Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1940s (1941 to 1950)’ Category

This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jigar” (1949) was directed by Bhagwan for Chandni Chitra Production. The movie had Bhagwan, Leela Gupte, Vasantrao, Baburao etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Panna” (1944) was directed by Najam Naqvi. The movie had P Jairaj, Geeta Nizami, David Abraham, Kusum Deshpande etc in it.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Dil fidaa karte hain, Qurbaan jigar karte hain’

“Even if I have to face death a thousand times for the sake of my Motherland, I shall not be sorry. Oh Lord! Grant me a hundred births in ‘Bharat’. But grant me this, too, that each time I may give up my life in the service of the Mother land.’

These inspiring words come from none other than the great revolutionary and laureate Shri Ramprasad ‘Bismil’.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

As per IMDb site, the earliest film with the title ‘Laila Majnu’ was released in 1922 followed by another film with the same title in 1927. After the advent of talkies, ‘Laila Majnu’ was released in 1931 (I & II), 1945, 1953 and 1976. There were films with the title ‘Laila Majnu’ made in Telugu and Malayalam as well which were released in 1949 and 1962 respectively. Today I am presenting a song in the qawwali format from the film LAILA MAJNU (1945). An abridged version of the film with lots of cuts is available on YT.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the post-silent film era, Pramathesh Chandra Barua (P C Barua) directed 13 Hindi films many of which had Bangla versions as well. Three of his films – ‘Devdas’ (1935), ‘Mukti’ (1937) and ‘Jawaab’ (1942) and their Bangla versions were super hits. These are classic films which connoisseurs of vintage films would like to have in their collections. While an abridged Hindi version of ‘Devdas’ (1935) is available (probably deleting the damaged portions of the original print), its Bangla version was destroyed in a fire in New Theatres many years ago. There is only one copy of the Bangla version of this film available with Bangladesh Film Archives that too with about 40% of the film being damaged. Hindi version of films ‘Mukti’ (1937) and ‘Jawaab’ (1942) are not available but their Bangla versions are available.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Neki Aur Badi” (1949) was directed by Kidar Sharma for Oriental Pictures. The movie had Geeta Bali, Pesi Patel, Nazira, Madhubala, Kidar Sharma, Uma Dutt etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Rupa” (1946) was directed by someone called Azir (if online sources are to be believed). The movie had Jillo, Surekha, Ratan Mala, Biman Banerjee, Agha etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Most people who worked in the Film industry in any field- be it acting, direction, composing music, dancing, producing, in fact any department-joined the industry on their own. However, there was also a class of artistes who were forced by the circumstances to work in film industry- for example, the Mangeshkar sisters. Then there were artistes who were forced by their near ones to join film industry, like Meena Kumari or Madhubala,for example. And there were artistes who came on their own to build a career in film industry, like Dilip Kumar, Dev Anand etc. Few artists joined the industry because it was the family tradition,like Raj Kapoor, Shammi and Shashi Kapoor etc.. Then there were also some artistes who had never dreamt of it, but had to enter acting field,like Ashok Kumar,for example.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Recently, I read the biography of P C Barua, a multi-faceted personality and one of the architects of the Indian cinema. The biography is written by Shoma A Chatterji under a series ‘The Legends of Indian Cinema’ (2008). The 116 pages book is in an unusual size – a square pocket book covering mainly his association with cinema. After reading the biography, the first thought that came to my mind was whether Guru Dutt was influenced by P C Barua’s personality as well as his style of film making. Both had moody behaviour and melancholic bent of mind. Both excelled in melodramatic films. Incidentally, Guru Dutt was staying in Calcutta (Kolkatta) when P C Barua was creating waves with his films like ‘Devdas (1935), Manzil (1936) , ‘Mukti’ (1937), ‘Zindagi’ (1940), ‘Jawaab’ (1942) etc and their Bengali versions.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Here is the 10th and the last song of the series “Gems from Obscure films”. This is a song from that film ” Apni Chhaaya”-1950. It is sung by Meena Kapoor. The music is from the First composer duo of HFM- Husnalal Bhagatram.
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