Posts Tagged ‘Premnath’
Main hoon chhui mui
Posted April 14, 2024
on:This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5749 | Post No. : | 18272 |
Today’s song is from the film Chhupa Rustom-1973.
This was a Dev Anand film. Once upon a time, when I was very very young, I was very fond of his every film. He looked so cute, handsome and a real film Hero ! As the years rolled by, I saw less and less films. The last film that I enjoyed in which Dev was a hero was, perhaps, Guide -1965. Thereafter Dev Anand’s cute looks started fading, age was showing on his face and probably on his brain too, because he refused to accept that he was no more a cute looking actor. The result was saddening. Further, he was adamant in writing his own film stories, directing them and acting also as a Hero.
He no longer looked like his old self but refusal to accept it made Dev Anand get far away from his admirers. His films were failures, the audience was thin, but surprisingly he always got financiers to produce his films ! His other contemporary actor Heros like Raj Kapoor and Dilip Kumar had accepted the reality and adjusted to the roles in their new films, but Dev Anand was convinced that he would never look old,haggard or senior. So he continued his same old style of acting, choosing young Heroines- who would be like his daughters- whether it suited him or not.
From 1978 to 2011 he appeared in 18 films and 15 of them were directed by him. At the age of 88 years, he was the lead actor in his own film. Whatever he did in his later years gave his old admirers immense pain and sorrow but all this was pardoned for what he gave them when he was young and handsome ! His bank of popularity never became bankrupt for his old fans, because they shunned his later films but remembered Dev Anand of C.I.D., Paying Guest, Baazi, Patita, Taxi driver, Munimji, Pocket Maar, Funtoosh, Baarish, Kala Pani, Hum Dono and many more memorable films. For fans like me, he lived only in those films and after 1970, “our Dev Anand ” was not in the film line !
Dev Anand rejected many films where he did not have any songs. He never accepted sad and tragedy films. Unlike Dilip and Raj, he did not like ” Dying” at the end of a film. However, in his entire career, he ” died’ only TWICE in his films. First film was ” Zalzala”-1952 and the last was ” Guide’-1965. He was the hero in one English film “The Evil Within”-1970, made by 20th Century Fox of Hollywood. Baburao Patel of ” Film India ” magazine called him ‘ effeminate ‘. Wish Dev should have followed Shanta Apte’s example, but his temperament was different. he might not have had discretion of doing romantic roles in an unsuitable age, but surely he knew better than Ashok kumar not to work in Mythological or Historical war films and become an object of ridicule 1 (Watch Ashokmkumar in film ‘Humayun-1945’ of ‘ Uttara-Abhimanyu-1946’).
Film Chhupa Rustom was directed by Vijay Anand. Dev was paired with young and beautiful Hema Malini. Being his own company’s film, he was dominating in the film with cameras on him for a greater time, like always. The story of the film was…….
The Government of India had granted Rs.50,000/- to Prof. Harbanslal to conduct a study in the mountains bordering Tibet with India, called the Nangala Project. Harbans Lal(A.K.Hangal) is sure that within these ice-capped mountains lies an entire temple made of pure gold. When Vikram Singh (Ajit) and his son, Bahadur (Prem Chopra), find out about the Nangala Project, they abduct Harbans Lal in order to force him to reveal the exact location of this temple, in vain though and end up killing him.
Having failed in this venture, they kidnap the wife (Veena) and son of multi-millionaire Rajendra Jain(Sajjan) and demand that he get Bahadur married to his daughter, Ritu (Hema Malini). Rajendra discusses this matter with Ritu, and Ritu is ready and willing to do anything for her mother and brother. Rajendra hesitates, and soon he receives his wife’s thumb in the mail. Losing no time, Rajendra and Ritu make arrangements for the marriage and communicate accordingly with the kidnappers. Soon a wedding date is fixed, however, things do not go as planned as Ritu is abducted by a man called Natwarlal( Dev Anand) and taken to his hideout. While driving there, their car breaks down and they are forced to take a lift from Jimmy Fernandes (Vijay Anand), albeit at gunpoint. Jimmy drops them off at an isolated spot, leaving Natwarlal to work out the details of getting the ransom money from Rajendra. Before that could happen, Jimmy shows up and abducts Ritu.
With his wife and son still held captive with Vikram and his son, Rajendra is at his wits’ end as to whose life he should give priority to. Dev and his team kidnap Hema Malini, and get Ajit and his henchmen after them. The ruse is to somehow get the gangsters interested in Dev Anand, as the only person who can decipher the secret diary of Hangal, who is in Ajit’s custody. After more machinations, finally Dev Anand leads Ajit and Prem Chopra to the treasure, only to trap them in the underground vault, and extracts their confessions under the fear of death. Dev Anand reveals his identity. Ritu and Dev get United.
I always liked Vijay Anand – both as an actor and a director. Vijay Anand was a celebrated filmmaker, writer, editor, and actor in Hindi cinema. Known as “Goldie,” the younger brother of filmmaker Chetan Anand and matinée idol Dev Anand, Vijay Anand was born in Gurdaspur, Punjab, India on January 22, 1934. A very literate man, he graduated from Bombay University and while still a teenager wrote the script for his brother Dev Anand starrer “Taxi Driver” (1954), directed by his other brother Chetan Anand. The film, inspired by the crime thrillers of Hollywood, was released through their home production company Navketan, and became his first big hit.
“Nau Do Gyarah” (1957) was Vijay Anand’s directorial debut, which was based on his own script. The film starred his brother Dev Anand and Dev’s wife Kalpana Kartik. It became another hit. Goldie showed an exceptional visual style, especially when it came to picturizing song sequences. His next film was the story of a black marketer and his redemption in “Kaala Bazaar” (1960). The film starred his brother Dev again, along with Waheeda Rehman, who became a regular heroine for most Navketan films during that era. This was also the only film where all three brothers (Chetan, Dev, and Vijay Anand) acted together. “Tere Ghar ke Saamne” (1963) with Dev Anand and Nutan was a romantic comedy that became another hit. Goldie also wrote the screenplay for “Hum Dono” (1961) and supposedly ghost-directed the film as well.
