Archive for the ‘Devnagri script lyrics by Sudhir’ Category
Holi ka din hai pyaar karen
Posted on: March 27, 2013
- In: "Holi" festival song | Devnagri script lyrics by Sudhir | Feelings of heart | Festival song | Guest posts | Holi song | Lyrics contributed by readers | Post by Sudhir | Rare song | Song sung by three or more singers | Songs of 1940s (1941 to 1950) | Songs of 1947 | Yearwise breakup of songs | Zohrabai Ambalewaali song
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
हाँ भई, होली हो और गीतों में रंग न हो तो, तो क्या मज़ा है, हाँ?
बस, भला हो उस ऊपर से ideas देने वाले का। गाने में एक से ज़्यादा आवाज़ हो तो पंक्तियों को color code कर दो। और फिर देखो गीत की लाईनें पढ़ने का मज़ा। और होली के दिन तो बस मज़ा रंगदार गीतों का ही है। सो, पेश है एक ऐसा ही रंगदार पंक्तियों वाला गीत – होली भी और रंग भी, दोनों ही गीत में गुथे हुये मिल गए।
होली मुबारक
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Ek jaanib shamm e mehfil
Posted on: March 17, 2013
- In: Devnagri script lyrics by Sudhir | Duet | Guest posts | Lyrics contributed by readers | Manna Dey Rafi duet | Manna Dey songs | Post by Pamir Harvey | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1968 | Translation by Sudhir | Translations by readers | Yearwise breakup of songs
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This song from Abhilasha (1968) is not so well known like the other two featured songs on the blog here. It is a Rafi-Manna Dey duet. Roshan used this combination of voices brilliantly in his qawaalis. This song, I think is the first time that Pancham uses this pair of voices.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
A romantic song in the garden, with the hero and heroine moving between the flowers and around the trees, has been almost a fixture in the formula of social drama movies, almost from the word go. A difference that one can point out that in 30s and 40s, for such songs, the lead pair would be more sober with their movements, and probably be singing with very little movements. This changed in the 50s and 60s, when dancing, running and chasing each other became important elements of picturization of such songs.
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Badla dilwaayegaa yaa rab
Posted on: March 14, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Today’s date, 14th March, is an anniversary of another sort, very intimately related with Hindi films and Hindi film songs. Today is the 82nd anniversary of the birth of the Hindi film song. It was this day, that the first talkie film of the Hindi screen was exhibited for the first time. The film is ‘Aalam Ara’, and the first public exhibition of this film occurred on 14th March, 1931, at a theatre named Majestic in Bombay. With the release of this film, the silent moving pictures acquired a voice, the story acquired the spoken word, and the medium changed forever with the infusion of the most significant element in the repertoire of Hindi cinema – music and songs.
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- In: Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rare song | Song from Unreleased Films of 1950s | Song from unreleased movie | Songs of 1950s (1951 to 1960) | Songs of 1960 | Talat Mehmood solo | Talat Mehmood songs | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Remembering Talat Mehmood (24 february 1924- 9 may 1998) on the anniversary of his birth today(24 february 2013).
The soft velvety voice that has lent itself to a wonderful array of musical creations, and made an indelible mark in the annals of Hindi film and non-film music. Whether the song is of happiness or it is of sadness, the first thing that comes to mind on hearing Talat Sb’s voice begin to sing, is a feeling of utmost comfort. A feeling that releases all other compulsions in the mind, and the mind wants to sit back and relax and just listen to this soft sound serenading the matters of heart.
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Ek do teen ho to karoon aitbaar
Posted on: February 22, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I have so far seen three films produced and directed by Roop Kishore Shorey – ‘Ek Thhi Ladki’ (1949), ‘ Dholak’ (1951) and ‘Ek Do Teen’ (1953) and I relished them wholeheartedly. He was known in his hay days as ‘King of Comedy’ as most of his films were based on light situational comedies. There was no gaudiness in his comedy films as the comedy emanated from a ‘self goal’ that is, the characters in his films laughed on themselves rather than taking pleasure in laughing on others.
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