Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lord Krishna related songs’ Category

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Yaaron humko dekh ke kahe ye duniya saaree

Posted by: on: December 12, 2025


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6356 Post No. : 19708 Movie Count :

5166

Hullo Atuldom

“Dosti Dushmani” (release date 31st October 1986) was directed and produced by T. Rama Rao. It had the team of Anand Bakshi- Laxmikant- Pyarelal giving us five songs that had Mohammad Aziz, Suresh Wadkar, Shailendra Singh, Kavita Krishnamurthy, S. Janaki & S.P. Balasubramaniam as playback singers.

Jeetendra, Rishi Kapoor & Rajnikanth played fast-friends (soulmates) with Pran & Sowcar Janaki, who are the biological parents of Jeetendra (in the film), being the anchors in the life of the friends. Bhanupriya, Kimi Katkar & Poonam Ddhillon were the ladies in the lives of the heroes. Amrish Puri, Shakti Kapoor, Kadar Khan, Asrani, Shafi Inamdaar & Gurbachan form the supporting cast.

This film was a remake of the Telugu film “Mugguru Mithrulu” (1985). The Telugu film was also remade in Kannada as “Brahma Vishnu Maheshwara” (1988).

I have seen the film, in parts, whenever it shows on some satellite television channel. I have seen that Jeetendra is forced into a fake marriage with Bhanupriya to shield Poonam Dhillon, who is Rajnikanth’s wife, from defamation or some such thing. In this fake marriage, Rishi Kapoor, Pran & Sowcar Janaki are the co-conspirators. Then there is an angle of Kimi Katkar, who has an axe to grind against Amrish Puri, falling in love with Rishi Kapoor. Plus, we come to know that Bhanupriya & Rajnikanth are siblings & Amrish Puri is their father who had abandoned the family at the start of the film. Additionally, Rajnikanth had got separated from his family & was fostered by Pran. What an uncomplicated masala film!!!!

This film is making it’s debut on the occasion of the 75th birthday of actor Rajnikanth who has a cult, God-like status among his fans particularly in South India. He has acted in films of all four South Indian languages though the number of Malayalam films is only one or two. His name appears in the credits of a Bengali film too, as ‘Guest Appearance’. He has acted in around 25/26 Hindi films. He has also produced & wrote screenplay for a few films (learnt this today)

Rajinikanth was born as Shivaji Rao Gaikwad on 12 December 1950, in a Marathi family, in Bangalore, Mysore State (present day Karnataka). His mother was a homemaker and his father, Ramoji Rao Gaekwad, was a police constable. He was the youngest of four siblings; he has two older brothers & a sister.

A fact about his early life, which is not well – known (or I should say I learnt today) is that his brother enrolled him at the Ramakrishna Math. Here, he was taught Vedas, tradition & history and also began acting in plays at the Math. His aspiration towards theatre grew at the Mathh and was once given an opportunity to enact the role of Ekalavya’s friend from the Hindu epic Mahabharata. His performance in the play received praise from the Kannada poet D. R. Bendre.

Upon completion of his school education, Rajinikanth took up several jobs including that of a coolie, before getting a job in the Bangalore Transport Service as a bus conductor. He continued to take part in plays after the Kannada playwright Topi Muniappa offered him a chance to act in one of his mythological plays. He decided to take up an acting course in the newly formed Madras Film Institute after coming across an advertisement. During his stay at the institute, he was noticed by the Tamil film director K. Balachander. Balachander provided Rajinikanth with his stage name to avoid confusion with fellow actor Sivaji Ganesan. The director advised Rajnikanth to learn to speak Tamil, a recommendation that he quickly followed. Although he can read the language, he cannot write in it. (Me too, I can read the language with some difficulty but not write it. I think I am qualified to be Rajni Saar’s fan. 🙂 )

Rajinikanth played supporting and “villainous” roles in most of the films released during the initial years of his career with lead roles which were few & far-between. His first film as one of the main leads, in Tamil came in 1978 in a remake of ‘Amar Akbar Anthony’. He first played a positive character in Telugu in 1977. I am unable to find out which was his first film as a positive lead in Kannada. His Hindi debut came in 1983 with ‘Andhaa kanoon’.
Rajnikanth is married to Latha Rangachari & has two daughters – Aishwarya & Soundarya- both of whom are connected with the film industry. Aishwarya Rajnikanth is a film director & playback singer while Soundarya is a film producer/ director along with being a graphic designer. Soundarya was the first woman director to direct Rajnikanth in ‘Kochadaiiyaan’ (2014).

