Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Since the time machines started getting invented, and later became an integral part of how the society (or a part of the society) started to use them on a large scale, a certain divide between the rural and urban milieu has also emerged. The debate on this un-ending. The rural system is the caretaker of farms and dairy, and plays the significant role of the provider of food to the entire society. The industrialized and urban system on the other hand, has become the provider of the mechanized solutions and consumer products for the society. Is there a way to determine whether one is more important than the other? Advocates of both sides have argued now for many years, trying to establish the preponderance of one over the other. (IMHO, the farm and agricultural sector is more important, because it is possible to do without many things, rather most things in life, if it comes to that. But one cannot do without food. But that is just my opinion 🙂 ).
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This article is written by Sudhir,a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Starting with Dil Deke Dekho in 1959, Usha Khanna has been active in the Hindi film industry as a music director for more than fifty years now, During the 90s and the first decade, her assignments have been few and far between, but she continues to work. As per current information, the film “Khandala House”, for which she has composed the music, is complete and is awaiting release in 2011.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Hansraj Behl had a career in Hindi films that lasted from 1946 to 1979, and he was one of the more successful and popular music directors in the post independence years. Creator of many iconic songs in the 50s and 60s, Hansraj Bahl’s music has a semi classical touch, with roots in his earlier training in classical music. He has been a very active music director for Punjabi movies also, and there is a large number of very popular Punjabi films songs that are composed by him.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Street Singer (1938) is a landmark film, that was a big success in its own time. The film is a trendsetter, and a musical bonanza beyond par. Produced by BN Sircar for New Theatres, Calcutta and directed by Phani Mazumdar, it had the two foremost singing stars of that era, paired for lead roles. The star cast includes KL Saigal, Kaanan Devi, Jagdish Sethi, Bikram Kapoor, AH Shorey, Boken Chatto, Chamanlal, Abdul Rehman, Braja Paul, Ram Kumari, Nirmal Bannerjee, Rani, Satya Mukherjee. Interestingly, the music maestro Khemchand Prakash, also played a role in this movie, as a stage hero working in the theatre.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Browsing through some songlists, I started to play this song last evening; and then just like that, checked the blog. Wow, this song must be brought on. And I am sure you will agree too.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The decades of 50s and 60s are known as the golden age of Hindi film music, and that for a good reason. The quality of music and songs was absolutely superb, no matter what the content of the films used to be. One just has to untwine one thread on this time line, and immediately there is a gem of a song to be heard. Maybe it is an obscure film, maybe the song itself is unheard, or not heard for ages. Maybe the sound of the song is such that the first reaction is, whose voice is this, whose composition is this. But just let the song play and simply listen to it, and before long you will start loving it, and now the reaction would be, where has been this gem hiding all these years. Atul ji has written over and over again about this phenomena, about finding unheard gems from obscure movies, with every plunge one takes into this ocean of music.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Continuing the silsilaa of ghazals rendered by Saigal Saab, this ghazal is a non film offering. The verses are written by Ghalib, and the combination, as always, is a heady wine that takes one to worlds beyond.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contrributor to this blog.

Everything that Saigal Saab has rendered, is special. And then, whatever one is listening, in the moment, always seems more special than the others. That is the magic of this voice, no matter how many times one may have heard that particular song or ghazal before. Many ghazal singers have come after Saigal Saab, but somehow, when one listens to a ghazal rendered by him, there does not seem to be anything better, anything to compare in the world.
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This article is written by Sudhir, a fellow enthusiast of Hindi movies and a regular contributor to this blog. The audio of this rare song,which was presumed extinct, has also been discovered and provided by him.

‘Tilasmi Duniya’ is a film from 1946, for which much information is not available so far from known sources. The movie was produced under the banner of Jupiter Art Pictures, Bombay and directed by AM Khan. The listed star cast for this movie is S Kulkarni, Sarla Devi, Sita Devi, Shiraaz, Rampyaari, Agha Peerjaan, Rafiq, Madhukar Gupte, Narmada Shankar, Mehndi Raja, Ansari. Three songs from this flm are already posted on this blog. Here is a very rare fourth offering of this obscure movie
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This article is written by Sudhir, a fellow enthusiast of Hindi movies and a regular contributor to this blog.

President (1937) is a social drama from New Theatres, Calcutta, produced by BN Sircar and directed by Nitin Bose. The story line is about the relationship between mill owners and workers. In a manner of speaking, this movie is probably the forerunner of other such movies that were made later on, e.g. Paighaam, Akaashdeep, Baharon Ke Sapne.
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