty, Prophet Muhammad, and other saints. The art was exclusively performed at places of religious worship and at dragaahs (mausoleums) of revered saints and teachers. The poetry is implicitly intended to be spiritual in its context, and its central themes are love, devotion and longing (of man for the Divine).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The innovator in Pankaj Babu has been responsible for some very remarkable additions to the sound and music aspect of the film industry. He was probably the first music arranger and orchestra conductor to introduce the use of western musical forms and instruments in the music for films in India. He is credited with introducing the use of instruments like piano and accordion, in the music compositions for Hindi and Bengali films that he worked on.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The 1967 film, ‘Woh Koi Aur Hoga’, is a production under the banner of Amrit Kala Mandir, and is directed by A Shamsheer. The films is an action drama with a star cast that includes Feroze Khan, Mumtaz, Sohrab Modi, Dhumal, Asit Sen, Meenakshi and Sham Kumar. The primary singing voice is that of Mohammed Rafi, with interleaved expression of annoyance and exasperation by Mumtaz. The lyrics are by Asad Bhopali, and the music is composed by Usha Khanna.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Again, a song to fall in love on the first hear itself. I heard this song only today morning, and it forced me to write this post. Another obscure film, another unheard gem of a musical creation.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the world of Indian cinema, most famous names are known and recognized for specific contributions, in specific aspects of film making. There are a rare few, whose breadth of talent goes beyond a single aspect, and whose influence and impact is evident on the society at large, and not just on the film industry. Their contributions are limited not just to the movie goers and critics, but pervade across the culture. Pankaj Babu is one such luminary figure. Composer, musician, audio innovator, singer, music director, teacher and a part-time actor, he is a colossal figure not only in the field of cinema but recognized as one of the greatest cultural icons of Bengal.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Radio broadcast services were introduced in India in 1927. The first establishment to broadcast radio signals for public consumption was a private company named India Broadcasting Corporation (IBC). This company was the forerunner of All India Radio (AIR).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Tere Ghar Ke Saamne (1963) is a classic for many a reason. A production from the house of Navketan, Dev Anand’s film company, this film was a major success in its time, and its music continues to set many a hearts aflutter.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Pankaj Babu’s last association with Hindi film world was in 1954. After the film Kasturi, in 1954 he did not work for any more Hindi films. His association with the Bengali cinema lasted for some more years, till 1972, beyond which he was content with the peace, and with teaching music. The Padam Shri award for this remarkable musician came in 1970, followed in 1972 by Dada Saheb Phalke award for lifetime contribution to Indian Cinema.
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