The Government of India honoured him with the Padma Bhushan in 2000 and the Padma Vibhushan in 2016. He was awarded the Dadasaheb Phalke Award in 2019, though he has won only one Filmfare award for best actor in 1984 for a Tamil film, IFFI (International Film Festival of India) conferred on him the Satyajit Ray Lifetime Achievement Award this year- 2025.

Wish you a very Happy Birthday Rajnisaar (‘Thalaiva’ which translates as ‘leader’ but also used to mean ‘BOSS’). May you continue to entertain your fans. Stay Healthy. 🙂

Audio

Video


Song-Yaaron humko dekh ke kahe ye duniyaa saaaree (Dosti Dushmani)(1986) Singers-Mohammad Aziz, Shailendra Singh, Suresh Wadkar, Lyricist-Anand Bakshi, MD-Laxmikant Pyarelal
All three
Chorus

Lyrics

ho o o o
o o o
ho o o o
o o o
aa aa aaa aa
ho o o o
laa laa laa laa
laa laa laa laa
laa laa laa
yaaron humko dekh ke
kahe ye duniya saaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaree ho to aisee ho
arre yaaree ho to aisee ho
haan haan haan haan
yaaree ho to aisee ho
jaisee apnee yaaree
arre yaaron humko dekh ke
kahe ye duniya saaree
ho o
yaaree ho to aisee ho
arre yaaree ho to aisee ho
haan haan haan haan
yaaree ho to aisee ho
jaisee apnee yaaree
yaaron humko dekh ke
kahe ye duniya saaree

kaun kisee ke liye bhala marne ko taiyyaar hai
arre
kaun kisee ke liye bhala marne ko taiyyaar hai
duniya mein har ek ko apnee jaan se pyaar hai
duniya mein har ek ko apnee jaan se pyaar hai
arre humko apnee dostee
arre humko apnee dostee
haan haan haan humko apnee dostee
apnee jaan se pyaaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaree ho to aisee ho
jaisee apnee yaaree

kaheen kaheen par phool ye khilte hain naseeb se
kaheen kaheen par phool ye khilte hain naseeb se
is duniya mein dost to milte hain naseeb se
arre is duniya mein dost to milte hain naseeb se
kitnee achchee doston
arre kitnee achchee doston
haan kitnee achchee doston
hai taqdeer hamaaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaron humko dekh ke
kahe ye duniya saaree

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda
Govinda Govinda
Govinda Govinda
Govinda Govinda

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda

bansee baajee jamuna paar
saare gwaale hain taiyyaar
Govinda
bansee baajee jamuna paar
saare gwaale hain taiyyaar
arre gokul ashtmee ka tyohaar
aao aaj manaayen yaar
gokul ashtmee ka tyohaar
aao aaj manaayen yaar
hey galee galee mein macha shor
aaye aaye maakhan chor
galee galee mein macha shor
aaye aaye maakhan chor
ye matkee hum todenge
maakhan kha ke chhodenge
ye matkee hum todenge
maakhan kha ke chhodenge

aaj ke din hum dekhenge
ban ke kishan muraaree
Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
sambhal ke
hey sambhal ke
hey
ek to
do teen
teen chaar
hey
hey
hey
hey
hey
hey
hey hey hey
hey hey hey
hey hey hey
hey hey hey
hey hey hey
hey heyyyy

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Krishn agar tum Radha hotey main hotee Ghanshyam

Posted by: on: December 9, 2025


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6353 Post No. : 19694

Mukesh and his Co-Singers –15

I am extremely delighted to present this next post on Mukesh and his co-singers to the readers of the blog.

