Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lata solo’ Category


“Chhoti Behan” (1959) was a Prasad Production movie. It was produced and directed by L V Prasad. The movie had Balraj Sahni, Nanda, Rehman, Shyama, Sudesh Kumar, Trideep Kumar, Mehmood, Hari Shivdasani, Dhumal, Badri Prasad, Shobha Khote, Veena, Radhakrishen etc in it.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Hum Hindustani a patriotic film of 1960 had the message of youth turning the nation into a hub of industrial and green revolution. Portraying the two faces of the Indian youth were Sunil Dutt and Joy Mukherjee. The former an upright engineer and the latter a bit misled.
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“Chhoti Behan” (1959) was a Prasad Production movie. It was directed by L V Prasad. The movie had Rehman, Balraj Sahni, Shyama, Nanda, Sudesh Kumar, Trideep Kumar, Mehmood, Hari Shivdasani, Dhumal, Badri Prasad, Shobha Khote, Veena, Radhakrishen etc in it.
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“Vidhaata” (1982) was a Trimurty Films Production. It was produced by Gulshan Rai and directed by Subhash Ghai. The movie was a multistarrer, boasting of names like Dilip Kumar, Shammi Kapoor, Sanjeev Kumar, Sanjay Dutt, Padmini Kolhapure, Amrish Puri, Madan Puri, Suresh Oberoi, Sarika etc in it.
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“Naya Zamaana” (1971) was a Pramod Pictures production. It was produced and directed by Pramod Chakraborty. The movie had Dharmendra, Hema Malini, Pran, Indrani Mukherjee, Ashok kumar, Manmohan, Shabnam, Mehmood, Dhumal, Jankidass, Lalita Pawar, Aruna Irani, Raj Mehra, V.Gopal, Roopali, Baby Guddi etc in it.
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“Jal Bin Machhli Nritya Bin Bijli” (1971) was a V Shantaram Production movie. It was produced and directed by V Shantaram. The movie had Ravindra, Vasant Parekh, Minal, Abhijeet, Vastala Deshmukh, Iftekhar, Sandhya, Dina Gandhi, Raja Paranjpe, Nanda, Birbal, Praveen Kumar, Sushant Ray etc in it.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A year before she arrived at the zenith of playback singing with Aayega aane waala in Mahal (1949), a still-teenage Lataji vocalized her first ghazal – the mind-blowing Dil-e-naashaad ko jeene ki hasrat ho gayee tumse under the baton of Hansraj Bahl in Chunariya (1948). Her superb rendition of this none-too-easy a number with expression, enunciation and mastery on its many murkis in all octaves is just breath-taking.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is a known fact that popular thumris (or ghazals) ascribed to the original classical and ghazal singers have also been sung by a few other doyens of Hindustani classical and ghazal singers. For instance, Bade Ghulam Ali Khan sang two thumris – ‘yaad piya ki aaye’ and ‘aaye na baalam kaa karu sajani’ to express his grief over the loss of his beloved wife in 1932, which became so popular that many classical singers in the concerts would get ‘farmaish’ to sing these two thumris. Similarly, Shakeel Badayuni’s ghazal ‘ae mohabbat tere anjaam pe ronaa aaya’ which was made immortal by Begum Akhtar’s rendition in early 50s, has been sung by many renowned ghazal singers. In the filmy parlance, these become version renditions of thumris and ghazals.
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