His masterpiece as a filmmaker came with “Guide” (1965). Based on RK Narayan’s novel The Guide, the film is unforgettable for its bold themes about how a man (Dev Anand) and woman (Waheeda Rehman) live together outside the sanctity of a marriage. Composer S.D. Burman’s songs were given stunning visuals. The film became a huge hit and won several major awards, including two Filmfare Awards for Vijay himself for directing and for writing the dialogue for the film. With Guide, Vijay Anand became the Hindi film industry’s big star filmmaker. He was a visionary, a genius who could make intellectually stimulating films that could also generate profits and win industry awards. His next film also brought him everlasting glory. He directed and edited “Teesri Manzil” (1966) for producer and writer Nasir Husain. The film starred Shammi Kapoor and Asha Parekh and gave composer R.D. Burman (S.D. Burman’s son) his first major success. The film’s suspenseful story, combined with the stars’ romantic chemistry, and Burman’s modern songs, made it into another box office smash and a perpetual favorite among moviegoers.
Vijay Anand was at the pinnacle of his fame, when he went back to Navketan to direct the hit film “Jewel Thief” (1967). But there was a wrinkle. He found his “Jewel Thief” leading lady Vyjayantimala to be a distracted diva, especially after he enjoyed the professionalism and dedication of his previous leading ladies Waheeda Rehman and Asha Parekh. Nevertheless, Vyjayantimala gave a heartfelt and polished performance in “Jewel Thief,” and it seemed like Vijay Anand can do no wrong. But his next film proved otherwise.
After three hit films in a row (Guide, Teesri Manzil, Jewel Thief), Vijay Anand experienced his first flop. Initially, “Kahin Aur chal” (1968) had the makings of a hit, as it starred Dev Anand and Asha Parekh, who were both top box office draws in 1968, along with music composers Shanker-Jaikishen. But the film’s financier Tolaram Jalan wanted a flop film to adjust his income taxes, and so he took the film from Vijay Anand and released it in a single matinée show and then pulled it out. This experience pained the filmmaker, especially since the film never resurfaced again.
He bounced back with “Johnny Mera Naam” (1970), which grabbed the top stop at the box office in 1970. It starred Dev Anand and Hema Malini. Vijay Anand won two Filmfare Awards, one for editing and the other one for his screenplay. He then directed “Tere Mere Sapne” (1971) based on the A.J. Cronin’s novel “The Citadel.” He also played a supporting role as an alcoholic doctor. While the film became his personal favorite, it wasn’t a major success at the box office and became a turning point in his career. His subsequent films like “Blackmail” (1973), “Chhupa Rustom” (1973), “Bullet” (1976) were major disappointments. Also, at this time, Dev Anand was establishing himself as his own director.
At this time Vijay Anand was going through personal problems, as he married his much younger relative ( his sister’s daughter) and turned to a spiritual leader Godman Rajneesh. He did return to directing films with multi-starrers like Ram Balram (1980) and Rajput (1982) but the filming took a long time, because of the stars’ busy schedules and Anand felt he made too many compromises. He still made occasional films, such as Hum Rahe Na Hum (1984) and Main Tere Liye (1988) but these films lacked the famous Vijay Anand style. In all he directed 16 Hindi films.
Vijay Anand also acted in films for other directors, such as Double Cross (1973) and Ghungroo ki Awaaz (1980). Waheeda Rehman and Rakhee proclaimed him to be a genius filmmaker but also told the press that his acting skills paled in comparison to his directing skills. Generally it is believed that he made his acting debut with the film “Joru ka Bhai”-56. I always remember his small but eye-catching role of a journalist,in the initial part of the film Funtoosh-56. He acted in two major hit films, Kora Kagaz(1974) and Main Tulsi Tere Aangan ki (1978), but in both instances his acting was overshadowed by his leading ladies, Jaya Bhaduri and Nutan, who both won Filmfare Awards in the Best Actress category.
He acted in 13 films, including Funtoosh-56. In the early 1990s, he was seen in the television serial Tehqiqaat playing Sam the Detective. In 1997, his older brother Chetan Anand’s death devastated him. In 2001, he took over as the new censor board chief after Asha Parekh finished out her controversial three year term. Earlier, she hadn’t given clearance to his nephew Shekar Kapur’s film “Elizabeth” (1998) and several film industry insiders expected some tension between them, especially after Parekh admitted that she and Anand didn’t see eye-to-eye on policing adult films. But she invited him to her sixtieth birthday celebration in 2002, and they both celebrated the occasion as old friends and colleagues.
Anand was in the process of making another film with brother Dev Anand, when he died on February 23, 2004 due to a heart attack. He left behind his wife Sushma and son Vaibhav, an aspiring filmmaker. His grief-stricken older brother Dev Anand wept openly at the funeral.( Thanks to material from an article of Ramstep-IMDB, Ateet ke Sitare and my notes).
Today’s song is sung by Asha Bhosle. Written by Vijay Anand, it had music by Navketan’s favourite and regular Music director – S.D.Burman. This is the last and final song from this film. The film is YIPPEED now.
