Archive for the ‘Songs of 1940s (1941 to 1950)’ Category
Aaraam Ke Thhe Saathi Kya Kya
Posted on: April 16, 2015
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Names of so many artists echo back to us from the decades past. Names that stir up memories of wonderful songs, sometimes happy, sometimes melancholic, but always very endearing. Their words, their sounds and their music continues to mesmerize us, even though the creators themselves have long ago taken their final journey.
Today is the anniversary of passing away of poet Aarzoo Lakhnavi, one of the stalwarts of the earlier decades of Hindi cinema.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
I had never heard of the film BIHARI (1948) until a few days back when I came across a song from the film rendered by Lata Mangeshkar. Not much information about the story/plot of the film is available on the websites except that it belonged to the social genre. The film was produced under the banner of Samaj Chitra and was directed by K D Ketkar and A R Zamindar. The cast included B. Nandrekar, Surekha, H Prakash, Nimbalkar, Faiyyaz Bai, Shabnam, Samson etc. The film had 10 songs written by 4 lyricists – Kashyap (5), Hakeem Ashraf (1), Kumar Sharma (1), Munshi Farog (2) and the remaining one song not being attributed to any lyricist. The music for the songs were composed by Naresh Bhatttacharya and Ramkrishna Shinde.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Aamrapaali”(1945) was directed by Nandlal Jaswantlal for Murli Movietone, Bombay. The movie had Prem Adeeb, Sabita Devi, Jeewan, Arun, Jagdeesh, Badri Prasad, Sankata Prasad, Ghulab, Kabir etc in it.
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Ek Baar Phir Kaho Zara
Posted on: March 31, 2015
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Meena Kumari’s life was other people’s destination. For own self, it was a road leading nowhere….no point of arrival.
These words of Meena Kumari, quoted in the book ‘Meena Kumari the Poet – A Life Beyond Cinema’ (2014), sum up her short life, so well.
Today is the 43rd death anniversary of Mahajabeen Bano, better known as Meena Kumari (August 1, 1932 – March 31, 1972). Although she had done roles in diverse genres, she was known as the ‘tragedy queen’ of Hindi films. Her personal life was no less a tragedy than the roles she had played in most of her films. It is said that as a new born child, she was abadoned and put in an orphanage, albiet for few hours, as her parent could not afford to take care of her due to their poor financial condition. A change of mind of her parents brought her back to their residence. But the very thought of she being an ‘unwanted’ child must have lingered in Meena Kumari’s mind later on. Most of her childhood was spent in the film studios as she became the earning member of the family by working in the films as child actor. Her youth was spent in depicting onscreen, the sufferings, sorrows and tragedies that are associated with most womenfolk in India. After the marriage, her husband saw in her more an actress for his films than a wife. With this background, one does not need a psychologist to analyse as to why she excelled in her tragic roles. One of her tragedy roles that most often lingers in my mind is that of Chhoti Bahu in ‘Sahib Bibi Aur Ghulam’ (1962) which, in a way, was a reminiscence of her own life.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Past few days have been very slow on the blog. Concerns have been expressed in the mails being exchanged not only between the regular team members, but also enquiries are coming from other readers and friends. Some expressions include statements saying that this blog has become such an integral part of their individual routine of the day. And on days when we have no posts – dot balls, or even maiden overs, as Atul ji likes to refer to such days, folks have expressed that something seems to be lacking in the day. And personally, I wholeheartedly agree with this sentiment.
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Uthh to chale avdhoot
Posted on: March 11, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Jogan”(1950) was directed by Kidar Sharma for Ranjeet Movietone, Bombay. The movie had Nargis, Dilip Kumar, Manju, Pratima Devi, Pesi Patel, Poornima, Baby Tabassum, Anwari, Ramesh Thakur, Darpan, Rajendra Kumar etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
MAN KI JEET (1944) was one of the most successful films produced by W Z Ahmed under his banner of Shalimar Films. The film had 7 songs including one version song of which 4 songs (including the version song) have been covered in the Blog. Almost all the songs of the film were popular in those days. The highlight of these songs were that for the first time, Shaayar e Inqilaab Josh Malihabadi wrote lyrics for 5 out of 7 songs for the film. The rest of 2 songs were written by Bharat Vyas. The star cast included Shyam, Neena, Tiwari, Prakash, Rajkumari Shukla, Gulab, Mumtaz Begum, Shanta Thakkar, Chukoo etc. This was the debut Hindi film for the actor Shyam. This may also be a debut film for Chukoo on which morey jubna ka dekho ubhaar was picturised. Of course, Sitarabai Kanpuri started her playback singing career with this film.
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Pyaare darshan deejo aaj
Posted on: March 10, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Jogan”(1950) was directed by Kidar Sharma for Ranjeet Movietone, Bombay. The movie had Nargis, Dilip Kumar, Manju, Pratima Devi, Pesi Patel, Poornima, Baby Tabassum, Anwari, Ramesh Thakur, Darpan, Rajendra Kumar etc in it.
Read more on this topic…
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The Many Colors of Love #29 – The Stories of Broken Hearts
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And so wrote the scribe
ik dil ke tukde hazaar huye
koi yahaan gira koi wahaan gira
(‘Pyaar Ki Jeet’, 1948)
Walking the passages of love, one encounters enchanting emotions and charming music – heady feelings that will lure heart and mind into gardens with blossoming springs, chirping birds and fragrant flowers. But the discerning eyes will also see, the pathways strewn with fragile fragments, unobtrusively lying by the side, that tell another story. These are the delicate pieces of broken hearts that have suffered the pains of separation and the agony of desertion, an agony that is at times, too intense for the sensitive hearts to bear. And the feelings inside are as if the heart has been torn asunder, crushed and broken into a thousand pieces. And then thrown by the wayside.
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