Mukesh and Suman Kalyanpur. Two singers who renditions are remembered and enjoyed to this day mainly because of the unique sweetness in their duets.

Their standalone solos and duets with other singers are legendary. But when they came together, the melody was amplified and in a different league altogether. The charm and harmony in their voices is very much evident. Most of the songs that they sang were usually soft romantic numbers.

In many films they had only one song. But many such films are remembered only for the duet of Mukesh and Suman Kalyanpur. Their voices blended perfectly creating iconic songs.
Read more on this topic…

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Choree choree aiyyo Raadhe

Posted by: on: November 15, 2025


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6329 Post No. : 19603

‘Safed Jhoothh’ (1977) was produced by Ashim Kumar and was directed by Basu Chatterjee. The cast included Ashok Kumar, Vinod Mehra, Mithu Mukherjee, Deven Verma, Manik Dutt, Aroop Kumar, Vidya Sinha, Geeta Kak etc. Pradeep Kumar and Amol Palekar made their guest appearances in the film. The film is a remake of Bengali film, ‘Chhutir Phandey’ (1975) with Soumitra Chatterjee, Aparna Sen and Utpal Dutt as main actors.

This film is one of the lesser known among the films directed by Basu Chatterjee who have directed many ‘middle of the road’ films. The Ajmer born and Mathura bred Basu Chatterjee (10/01/1927 – 04/06/2020) migrated to Mumbai in 1948 and worked as a cartoonist in ‘Current’ and ‘Blitz’ for about 18 years before venturing into Hindi films as Assistant Director under Basu Bhattacharya for ‘Teesri Kasam’ (1966) and under Govind Saraiya for ‘Saraswatichandra (1968). ‘Saara Aakaash’ (1969) was his first independently directed film which got him his first Filmfare Award for the Best Screenplay. The films which brought him accolades were ‘Rajanigandha’ (1974) followed by ‘Chhoti Si Baat’ (1975), ‘Chitchor’ (1976). Thereafter, he directed many films, most of which belonged to ‘middle of the road cinema’. In all, he directed 42 films and 8 TV serials during his career of four decades.
Read more on this topic…

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Baaje baansuriya hoye re

Posted by: on: November 14, 2025


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6328 Post No. : 19597

“Murliwaala”(1951) was directed by Vasant Painter for Madhuvani Chitra, Bombay. This movie had Vijaylaxmi, Shashi Kapoor (sr), Durga Khote, Gulaab, Mahipal, Parshuram, Krishna Kumari, Niranjan Sharma, Vasant rao Pahalwan, Ramesh Sinha etc in it.
Read more on this topic…

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Kaanha sabko mohey mangal roop tumhaara

Posted by: on: November 8, 2025


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6322 Post No. : 19577

Today’s song is from an 87 year old film – Gopal Krishna-1938.

The film was made by Prabhat Film Company, Poona. It was directed by Vishnupant Damle and S.Fattelal. Master Krishna Rao Phulambrikar gave the music to all the 14 songs written by Kavi Anuj. The cast of the film included Ram Marathe, Shanta Apte, Parshuram, Pralhad, Ulhas and many others.
Read more on this topic…

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O Mohan murlee waale ab raakho laaj hamaaree

Posted by: on: November 7, 2025


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6321 Post No. : 19574

Today’s song is from a 75 year old Mythological film- Shri Ganesh Mahima aka Shri Krishna Vivah-1950.

The film was made by Basant pictures, Bombay and it was directed by its owner Homi Wadia.

It is ironic that while Homi Wadia separated from his elder brother J.B.H. Wadia and consequently from the company- Wadia Movietone on the issue of insisting on continuing making stunt films, was now making Social and Mythological films and Nadia, who also left with him was working in Stunt and action films of other producers.