Audio
Video
Song- Main hoon chhui mui (Chhupa Rustam)(1973) Singer- Asha Bhosle, Lyricist-Vijay Anand, MD-S D Burman
Lyrics(Provided by Prakashchandra)
huhhh…hhh
chhuo naa..aaa
mar jaaoon sharmaa ke uyyee
main hoon chhui mui ee ee
aankhon se dekho lekin
chhuo naa aa aa
mar jaaoon sharmaa ke uyyee
main hoon chhuyee muyee ee ee
aankhon se dekho lekin
chhuo naa aa aa
mar jaaaon sharmaa ke
uyyee
khiltey ae aey ae
baagon..on kee main
komal
daalee ee
thheee…ee..ee ee
ghar mein..aen laakar
rakhaa..aaa..aa tumney
chaahaa..aaa dil se
phir bhee..ee..ee
murjhaaaaoon..oon oon
mar jaaoon
huhh
mar jaaoon sharmaake uyyee
main hoon chhuyee muyee ee ee
aankhon se dekho lekin
chhuo naa aaaa
mar jaaaon sharmaake uyee
madiraa aa aa
ki hoon oon pyaalee
lekin
chhoti ee ee ee
seee ee ee
pyaasey ae
ho tum
kuyein jaisey
thhar thhar..rrr…rrr kaanpoon
main..ae ae
dar jaa..aa aaoon oon
mar jaaoon
huhh
mar jaaoon sharmaa ke uyee
main hoon chhuyyee muyee ee ee
aankhon se dekho lekin
chhuo naa aaaa aaa
mar jaaaon
sharmaa ke
uyee
main hoon chhui mui eee
aankhon se dekho lekin
chhuo naa..aa aaa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5317 | Post No. : | 17437 |
“Sanyasi”(1975) was produced and directed by Sohanlal Kanwar for Filmnagar, Bombay. The movie had Manoj Kumar, PremNath, Prem Chopra, Hema Malini, Brahma Bhardwaj, Aruna Irani, Sulochana Latkar, Pran, Kamini Kaushal, Indrani Mukherjee, Chandrashekhar, Shailesh Kumar, Raj Mehra, Helen, Aparna Chowdhary, Jayashree T, Hari Shivdasani, Brahm Bhardwaj, Murad, V.Gopal, Rajpal, Kuljeet, Kamaldeep, Keshav Rana, Yunus Parvez, C.S.Dubey, Narbada Shankar, Tiger, Shera, Romeo,
G.A.Sheikh, Dinesh Hingoo, Bihari, Darshan Arora, Sabina, Sheila, Madhup Sharma, Krishna Kumar, Kumari Naaz, Nazima, Monty Nath, Surendra Rahi, Gurcharan Pohli etc in it.
“Sanyaasi”(1975) had nine songs in it. Eight songs have already been covered in the blog. Here are their details:-
Blog post number | Song | Date of posting | Singer(s) | Lyricist | Remarks | |
---|---|---|---|---|---|---|
7457 | Tu mera din hai main teri raat | 6 February 2013 | Suman Kalyanpur, Mukesh | M G Hashmat | ||
10614 | Chal sanyaasi mandir mein | 31 December 2014 | Lata, Mukesh | Vishweshwar Sharma | ||
12259 | Karm kiye ja phal ki ichcha mat kar ae insaan | 24 July 2016 | Lata, Mukesh | M G Hashmat | ||
13659 | Baali umariya bhajan karoon kaise | 16 October 2017 | Lata, Mukesh | Vitthal Bhai Patel | ||
14052 | Kya maar sakegi maut usey | 12 February 2018 | Manna Dey | Indeewar | Multiple version song | |
16624 | Sun baal brahmchaari main hoon kanya kunwaari | 16 October 2021 | Lata, Mukesh | Verma Malik | ||
17432 | Shaam e furqat ka dhhal gaya saaya re | 6 February 2023 | Lata, Premnath | Hasrat Jaipuri |
Here is the ninth and final song from “Sanyaasi”(1975) to appear in the blog. This song is sung by Lata Mangeshkar. Vishweshwar Sharma is the lyricist. Music is composed by Shankar Jaikishan.
This song is picturised as a villain’s den dance song cum distraction song on Hema Malini. The villains present in their den are Premnath, Prem Chopra, Raj Mehra, Kamal Deep, Keshav Rana, Bihari, Sheikh,etc. Naazima and Sulochana Latkar are also present as prisoners of the baddies.
Lyrics of the song were sent to me by Prakashchandra.
With this song, all the songs of “Sanyaasi”(1975) have been covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.
audio link:
video link:
Song-Jaisa mera roop rangeela waisa miley jawaan (Sanyaasi)(1975) Singer-Lata, Lyrics-Vishweshwar Sharma, MD-Shankar Jaikishan
Lyrics(Provided by Prakashchandra)(Based on Audio link)
jaisa mera roop rangeelaa
waisaa miley jawaan..aa aa aa aan
to saudaa aa pat jaaye ae
haayye haayye
jaisaa meraa roop rangeelaa
waisaa miley jawaan
to saudaa aaa aaa aaa pat jaaye ae
jaisaa meraa roop rangeelaa
waisaa miley jawaan
to saudaa aa aa pat jaaye ae
ek umariyaa baali meree
us par chadhhee jawaanee
uske oopar nashaa roop kaa
ho gayee main deewaanee
ek umariyaa baali meree
us par chadhhee jawaanee
uske oopar nashaa roop kaa
ho gayee main deewaanee
aisey mein phir saath tumhaaraa
aur ye raat suhaanee
mumkin hai ho jaaye hamse
aaj koyi naadaani..ee
darti hoon kuchch ho naa jaaye
dol rahaa imaan aa aa aan
ye dil naa..aa..aa lut jaaye
jaisaa meraa roop rangeelaa
waisaa miley jawaan
to saudaa aaa pat jaaye ae
iska dil..ll uska dil ..ll
sabka dil hai kaalaa
khol rahaa har koyee dekho
ek doojey kaa taalaa
iska dil..ll uska dil ..ll
sabka dil hai kaalaa
khol rahaa har koyee dekho
ek doojey kaa taalaa
soney kaa pinjraa ley koyee
khadaa udhar dilwalaa
idhar jaal ley ghoom rahaa hai
mujhe pakadney waalaa
kis par karoon bharosaa
saarey
log yahaan be-imaan..aa..aa..aan
galaa na kat jaaye ae
jaisaa meraa roop rangeelaa
waisaa miley jawaan
to saudaa aaa aaa pat jaaye ae
haayye haaye
jaisa mera roop rangeelaa
waisaa miley jawaan
to saudaa aa pat jaaye
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5315 | Post No. : | 17432 |
———————————————–—————————————
Blog 10-Year Challenge (2013-2023) – Song No. 22
————————————————————————————–
On this date ten years back viz on 6 February 2013, seven songs from sevendifferent movies were covered in the blog. Here are the details:-
Blog post number | Song | Movie (Year) | Remarks |
---|---|---|---|
7453 | Ho morey baalma kaahe maari kataar | Shair (1949) | Shamshad Begam- Rafi duet. Movie YIPPEED by now |
7454 | Koi dard hamaara kya samjhe | Rangeeli(1952) | Lata Mangeshkar solo. 3 songs covered out of 9 by now |
7455 | Ham bhi karte hain pyaar samajh mein aaya | College Girl (1960) | Rafi-Lata duet. Movie YIPPEED by now |
7456 | Phoolon taley ham tumse miley | Nadirshah (1968) | Lata Mangeshkar solo. Movie YIPPEED by now |
7457 | Tu mera din hai main teri raat | Sanyaasi (1975) | Suman Kalyanpur-Mukesh duet. 7 songs covered out of 9 by now |
7458 | Band lifaafe mein jaise | Chalta Purza (1977) | Lata-Kishore Kumar duet. Movie YIPPEED by now |
7459 | Teriya teriya | Chaalis Baba Ek Chor(1954) | Lata-C Ramchandra duet. 8 songs covered out of 12 by now |
We observe that four movies (out of seven) whose songs were covered in the blog on this date ten years ago (on 6 February 2013) have since been YIPPEED. We also observe that as many as five songs had the voice of Lata Mangeshkar in them.
