Archive for the ‘Lord Krishna related songs’ Category
Chhab dikhla jaa tu
Posted by: Atul on: April 4, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6469 | Post No. : | 20100 |
this is 20100th song post of the blog
If we liken this blog to a Train, and posts to stations, then important posts can be considered important stations. We in this blog consider century posts as important destinations. By that token thousandth posts are very important stations. Even among them, post numbers 5000, 10000, and their multiples are considered very very important destinations.
Last month on 11 March 2026, the blog reached the very very important destination of 20000th song post.
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Radha ne kiya singaar kyun
Posted by: Atul on: March 12, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6446 | Post No. : | 20001 |
Today’s song is from a Historical film – Andolan-1951.
The film was produced by Harnam Motwane, for his own banner Motwane Ltd. Bombay. It was directed by Phani Mujumdar and the music was by Pannalal Ghosh.
The film had in its cast Kishore Kumar, Shivraj, Krishnakant, Sachinn Shankar- Dancer, Parshuram, Tiwari, manju, Pushpa and many others. There were 3 lyricists and 8 singers for only 5 songs of the film.
film Andolan-1951 was a less known serious film. It is likely that most people have not even heard its name. I have not seen this film. But this is what its film booklet says-“In the year 1885, Charu Dutt, a worldly-wise patriot, journeys from his little village to attend the first session of the Indian National Congress, held in Bombay. A fire with patriotic zeal, he returns to his village and speaks to his friends and relatives of the new wave that is about to spread over India. To his son he explains the cultural and political past of India, from the dawn of her history upto the turbulence of 1857. . The years roll on, and we come to the partition of Bengal. There is thunder in the air, and India’s inspiring song, “Bande Mataram”, is born. . The struggle gathers strength. Mahatma Gandhi appears, and freedom comes closer…..1920….1921….. Simon Commission, Bardoli, Dandi, 1930….1932….the battle rages and the drams heightens, and thus, August 1942, Quit India, and on to the final chapter in our freedom story, which unfolds in this film as the story of a single family, representing the nation of which they are the heart-beats. ”
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Main bansee banoon banseedhar kee
Posted by: Atul on: March 8, 2026
- In: "Baansuri" song | Actor-Singer song | Dance song | Guest posts | Kantilal Songs | Lord Krishna related songs | Post by Arunkumar Deshmukh | Sitara devi songs | Song of 1940 | Song sung by three or more singers | Songs of 1930s (1931 to 1940) | Vasanti Song | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6442 | Post No. : | 19993 |
Today’s song is from a social film – Achhut-1940.
The second world war started from 1939, but its effects started being felt in India after 1940 only. The Government became alert and sensitive. Lots of restrictions were put on Imports and Exports. All exports to Germany and Japan were banned. Foreign travel came under Government microscope. Imports were restricted to only essential goods. Raw film stock came under Government control (and naturally became available freely in black market at exorbitant price). Taking advantage of the situation, the Government declared that those film production houses who help the Government in its war efforts, by making films with pro Govt. themes, would get raw film on priority.
Most production studios made films with Patriotic themes accordingly, spicing it with pro Govt dialogues to claim favours. Mahatma Gandhi too upped his efforts to Govt. in distress as much as possible by undertaking different Satyagrahas like the Salt Satyagraha, Burning of Foreign goods, Quit India Movement etc. At the same time Gandhi took up movement against social evils to attract public support to his main cause.
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Vo Gokul ka gwaalaa thhaa
Posted by: Atul on: March 4, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6438 | Post No. : | 19983 |
Today’s song is from a Religious film- Shri Chaitanya Mahaprabhu-1953.
Consequent to the grand success of the film BAIJU BAWRA-1952, the Prakash Pictures of the Bhatt brothers came out of its financial crisis, making a handsome profit and regaining its fame. For their next film, they repeated the Hero of Baiju Bawra – Bharat Bhushan and resorted again to their comfort zone of Religious/Mythological film Genre.
For a change, this time they opted for a story on a Saint from Eastern India. They hoped, perhaps, to recapture the Hindi film market in the Eastern Territory, which had suffered due to the closed outflow of Hindi films from New Theatres, Calcutta, which was on the verge of closing down totally. To attract the East India audience,they even hired R.C.Boral- one of the major supporters of New Theatres from its beginning- as the Music Director of this film.
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Manhar baanke bihaaree re
Posted by: Atul on: February 28, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6434 | Post No. : | 19972 |
Today’s song is from a social film, with an intriguing title – Anban-1944.
Hindi film titles are sometimes funny and sometimes confusing. Funny, we can understand but confusing titles can cause problems. I can understand the same titles for films. There are hundreds of such examples. Same titled films can be found from 2 to 7 films. Yes. Film title ” Insaaf” was used for 7 films from 1937 to 1997 – one each in every decade !