The Music Director was S.N.Tripathi. The cast of the film was Meena Kumari, Mahipal, S.N.Tripathi, Moolchand, Dalpat, Amarnath and others.
Read more on this topic…

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Akelee mat jaiyyo Raadhe Jamuna ke teer

Posted by: on: October 30, 2025


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6313 Post No. : 19545

Today’s song is from an interesting comedy film- 300 days and after-1938.

The title of this film itself was of a different type and not like any other film so far. The story was also of a different type.

This was the first decade of the Talkie films. it had just completed 7 years with 829 films, but in these 7 years many experimental films were made and various types of genres were tried. In these years the stress had been on making films on Folk tales, Mythological and Historical stories, remakes of successful Silent films, Love stories and Social films etc.
Read more on this topic…

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Raadha ke rasiyaa Gokul ke basiyaa

Posted by: on: October 12, 2025


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6295 Post No. : 19485

Today’s song is from the film Narsi Bhagat aka Ram Dhun – 1957.

1957 – what a year it was ! The best year in the Golden Era! The best year in the 50s! The best year for melody and music! Such wonderful films came this year!!! The lineup of 1957 films looks like the selection of the creamy layer in everlasting music – ‘Mother India’, ‘Pyasa’, ‘Tumsa Nahin Dekha’, ‘Bhabhi’, ‘Asha’, ‘Miss Mary’, ‘Naya Daur’, ‘Do Aankhen Barah Haath’, ‘Paying Guest’, ‘Nau Do Gyarah’, ‘Dekh Kabira Roya’. ‘Nausherwaan e Adil ‘, ‘Gateway Of India’, ‘Hum Panchhi Ek Daal Ke ‘, ‘Kathputali’, ‘Sharada’
Read more on this topic…

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Shyam kee baahon mein Radhika khele

Posted by: on: October 7, 2025


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6290 Post No. : 19471

#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Happy Birthday to Usha Khanna)
——————————————-——————————

Today 7th October 2025 is the eighty-fifth birthday of music composer and singer Usha Khanna (born on 7th October 1941).

On this occasion I am presenting song that is sung as well as composed by her.

This song is from the 1979 movie ‘Meri Beewee Ki Shaadi’. It was directed by Rajat Rakshit for AVM Arts International, Bombay. It was a social movie. The cast of this movie included Amol Palekar, Ranjeet, Ashok Saraf, C.S. Dubey, Maruti, Datta Bhatt, Jankidas, R. Verma, M. Naidu, Ashok Narang, Baba Naik, Siraj, Susheela Raut, Pramod Naidu, Chanda, Anuradha, Dilip Kulkarni (debutant) and others. Neelu Phule and Namita Chandra had special appearances in this movie.
Read more on this topic…

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Main to jaaoongee haan haan jaaoongee

Posted by: on: September 23, 2025


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

 6276 Post No. : 19423

Today’s song is from an 84 year old film Charnon ki Dasi-1941.

1941 was the first year in the second decade of the Talkie Era and it was the beginning of the emergence of a New film industry. When Talkie started in 1931, for many years after that, the films were made by the people who had done work in the Silent films. These films had a spill over for the silent era artistes. Once the films started talking,most silent artists who could not speak Hindi or Urdu automatically disappeared. Thus started the influx of new actors who could speak Hindi and sing songs, in whatever way they could. Intelligent directors like V Shantaram,Bhavnani, Sohrab Modi, Chandulal Shah, Himanshu Rai, B N Sircar, L V Prasad and a host of Gujarati directors understood that the Talkie needs a different treatment than silent films. Music directors from stage dramas tried their hand in composing film music.
Read more on this topic…

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Older Entries
This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.
This is a labour of love, where “new” songs are added every day, and that has been the case for over SEVENTEEN years. This blog has more than 19700 song posts by now.
This blog is active and online for over 6000 days since its beginning on 19 July 2008.
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Total number of songs posts discussed
19730

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Movies with all their songs covered =1540
Total Number of movies covered=5169

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