Five Lata Mangeshkar songs have been covered in the blog today ten years later as well. Only one of them iscovered under Blog Ten Year Challenge.
“Sanyasi”(1975) is another movie which qualifies for BTYC challenge today.
“Sanyasi”(1975) was produced and directed by Sohanlal Kanwar for Filmnagar, Bombay. The movie had Manoj Kumar, PremNath, Prem Chopra, Hema Malini, Brahma Bhardwaj, Aruna Irani, Sulochana Latkar, Pran, Kamini Kaushal, Indrani Mukherjee, Chandrashekhar, Shailesh Kumar, Raj Mehra, Helen, Aparna Chowdhary, Jayashree T, Hari Shivdasani, Brahm Bhardwaj, Murad, V.Gopal, Rajpal, Kuljeet, Kamaldeep, Keshav Rana, Yunus Parvez, C.S.Dubey, Narbada Shankar, Tiger, Shera, Romeo,
G.A.Sheikh, Dinesh Hingoo, Bihari, Darshan Arora, Sabina, Sheila, Madhup Sharma, Krishna Kumar, Kumari Naaz, Nazima, Monty Nath, Surendra Rahi, Gurcharan Pohli etc in it.
“Sanyaasi”(1975) had nine songs in it. Seven songs have already been covered in the blog.
Here is the eighth song from the movie to appear in the blog. The song is sung by Lata Mangeshkar. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.
The song is picturised as a mujra dance song on Aruna Irani, with Premnath playing her accomplice who also gets to utter a few lines. Raj Mehra and Prem Chopra are also seen in the picturisation.
Lyrics of the song were sent to me by Prakashchandra.
Audio link:
Video link (Longer)
Song-Shaam e furqat ka dhhal gaya saaya re (Sanyaasi)(1975) Singer-Lata Mangeshkar, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Premnath
Lyrics(Provided by Prakashchandra)
sitaare doobney ae lagey
haayye
siskiyaan lekar
charaag bujhney lage
haayye
hichkiyaan lekar
haaa aa aaa…aaaa
koyal khadak ke mast kare
jab aalaap se
dil ke walwaley dab jaayenge
table ki thaap
shaam-e-phurqat
shaam-e-phurqat
ka dhal gayaa saayaa rey
shaam-e-phurqat
ka dhal gayaa saayaa rey
aanewaalaa sajan nahin aayaa re
shaam-e-phurqat
ka dhal gayaa saayaa rey
aanewaalaa sajan nahin
aayaa re ae ae
shaam-e-phurqat
ka dhal gayaa saayaa rey ae
meri adaa
sabse judaa
log huye mujhpe fidaa aa
aaa aaa
aaa aaa aaa
door na baithho
dekhney waalon
paas toh aao
dil se lagaa lo
aaj hai maukaa aaa
armaan nikaalo
raadhey ae shaam
apnaa aashiq
apnaa ashiq tum hee ko banaayaa rey
apne aashiq tum hi ko banaayaa rey
aanewaalaa sajan nahin aayaa rey
shaam-e-phurqat ka dhal gayaa saayaa rey
naam mera aaa aaa aaaa
chaaron taraf
shor meraa aaa aaa
chaaron taraf
jiss ne bhi dekhaa meraa nazaaraa
har koyee bola
maaraa rey maaraa
jaan se pyaaraa
meraa ishaaraa
raadhe shyaam
apni chutkee pe
apni chutkee pe
sabko nachaayaa rey
apni chutkee pe
sabko nachaayaa rey
aanewaalaa sajan nahin aayaa rey
shaam-e-phurqat ka dhal gayaa saayaa rey
baat koyee
chhup naa sakee
jiss ne kahee
mujhse kahee eee eee eee eee eee
sab ke dilon kaa raaz bhi le loon
aur dilon se
jhoom ke kheloon
inn noton ke ae haar bhi pehnoon
raadhe shyaam
bann gayaa kaam
meri paayal
meri paayal ne toofaan uthhaayaa rey
meri paayal ne toofaan uthhaayaa rey
shaam-e-phurqat ka dhal gayaa saayaa re ae
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5265 | Post No. : | 17271 | Movie Count : |
4649 |
#the Decade of Seventies – 1971 – 1980 #
———————————————————–—-
#Bhoole-Bisre Geet # (Lyricist/MD Ravindra Jain-Zid 1976)
—————————————
These days I am looking for missing movies of Lyricist Ravindra Jain (of course he is the music director as well), from the seventies, for some obvious reasons.
Recently I came across one such movie which I am not much aware of and I think I never got to listen to its songs. But, after listening to its songs I find the ‘holi’ song a familiar one and I was also surprised that it has not been posted on the blog so far. (however I guess it must have been sent by our other team members?)
This movie is ‘Zid’ from the year ‘1976’.
