Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Sudha Malhotra songs’ Category


“Parvarish” (1958) was a Roop Kala pictures production. It was produced by Mahiptray Shah and directed by S Bannerji. The movie had Raj Kapoor, Mala Sinha, Lalita Pawar, Nazir Hussain, Krishnakant, Mahmood, Radhakishan, Sheila Vaaz, Meena, Brahm Bhardvaj, Devraj, Munshi, Burhan, Nadir, Jenifar, Razaak, Deepak, Raja, Tilakraj, Sohni, Kamal Chowdhary, Akhtar, Narbadashankar, Mirajkar, Swami etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Anand Bakshi on the anniversary of his passing away.

Anand ji, a most prolific songwriter that this industry has seen. His claim to fame is having penned more than 3,500 songs for nearly 640 films. A writing career that lasted for more than four decades, and his creations continued to appear in films as late as last year (2012), ten years after his passing away from this world. In his lifetime, he was nominated for no less than 40 times for the Filmfare awards, which sounds like almost one nomination every year of his active career from 1957 to 2002. That in itself may be a record that no one may be close to in the industry. He won this award four times.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

For the past few days, I have been going through the poems of Amir Khusrau. Fortunately, most of his poems are available on the internet with English translation. His love poems, riddles, dohas (couplets in Hindwi), qawwalis etc are very absorbing. I feel, it will not be an exaggeration to say that the trigger for the first literary renaissance especially in northern India was witnessed during the time of Amir Khusrau. He was one among the first in elite class to propagate the use of an Indian vernacular language in his poems which he called Hindawi ( mix of Hindi and its subsidiary dialects). I am not sure but the development of Urdu language in later years may have come as a continuum from Hindwi language.
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“Kalpana” (1960) was an Ashok Pictures Private Limited production. It was produced by Ashok Kumar and Ganesh and directed by Rakhan. The movie had Ashok Kumar, Padmini, Ragini, S Nazir, Sunder, Balam,Pachhi, Achala Sachdev, Sarita Devi, Baby Farida, Rani Kumar, Harbans, Amrit, Khatana, Iftekhar, Brahm Bhardwaj, Keshav, Ibne Hasan, Shakil Nomani etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Changez Khan’, the film from 1957, boasts of the iconic Rafi rendition “Mohabbat Zinda Rehti Hai. Mohabbat Mar Nahin Sakti”. Coming from the banner of NC films, this is a home production of Hansraj Behl and his family. The film is produced by Gulshan Behl (brother of Hansraj Behl), and is directed by Kedar Kapoor. The star cast is impressive and includes Premnath, Bina Rai, Sheikh Mukhtar, Johnny Walker, Jeevan, Tiwari, Leela Misra, Ramesh Thakur, Helen, Khursheed, Sandow, Jai Singh, Satpal, Bakshi, Chaman Lal, Aazam, B Saagar. The songs of this film are penned by three poets – Qamar Jalaalabaadi, Saraswati Kumar ‘Deepak’ and Verma Malik. This particular song is written by Qamar Jalaalabaadi. And yes, the music is by Hansraj Behl. The film has a total of six songs, four of which are already present on this blog. This here is a very sweet and a very lilting melody, the fifth one from this film to make it here.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“WOW” – the first reaction from my mind when I heard this song again after a very long time today. What a pleasant, delightful creation of joyous abandon this song is. One of those apparently never ending stream of gems that keep popping up from the most unexpected corners of this treasure house that we call the Hindi film music. Wow, what a song this is – a song that has stayed obscure. . . rather I would say, it has suffered obscurity for reasons that may never be completely understood. For why else would such wonderful creations of such bubbling music stay away from limelight and away from the listening pleasure of music lovers. I am sure you will believe my words when you hear it. And its obscurity is underscored by the fact that I was not able to locate it online, so far as I could search, and so I am posting this rare gem for my listener friends.
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