Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Talat Mehmood solo’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Abhi Naa Jaao Chhod Kar, Ke Dil Abhi Bharaa Nahin”.

The manner of expression, the selective emphasis, the slow measured pace of eloquence, the first rendering of this line – and the soft melody simply steals your heart away. And the mind wants to beseech the departed souls, to kindly tarry, and stay for a bit more, for the heart is not satiated as yet. Words from the pen of Sahir Sb, the touching expression in Rafi Sb’s voice, and one can imagine the balding, somewhat simple and frail, bespectacled Jaidev, conducting the instrumentalists, as the song progresses.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Hindi film industry is known for making most of the artists (actors, directors, music directors, singers, lyricists etc.) struggle for years before they finally reap the rewards of success in their careers. There are some who continued to struggle in the film industry for long without attaining much success in their pursuits. For examples, playback singers like Sudha Malhotra and Minoo Purshottam, music directors like C Arjun and G S Kohli and lyricists like Asad Bhopali and Naqsh Layalpuri did not attain the success in their filmy careers which they deserved. In this list, Asad Bhopali seems to be the ‘leader’ among strugglers.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Shammi Kapoor had acted in over a dozen films as a lead actor in early 50s, most of which flopped at the box office. Chor Bazaar (1954) was one film. It was produced under the banner of All India Pictures and it was directed by P N Arora. The star cast included Shammi Kapoor, Sumitra Devi, Chitra, Om Prakash, Kammo, Amir, Cuckoo. Parshuram etc with a guest appearance by Wasti. This film had six songs all written by Shakeel Badayuni and set to music by Sardar Malik. I remembered the name of this film only because of an immortal song “huyi ye hamse naadaani teri mehefil mein aa baithhe” from this film which I had heard on my younger days on radio. Recently, I had seen this film on the VCD that I have with me. As usual with almost all VCDs of old films, the film lacks continuity in some places because of lots of cuts. I did not find one song ” Har dar ki thokerein hain” sung by Lata Mangeshkar in the VCD.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Very recently (on 11 March 2013), the very first number from Madhubala Pictures’ Pathan (1962), directed by none other than Attaullah Khan, Madhubala’s father, was posted on this Blog with rich additional information on the movie from our resident expert Arunkumar Deshmukh. The write up and the song, So jaa saloney so jaa, a Lata lullaby, can be accessed here on the Blog and Arunji’s comments here.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Talat Mehmood (24 february 1924- 9 may 1998) on the anniversary of his birth today(24 february 2013).

The soft velvety voice that has lent itself to a wonderful array of musical creations, and made an indelible mark in the annals of Hindi film and non-film music. Whether the song is of happiness or it is of sadness, the first thing that comes to mind on hearing Talat Sb’s voice begin to sing, is a feeling of utmost comfort. A feeling that releases all other compulsions in the mind, and the mind wants to sit back and relax and just listen to this soft sound serenading the matters of heart.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

My younger days were made more enjoyable by Talat’s songs. Though I was born and brought up in Hyderabad state- a Muslim ruled state(The Nizam was the king ruling on 85 % Hindu population….exactly opposite of Raja Harisingh of Kashmir ruling on 85% Muslims ! ), initially I was not much interested in Urdu Gazals etc. My interest in Urdu Gazals was ignited and further nurtured by by the way Talat sang them.
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