“Zid-1976” was directed by Vijay for ‘Prestige Films, Bombay’. It had Sachin, Sarika, Nutan, Om Shivpuri, Rajendra Nath, A.K. Hangal, Anwar Hussain, Madhu Malini, Kiran Seth, Yunus Parvez, Maruti, Urmila Bhatt, Tun Tun, Shivraj, Alankar, Sarita Devi, Raju, Ghosh, Miki, T.P. Jain, Prem Nath, Titoo, Sumit and others.
This movie was passed by Censor Board on 21.08.1976.
This movie has five songs written by Ravindra Jain who was also the composer for this movie.
Here is the list of songs this movie has.
Sr.no. | Song Title | Singer/s |
---|---|---|
01 | Ho ho…is mitti ke kan kan ka hai upkaar | Mahendra Kapoor, chorus |
02 | Aa … tere liye maine thaami re maala | Asha Bhonsle, Jaspal Singh |
03 | Holi hai, ho ho … rang le ke deewaane aa gaye | Asha Bhonsle, Jaspal Singh, chorus |
04 | Teri palkon ke taley ye jo deepak hain jaley | Jaspal Singh |
05 | Ho, jab talak dam mein dam, tam lagaate raho | Asha Bhonsle, chorus |
Today I am presenting a song sung by Jaspal Singh from this movie. Regulars on the blog are well aware that I am big fan of Jaspal Singh. His songs from the ‘seventies’ are part of our beautiful memories and nostalgia associated with my growing years (1968-1983).
Lyrics for today’s song are by Ravindra Jain and music is composed by him too.
Today’s song is a birthday song which on screen actor Sachin is singing for Sarika. Also seen in the picturisation of this song are Prem Nath, Nutan, Master Raju and many others.
This song has beautiful lyrics and lovely singing by Jaspal Singh. It has some ‘grey’ shades too and that is something to do with the story of this movie which I am not aware of.
I do not remember to have read about this movie or any discussion about this movie among our friend circle. I think this movie was not a successful one and may have been forgotten easily.
Ravindra Jain’s compositions from the movies ‘Geet Gaata Chal-1975’, ‘Chitchor-1976’, ‘Fakira-1976’, and etc? ( 🙂 ) did feature in the annual list of ‘Binaca Geetmala’ of the year ‘1976’ and he ruled the ‘hearts’ of music lovers then.
Let us listen to today’s song now.
With this song the movie ‘Zid-1976’ makes its debut on the blog.
We already have movies with the same title made in ‘1945’ – ‘Zidd’ and in ‘1994’ – ‘Zid’ on the blog. Today’s movie ‘Zid-1976’ made in between these years joins these ‘Zid’ now 🙂
Video
Audio (with dialogues)
Song-Teri palkon ke taley ye jo deepak hain jaley (Zid)(1976) Singer – Jaspal Singh, Lyrics – Ravindra Jain, Music – Ravindra Jain
Lyrics
teri palkon ke taley
ye jo deepak hain jaley
yoonhi jaltey rahen sadaa
hai hamaari yahi duaa
teri palkon ke taley
ye jo deepak hain jaley
yoonhi jaltey rahen sadaa
hai hamaari yahi duaa aa
wo hain kismatwaale ae
jinka janamdin
itne log manaayein
aise bhi hain kuchh log
jo is din par
ashqon mein nahaayen
yahaan
aise bhi hain kuchh log
jo is din par
ashqon mein nahaayen
raam kare teri bagiyaa mein
na aaye dukhon ki hawaa
yoonhi hansti rahe sadaa
hai hamaari yahi duaa
teri palkon ke taley
aa aa aa
ye jo deepak hain jaley
aa aa aa
yoonhi jaltey rahen sadaa
hai hamaari yahi duaa aa
aaye ye din har saal
ham naghmon se
tera jee behlaayen
apni duaaon ke phool
chadhhti umar par gaa gaa ke
barsaayen
ham
apni duaaon ke phool
chadhhti umar par gaa gaa ke
barsaayen
jeewan ka ye guldastaa
tujhe har din laage nayaa
yoonhi khilti rahe sadaa
hai hamaari yahi duaa
teri palkon ke taley
aa aa aa
ye jo deepak hain jaley
aa aa aa aa
yoonhi jaltey rahen sadaa
hai hamaari yahi duaa aa
teri palkon ke taley
o o o o
ye jo deepak hain jaley
ho o o o
yoonhi jaltey rahen sadaa
hai hamaari yahi duaa aa
Dilruba Dilli waali
Posted November 21, 2020
on:This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4509 | Post No. : | 16053 |
Today’s song is a multi-singer song. It is from the 1976 released Madan Mohla produced and directed “Dus Numbri”. It had Hema Malini {who seemed to be favourite of all the heroes of the 50s & 60s and wanted a lease in their career ;-)} Manoj Kumar and a whole lot of Manoj Kumar-movie-regulars viz Premnath, Pran, Kamini Kaushal and Bindu. The movie was a musical with six songs.
I have very vague memories of what the movie was all about. Something to do with Manoj Kumar and Hema’s families being friends at the start of the movie. Then Premnath gets into a group that has interests in printing fake currency, which Om Shivpuri or Pinchoo Kapoor (Hema’s father) accidentally discovers and so is promptly bumped off, which drives her mother crazy due to shock (mother is also played by Hema, that is shown in Kamini Kaushal’s flashback). Some twist in the story leads Hema to a local Aunty’s adda (tavern) and Manoj Kumar becomes a “Dus Numbri” who is out to expose the evil doers of society. He has Pran (a constable) shadowing him for most of the movie and who is later revealed to be a SP or Commissioner. Then we have Bindu, a dancer, who has some clue to the gang of currency-fakers and that gives us a situation for a song where we have Premnath, Manoj Kumar and Pran (in disguise of course) trying to outwit Bindu into parting with the die of the currency printer. Simple 🙂 . It is later that we come to know that even Bindu is also a cop-in-disguise. Here I must add that only Manoj Kumar’s horrible getup doesn’t give him away but all the other two actors can easily be recognized.
Two songs from the movie is already present on the blog. One was contribution by Avinashji –Ye duniya ek numberi to main dus numberi and other by Maheshji- Na tum ho yaar aaloo na hum hain yaar gobhi.
