Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Pankaj Mullick movie songs’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Doctor (1941) is a classic landmark film produced under the banner of New Theatres, Calcutta. This film is the zenith of Pankaj Babu’s performance as a singer-actor, and all the songs of this film attained iconic popularity. A brief description of the earlier episodes of the film are summarized in the write up for the song Kab tak niraashaa ki andhiyaari .
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The film ‘Manzil’ is a 1936 production from New Theatres Calcutta, directed by P Barua. The star cast includes Jamuna, Molina Devi, Prithviraj Kapoor, KC Dey, PC Barua, Nemo, Harimati, Sitaara, Shor, Indu Mukherjee. The songs of this film are written by Aarzoo Lucknowi and Asgar Hussain ‘Shor’. The music composition is by RC Boral, assisted by Pankaj Mullick. The screenplay is based on the novel ‘Grih Daah’ by Saratchandra Chatterjee.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The innovator in Pankaj Babu has been responsible for some very remarkable additions to the sound and music aspect of the film industry. He was probably the first music arranger and orchestra conductor to introduce the use of western musical forms and instruments in the music for films in India. He is credited with introducing the use of instruments like piano and accordion, in the music compositions for Hindi and Bengali films that he worked on.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Radio broadcast services were introduced in India in 1927. The first establishment to broadcast radio signals for public consumption was a private company named India Broadcasting Corporation (IBC). This company was the forerunner of All India Radio (AIR).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Pankaj Babu’s last association with Hindi film world was in 1954. After the film Kasturi, in 1954 he did not work for any more Hindi films. His association with the Bengali cinema lasted for some more years, till 1972, beyond which he was content with the peace, and with teaching music. The Padam Shri award for this remarkable musician came in 1970, followed in 1972 by Dada Saheb Phalke award for lifetime contribution to Indian Cinema.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Music has always been an enchanting appeal for me, since my childhood. Having grown up on a listening diet of radio programs on AIR and Radio Ceylon, the music of Hindi films has been the best charm for me. In the eighties, fresh out of college, and into my first job, the earnings meant that now I could buy music that I wanted to listen. Cassette tapes were the popular media in those days, and making copies of music from records was a rampant cottage industry.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Pankaj Mullick, the name that shines in the Bengali music and culture as one of the brightest stars. Most of us are familiar with Pankaj Babu as being an accomplished composer and singer. But, much more than that, he was an innovator par excellence. Not many are familiar with the fact that this gifted musician, through his experimentation with providing music to films, originated the concept of background music in Indian cinema, to accentuate the emotions, the action and the pace of the scenes on screen.
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