When titles are similar but not exactly the same, they can still cause confusion. Here are some examples….. Aajkal and Aaj aur kal, Aarsi and Aarti, Shadi ke baad and Shadi se pehle, Agent 1-2-3, Agent 777 and Agent 999, Lagaan and Lagaam, Daanaa Paanee and Dana Pani etc etc.
Today’s film also falls in this category. There was a film called Aanbaan and this is Anban. For several years I was confused, but when I read in a Film magazine that this is Un-bun pronounced as “अन-बन ” (discord or rift in English), my confusion was cleared. (Aanbaan means dignity or pride in English).
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Jai jai jananee Shree Ganesh kee
Posted by: Atul on: February 20, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6426 | Post No. : | 19946 |
TV serial Song number 3:
I am presenting a devotional song, ‘jai jai janani Shree Ganesh kee’ from Episode-28 of TV Serial, ‘Mahabharat’ (1988) which is rendered by Anuradha Paudwal in the words of Pandit Narendra Sharma. The song is picturised on Chana Ruparel in the role of Rukmini.
As a part of his political maneuver and the future alliance with the Vidarbha King Bhishmaka and the Chedi King, the Magadh King, Jarasandh (Rana Jung Bahadur) is interested in arranging marriage of Rukmini (Chana Ruparel) with Shishupal (Karunakar Pathak), the son of the King of Chedi. King Jarasandh convinces Bhishmaka, the King of Vidarbha and his elder son Rukmi (Dinesh Kaushik) to invite Shishupal for the marriage ‘swaymvar’ of Rukmini. Rukmi conveys the decision to his sister, Rukmini with the instruction to select Shishupal as her husband in the ‘swaymvar’. Rukmini is distressed with this decision forced on her because she has already decided that Krishna is her ideal husband after hearing his heroics and bravery. She writes a letter to Krishna to rescue her from the forced marriage with Shishupal.
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Binatee suniye naathh hamaaree
Posted by: Atul on: February 16, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6422 | Post No. : | 19934 |
TV serial Song number 2:
I am presenting the song, ‘binati suniye naathh hamaari’ from Episode-27 of the TV Serial, ‘Mahabharat’ (1988) which is rendered by Sadhana Sargam in the words of Pandit Narendra Sharma. The song is picturised on Channa Ruparel in the role of Rukmini. The background song conveys the essence of a letter which Rukmini writes to Krishna to rescue her from her forced marriage to Shishupal, the prince of Chedi (the present day Bundelkhand). Rukmini had never met Krishna but she had heard the stories of his heroics and bravery. She was devoted to Lord Krishna and had made up her mind that she would marry him only. But her elder brother, Rukmi was more interested in Rukmini marrying Shishupal because of his friendship with Jarasandh, the king of Magadh who wanted him to arrange his sister’s marriage with Shishupal. Also, Shishupal hated Krishna out of jealousy and did not want Rukmini to get married to Krishna.
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Meree godee mein gopaala
Posted by: Atul on: February 13, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6419 | Post No. : | 19922 |
“Mausi”(1958) was directed by Prabhat Kumar for Rajkamal Kala mandir, Bombay. The movie had Sumati Gupte, Vandana, Baburao Pendharkar, Reshma, Ranjana Shukla, Asha Devi, Ramesh Deo, Rajkamal, R V Rane, Putlibai, Baby Mumtaz, Rajguru Deshmukh, Roohi, K Date etc in it.
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Kanhaiyya re Kanhaiyya tu maan ya na maan
Posted by: Atul on: January 24, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6399 | Post No. : | 19851 |
“Naya Sansaar”(1959) was produced by Darshan Malhotra and directed by Nanabhai Bhatt for Shri Krishna Films, Bombay. This “social” movie had Jayashree Gadkar, Pradeep Kumar, Nanda, Dhumal, Tuntun, Sundar, Shammi, Majnu, Sheila Vaz, Sai Subbulakshmi,Kamla Laxman etc in it.
“Naya Sansaar”(1959) had six songs in it. Three songs have been covered in the blog.
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Kaanha murlee bajaayee
Posted by: Atul on: January 14, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6389 | Post No. : | 19816 |
Today’s song is from a Mythological film Shri Ganesh Mahima aka Shri Krishna Vivah – 1950.
This is one Genre that I have my soft corner for. I like religious songs. I find bhajans by various artists from different films so enchanting to listen to. Seeing Religious or Mythological films attracted me as much as the ‘C ‘grade action/stunt films did. I used to go to the extreme corners of the city to watch such films in absolutely dilapidated old theatres, which were affordable for the lowest strata of the society. I used to get so engrossed in seeing the action films that the presence of the third grade public passing lewd and loud comments never disturbed me ! Similarly, visiting Theatres along with the old and the senior most family members, composed mainly of old ladies to watch mythological movies was an experience to remember till date ! Later on I realised these films also provided a lot of religious knowledge, in the formative years.
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