.
Here is the third song with Asha Bhonsle, Manna Dey and Mukesh as playback singers. Let us enjoy it and wish Prem Nath Malhotra on his birthday today. He would have been 94 today.
He started his journey in Bollywood with “Ajit” in 1948 (of which we don’t have any songs on the blog). The same year we had Premnath in “Aag” his first association with Raj Kapoor and was RK’s debut as producer- director.
Incidentally Raj Kapoor’s wife Krishna was Premnath’s sister and his other sister Uma is Prem Chopra’s wife. Premnath’s brothers Narendranath and Rajendranath were also actors. He married Bina Rai, also an actress, in 1953 and his son’s Prem Kishen and Kailashnath (was called Monty in films) were actors. Prem Kishen’s daughter Akanksha is an actress and son Siddharth Malhotra is a director. (Even in these modern times there is a case of same-name confusion:- there is a Sidharth Malhotra who made his acting debut in Karan Johar’s “Student Of the Year” in 2012 who has no connection to the Premnath family).
We have many movies where Premnath has had his brothers-in-law as co-actors. We have seen him as father of Dimple Kapadia in “Bobby” which was his nephew Rishi Kapoor’s debut as an adult. That is also the first role of Premnath that I recollect. Can’t get enough of the head of a fishing community Braganza who had a peculiar way of speaking.
It was later when some black-n-white were telecast by doordarshan that I learnt that Premnath the actor first began as a hero to the likes of Madhubala, Bina Rai, Nimmi etc.I loved his acting in “Johny Mera Naam”. As also the lovable mama of Hema Malini in “Aap Beeti”, sardaar of “Roti Kapda aur Makaan”, etc. His was the central character of “Dharmatma”. He turned producer director after his marriage to Bina Rai. His last screen appearance was in 1985 in “Hum Dono” after which he reitred from acting. He passed away in 1992- 18 days before his 66th birthhday.
Remembering Premnath !
Audio
Video
Song-Dilruba Dilli waali (Dus Numberi)(1976) Singers-Asha Bhonsle, Manna Dey, Mukesh, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Chorus
Lyrics
baadab
baamulahija
hoshiyaar
mehfil mein lutne waala hai pyaar
aa gayi zulfon waali
aankhon mein surma
honthon pe laali
dilruba dilli waali
dilruba dilli waali
dilwaalon mein
aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
ha
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
subhaan allah
subhaan allah
jaisa suna thha
waisa hi paaya
aapko dekha toh yaqeen aaya
agar firdaus bar roo-e zameen ast
Hameen ast-o hameen ast-o hameen ast
aap aaye
haan
aap aaye
mil gayi daulat
humein zamaane ki
ki aap hi se
haan aap hi se
aap hi se hai raunak gareebkhaane ki
gareebkhaane ki
aap kya aaye
ghar mein bahaar aa gayi
dilruba dilli waali
ha
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
Baadab
baamulaahija
hoshiyaar
aa rahe hain aashiqon ke sardaar
tauba tauba
yeh aaj meri chashme aawaara
kya dekh rahi hai nazaara
ke mera rafeek tere kareeb
arre phoote naseeb
aapki tareef
ek aashiq gareeb
haan yeh gairon se ulfat
ye kadardaani teri
haan yeh gairon se ulfat
ye kadardaani teri
mujhko darr hai
le na doobe tujhko
naadaani teri
haan yeh gairon se ulfat
ye kadardaani teri
mujhko darr hai
le na doobe tujhko naadaani teri
banaa ke husn ko naata(?) naa yoon sitam todo
banaa ke husn ko naata(?) naa yoon sitam todo
bas apne dil hi ko samjhaao
mera gham chhodo
mera gham chhodo
ki main pee kar ye jaam
hosh mein aa gayi
dilruba dilli waali
dilruba dilli waali
ab hosh mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
jo chheda maine taraana
suna aur samajh liya
samajh liya
samajh liya
sunaaya maine jo gaana
woh dil pe likh bhi liya
likh liya
like liya
aur mere dil ki baat
woh bhi yaad aa gayi
aa gayi
aa gayi
aa gayi
aa gayi
toh phir bujhaa kar chiraag
aa bhi ja
tu dil mein
dil mein
ke jalne waalon ka kya kaam mehfil mein
u u
u u u
u u
u
u u
u u u
dilruba dilli waali
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
Dushman sar par khada jaag re
Posted September 28, 2020
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4455 | Post No. : | 15930 |
“Sikandar e Aazam”(1965) was directed by Kedar Kapoor for N C Films, Bombay. This “historical” movie had Prithviraj Kapoor, Dara Singh, Mumtaz, Veena, Prem Chopra, Rajan Haksar, Vijaylaxmi, Burhanuddin, Saudagar Singh, H Prakash, Praveen Pal, Shyam Kumar, Jagdeesh Sethi, Jeewan, Madhumati, Helen, Ganga, Premnath etc in it.
This movie had five songs in it. Four songs have been covered in the past. Here are the details of these songs :-
Song | Remarks |
---|---|
Jahaan daal daal par sone ki chidiyaan karti hai baseraa | 15.08.2008 |
Ho more gore badan pe gulaabi nazariyaa na daal | 05.09.2010 |
O mere yaar o dildaar mere saath saath tera pyaar | 17.11.2011 |
Pilaayi toone o saqiyaa | 05.09.2020 |
One can see that the iconic patriotic song Jahaan daal daal par sone ki chidiyaan karti hai baseraa is from this movie.
The fifth snd final song from the movie is also a patriotic song. This song is sung by Mahendra Kapoor and chorus. Rajinder Krishan is the lyricist. Music is composed by Hansraj Bahl.
This song, being discussed on 28 september 2020 pays tribute to Mahendra Kapoor, a singer of many iconic patriotic songs whose remembrance day falls on 27 september. Today is the 113th birth annivdrsary of the great Freedom fighter martyr Shaheed Bhagat Singh(28 september 1907-23 march 1931 and we pay our humble tribute to him on this day.
Lyrics of this song were sent to me by Avinash Scrapwala.
