Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Series of articles’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE JOY OF NFS (song No. 5)
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Somewhere in the late 2011, AK ji of Songsofyore, had written on this Blog about the importance of NFS. After reading his views, I too wrote a rather lengthy comment supporting the inclusion of NFS on this Blog. Our contention was that, prior to the Hindi Film Music becoming popular all over India, it was those gazals, Geets and Bhajans, privately sung and recorded by various artists which had ruled the tastes of music lovers. In fact many famous singers had recorded NFS in the beginning phase of their singing careers. Some names are Talat Mehmood, Saigal, Pankaj Mullik, Jagmohan and JUTHIKA ROY !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE JOY OF NFS (Song No. 4)
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From my house towards Juhu, there is a building at the corner of Gulmohar Circle which has a board- ‘Karachi Residents’ Association’. On enquiry I discovered that this was a building owned by Sindhi speaking Hindu and Muslims people who resided in Karachi before Partition. I was told that 5-6 such buildings exist all over Mumbai. On further enquiries, I was informed that there were a few buildings of ‘Lahore Residents Association’ also (Punjabi speaking Hindus and Muslims). When I met one of the residents of ‘Lahore’ wala building, that old gentleman was speaking so lovingly about old Lahore that I was surprised. Even after 65 years of partition, these people had such fondness for Lahore. . . or Karachi, for that matter.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE JOY OF NFS (Song No. 3)
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Believe it or not, but there is some kind of an unseen hand of Destiny that shapes Human life. In film industry, one can see very strange cases. Some people gracefully retire, when they are on Top of their careers and some have to retire because there is no work for them. Some people join the industry in a department of their choice,but Destiny changes their life and they end up working and succedding in an entirely different field of activity.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE JOY OF NFS (Song No. 2)
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When films started ‘ Talking’, the industry needed actresses who could look good and sing well. Already hard pressed to get girls from educated respectable families, the producers turned to professional singers (Tawayafs) or the Courtesans. These girls knew Hindi/Urdu well, were trained in singing and were experts in handling people. They could and actually did replace the Anglo Indian girls, who had been in the industry since the Silent era, but who found it difficult to talk or sing in Hindi/Urdu. There were some enterprising Anglo Indian girls like Sabita Devi or Irina Gasper, who learnt speaking Hindi and singing just to continue their careers successfully. Later on she made a Hit pair with Motilal in many films, starting with Shehar ka jaadu-1934.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE JOY OF NFS (Song No. 1)
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MUSIC is an integral part of every Indian. From birth to death, we are drenched in music. During Vedic times, the Rishis used to teach their students verses in Taal and Sur, so that the students would remember them easily. You will have observed that whenever there is a Mahapooja or an Yadnya, the Purohits will recite the Mantras in a typical rhythm and sur.
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This is the 300th article in the blog by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s…(Pushp-12….Last of the series)
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So, we are ending this Bhajan series today with the most appropriate and suitable Bhajan for the occasion, from the film- Mahapooja-54. The bhajan is sung by Amirbai Karnataki and Tara Harish-both in their last phase of the career. This is a Bhajan-almost an Aarati, but not exactly-in praise of Shri Satyanarayan Swami.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp – 9)
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Today’s bhajan is from a film called Patit Pawan-1955.

The word Patit Paawan is generally used for Shri Ram. This is based on a story that, Ahilya, who was the wife of Rishi Gautam,was very beautiful and was cheated by Indra Dev. Smitten by her beauty, he comes disguised as Rishi Gautam, her husband and has a good time with her. When the real Rishi Gautam comes to know about it, he is so furious that he curses Ahilya and turns her into a stone and she would have to remain in that state till Sri Ram’s feet touched her when she would regain her human form. After a few years, Lord Shri Ram comes that way and touches the stone and thereby frees Ahilya from the curse and she regains her human form. Thus, a Patit (the fallen one) is made Paawan (is purified), hence the name Patit Paawan for Shri Ram.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp-3)
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There is a class of people, who make faces when a Mythological film is mentioned. According to them, seeing such films is ” outdated ” and ” Fundamentalist ‘. They feel that those who see such films are way behind the times. These people forget that in the so called ” advanced” world of Hollywood, even today,Mythological,costume and Historical films are regularly produced. Only thing is that these films are no longer advertised on the same scale as was the case a few decades back.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE VIBRANT 40s……(Episode 1)
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We are starting a New series from today and the name of the series is THE VIBRANT 40s.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Badalte Huye Saathi (Episode 11…LAST SONG)(Lata sings with Chitalkar)

Finally, we have reached the end of this series having just 11 songs. For a theme like BADALTE HUYE SAATHI,11 songs is too less, I know. This subject is so vast that,at best,it can only be represented here, and it is not possible to do full justice to the topic, I agree. When I started this series,I had said that it is not possible to cover all the Major singers or cover the entire period of 1931 to 1960. However, the temptation to write on this topic was so intense that I decided to do it in 10 to 12 episodes, somehow. Utter ” Na- Insaafi “, I am aware of it !
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