With this song, all the songs of “Sikandar e Azam”(1965) are covered in the blog and the movie thus joins the list of movies that have been YIPPEED in the blog.
Audio
Song-Dushman sar par khada jaag re (Sikandar e Azam)(196) Singer-Mahendra Kapoor, Lyrics-Rajinder Krishan, MD-Hansraj Bahl
Chorus
Lyrics
(dialogues not included)
dushman sar par khadaa jaag re ae°°°°°
ae ae
dushman sar par khadaa jaag re ae°°°°°
ae ae
bhaarat ki santaan
katraa katraa simat simat kar
ban jaaye toofaan
toofaan
toofaan
toofaan°°°°°
ae maa tere bachche kayi karod
aye maa aa tere bachche kayi karod
aandhi toofaan ke paaley
laaj teri ke rakhwaale ae
maa aa
tere bachche kayi karod
ae maa aa tere bachche kayi karod
ae maa aa tere bachche kayi karod
teraa aanchal chhoonewaalaa
haath kaat kar rakh denge
tere charnon mein dushman ka
kataa huaa sar rakh denge
nikal pade hain rann mein tere
doodh ki keemat denewaale ae
aandhi toofaan ke paaley
laaj teri ke rakhwaale ae
ae maa aa tere bachche kayi karod
ae maa aa tere bachche kayi karod
lahoo ragon mein ubal rahaa hai
aaj kaam ye aayegaa
jahaan giregi ek boond
wahaan ek qilaa ban jaayegaa
maataa bete amar hain tere
mit kar bhi nahin mitnewaale ae
aandhi toofaan ke paaley
laaj teri ke rakhwaale ae
ae maa aa tere bachche kayi karod
ae maa aa tere bachche kayi karod
dushman samjhe sirf ahinsaawaadi se
ye takkar hai
wo kya jaane har ungli mein
ek sudarshan chakkar hai
datey huye hain mod mod par
Bhim aur Arjun matwaale ae
aandhi toofaan ke paaley
laaj teri ke rakhwaale ae
ae maa aa tere bachche kayi karod
ae maa aa tere bachche kayi karod
aandhi toofaan ke paaley
laaj teri ke rakhwaale ae
maa aa tere bachche kayi karod
ae maa aa tere bachche kayi karod
ae maa aa tere bachche kayi karod
tere bachche kayi karod
aye maa aa tere bachche kayi karod
tere bachche kayi karod
aye maa aa tere bachche kayi karod
tere bachche kayi karod
ae maa aa tere bachche kayi karod
tere bachche kayi karod
————————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————————–
दुश्मन सर पर खडा जाग रे ए°°°°°
ए ए
दुश्मन सर पर खडा जाग रे ए°°°°°
ए ए
भारत कि संतान
कतरा कतरा सिमट सिमट कर
बन जाए तूफ़ान
तूफ़ान
तूफ़ान
तूफ़ान°°°°°
अय माँ
तेरे बच्चे कई करोड़
अय माँ आ
तेरे बच्चे कई करोड़
आंधी तूफ़ान के पाले
लाज तेरी के रखवाले ए
माँ आ
तेरे बच्चे कई करोड़
अय माँ आ
तेरे बच्चे कई करोड़
अय माँ आ
तेरे बच्चे कई करोड़
तेरा आँचल छूनेवाला
हाथ काट कर रख देंगे
तेरे चरणों में दुश्मन का
कटा हुआ सर रख देंगे
निकल पड़े हैं रण में तेरे
दूध कि कीमत देनेवाले ए
आंधी तूफ़ान के पाले
लाज तेरी के रखवाले ए
अय माँ आ
तेरे बच्चे कई करोड़
अय माँ आ
तेरे बच्चे कई करोड़
लहू रगों में उबल रहा है
आज काम ये आयेगा
जहां गिरेगी एक बूँद
वहाँ एक किला बन जाएगा
माता बेटे अमर है तेरे
मिट कर भी नहीं मिटनेवाले ए
आंधी तूफ़ान के पाले
लाज तेरी के रखवाले ए
अय माँ आ
तेरे बच्चे कई करोड़
अय माँ आ
तेरे बच्चे कई करोड़
दुश्मन समझे सिर्फ अहिंसावादी से
ये टक्कर है
वो क्या जाने हर ऊँगली में
एक सुदर्शन चक्कर है
डंटे हुए है मोड़ मोड़ पर
भीम और अर्जुन मतवाले ए
आंधी तूफ़ान के पाले
लाज तेरी के रखवाले ए
अय माँ आ तेरे बच्चे कई करोड़
अय माँ आ तेरे बच्चे कई करोड़
आंधी तूफ़ान के पाले
लाज तेरी के रखवाले ए
माँ आ
तेरे बच्चे कई करोड़
अय माँ आ तेरे बच्चे कई करोड़
अय माँ आ तेरे बच्चे कई करोड़
तेरे बच्चे कई करोड़
अय माँ आ तेरे बच्चे कई करोड़
तेरे बच्चे कई करोड़ अय माँ आ तेरे बच्चे कई करोड़
तेरे बच्चे कई करोड़
अय माँ आ तेरे बच्चे कई करोड़
तेरे बच्चे कई करोड़
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : | 4240 | Post No. : | 15454 |
———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 8
——————————————————————————
I am fond of saying that this blog was quite prolific in the past and presently we are crawling as a slow rate in comparison. But that was not the case throughout. There was a phase in the blog in the past when the posts in this blog has almost dried up. That was from december 2009 till february 2010. There were as many as 34 DOT days in the blog out of 90 days during these three months. Only 112 posts were published in the blog during these three months. Thus the blog those days was not even a song a day blog. It had even become no song in a day blog on 33 % days.
The reason was that I had found myself transferred from my earlier place of posting viz Jabalpur in the month of December 2009. It was an inter zonal transfer in Railways parlance. I was transferred from WCR zone to SECR Zone, whose HQ was at BIlaspur, Chhattisgarh. I reported at Bilaspur in the first week of december 2009. I stayed there for a few days before it was decided that I would be posted at Nagpur.
It took me a while before I got a quarter allotted to me at Nagpur in February 2010. I then went to Jabalpur, vacated my quarter there and brought the luggage to Nagpur. It was first week of March 2010 before I could get settled in Nagpur.
During these three months from December 2009 to February 2010, it was difficult to find time for blogging. Still, I thried to keep the blog going. The laptop that I had was my constant companion and I had a dongle for internet connectivity, but posting on a regular basis when I was literally living out of suitcase was a tough challenge.
All these dot days means that there are not too many occasions today (ten year later) when we can find songs for ten year challenge. There are days that were DOT days, so there is no question of being able to discuss a ten year challenge song those days. On the few days when some songs were discussed, many of these songs have already been YIPPEED by now.
Take the example of blog activity on this day ten years back (viz on 26 february 2010). Three songs were posted on the blog on that day :-
Song | Movie title-Year | Remarks |
---|---|---|
Kitne raanjhe tujhe dekhkar bairaagi ban gaye | Ahsaas-1979 | 04 of 06 songs posted |
Aur kuchh der thahar aur kuchh der na jaa | Aakhri Khat-1966 | All Songs posted |
Hame haal e dil tumse kahna hai | Chaubees Ghante-1958 | 05 of 08 songs posted |
“Chaubees Ghante”(1958) had made its debut on that day ten years ago. The writeup of this article was quite brief and sketchy, and contained little details about the movie. It shows that I did not have time to do research on this song. Moreover, ten years ago I was far less knowledgeable about HFM than today. I did not even have access to HFGK those days.
Now I know that this movie was directed by Dwarka Khosla for Zar Productions, Bombay. The movie had Premnath, Shakila, Maruti, Shammi, Nishi, Samson, Rajan Kapoor, K N Singh etc in it.
Ten years later, this movie had debuted in the blog when I was trying to find my feet at Nagpur, Maharashtra. Today (26 February 2010), exactly ten years later, I find myself at Gorakhpur, UP (via Bilaspur, Chattisgarh and Izatnagar, Bareilly, UP). By now five songs from the movie have been covered. Three songs were covered when I was at Nagpur. One song each was covered at Bilaspur and Izatnagar respectively.
Here is the sixth song from “Chaubees Ghante”(1958) appearing in the blog when I am based at Gorakhpur, UP. This song is sung by Asha Bhonsle. Raja Mehdi Ali Khan is the lyricist. Music is composed by Bipin Baabul.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Lyrics of this song were sent to me by Avinash Scrapwala.
Audio
Video
Song-Aaj ka salaam lo kal ka waada pakka(Chaubees Ghante)(1958) Singer-Asha Bhonsle, Lyrics-Raja Mehdi Ali Khan, MD-Bipin Baabul
Lyrics 9Provided by Avinash Scrapwala)
Aaj ka salaam lo
Kal ka waada pakka
Hans ke mera naam lo
Kal ka waada pakka
Doodloo loo oo
Didlee lee ee ee
Doodloo loo oo oo oo
Aaj ka salaam lo
Kal ka waada pakka aa
Haseenon ki nighaah se
Dil rakho sambhaal ke
Haseenon ki nighaah se
Dil rakho sambhaal ke
Udaa na le tumhaara dil
Nigaah e naaz daal ke ae
Pyaar ka payaam lo
Kal ka waada pakka
Aaj ka salaam lo
Kal ka waada pakka
Doodloo loo oo oo
Didlee lee ee ee
Doodloo loo oo oo
Khushi ke ek jaam mein
Dubo de zindagi ke gham
Khushi ke ek jaam mein
Dubo de zindagi ke gham
Ke dukh bahot hai zindagi mein
Sukh magar bahot hai kam
Sabr se jo naam lo
Kal ka waada pakka
Aaj ka salaam lo
Kal ka waada pakka
Doodloo loo oo oo
Didlee lee ee ee ee
Doodloo loo oo oo
Sambhal sambhal ke chal zaraa
Kadam kadam pe jaal hai
Sambhal sambhal ke chal zaraa
Kadam kadam pe jaal hai
Samajh ke paansa phenk le
Ye zindagi ki chaal hai
Aaj ka salaam lo
Kal ka waada pakka
hans ke mera naam lo
kal ka waada pakka
kal ka waada pakka
kal ka waada pakka
Doodloo loo oo oo oo
Didlee lee ee ee ee
Doodloo loo oo oo oo
———————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————
आज का सलाम लो
कल का वादा पक्का
हंस के मेरा नाम लो
कल का वादा पक्का
डूडलू लू ऊ ऊ ऊ
डीडली ली ई ई ई
डूडलू लू ऊ ऊ ऊ
आज का सलाम लो
कल का वादा पक्का आ
हसीनों कि निगाह से
दिल रखो संभाल के
हसीनों कि निगाह से
दिल रखो संभाल के
उड़ा न ले तुम्हारा दिल
निगाह ए नाज़ डाल के ए
प्यार का पयाम लो
कल का वादा पक्का
आज का सलाम लो
कल का वादा पक्का
डूडलू लू ऊ ऊ ऊ
डीडली ली ई ई ई
डूडलू लू ऊ ऊ ऊ
ख़ुशी के एक जाम में
डुबो दे ज़िन्दगी के ग़म
ख़ुशी के एक जाम में
डुबो दे ज़िन्दगी के ग़म
के दुःख बहोत है ज़िन्दगी में
सुख मगर बहोत है कम
सब्र से जो नाम लो
कल का वादा पक्का
आज का सलाम लो
कल का वादा पक्का
डूडलू लू ऊ ऊ ऊ
डीडली ली ई ई ई
डूडलू लू ऊ ऊ ऊ
संभल संभल के चल ज़रा
कदम कदम पे जाल है
संभल संभल के चल ज़रा
कदम कदम पे जाल है
समझ के पासा फ़ेंक ले
ये ज़िन्दगी की चाल है
दिल अभी इनाम लो
कल का वादा पक्का
आज का सलाम लो
कल का वादा पक्का
डूडलू लू ऊ ऊ ऊ
डीडली ली ई ई ई
डूडलू लू ऊ ऊ ऊ
Recent comments