Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1945’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

On the eve of my retirement from the service in 2006, I had started buying VCDs/DVDs of many classic Hindi films mostly of 40s and 50s to watch them as a part of my post retirement activities. While I have watched most of them, there were still a few VCDs which were lying intact without even breaking the plastic wraps. One of such VCDs was of the film ‘Village Girl’ (1945). What caught my attention was not the intact plastic cover but a boldly printed statement on the top of the VCD cover in Hindi which in English meant ‘Mohammed Rafi’s first song – ajee dil ho qaaboo mein to dildaar ki aisee taisee’. Until now I was under the impression that Mohammed Rafi’s first debut Hindi film as a playback singer was ‘Pahle Aap’ (1944). I decided to first watch the film.
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Having discussed well over seven thousands songs in the blog, we are now in a position to pursue several milestone related targets. Target of centuries of songs by various artists is one. Another cherished target is to ensure that all songs of movies are discussed in the blog. By now over sixty artists have reached their centuries. Likewise, over 240 movies (adding up to over 1700 songs) have all their songs covered in the blog.
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“Sharbati Aankhen” (1945) is a forgotten movie by now. When I decided to discuss a song from this movie, I looked for its details on internet and failed to find much. Then I noticed that a post of this blog is also listed by google as a source of information for this movie. I clicked that link, I found that we in this blog have discussed two songs from this movie and our beloved inhouse encyclopaedia Mr Arunkumar Deshmukh has shared information about this movie with us which remains the most comprehensive and detailed information available on this movie on internet. Here is what he has to say about this movie:
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When the system of playback singing started in Hindi films in early 30s it paved the way for playback singers like Rajkumari, Amirbai Karnataki, Zohrabai Ambalewaali and Shamshad Begum in becoming the top playback singers by 40s. With the emergence of new playback singers in the late 40s like Geeta Dutt and Lata Mangeshkar, demand for playback singers with heavy and high throated voices were on the decline, relegating them to the background. The only exception to this trend was Shamshad Begum who weathered the ‘onslaught’ of Mangeshkars in the 50s and remained fairly active up to early 60s.
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“Sharbati Aankhen” (1945) is a very obscure movie by now and little information is avaialble on this movie. The most comprehensive information on this movie is available in this blog, thanks to our own beloved inhouse encyclopaedia, Mr Arunkumar Deshmukh. Here is what he has to say about this movie:
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Traditionally, ghazals are supposed to be rendered in a soft voice and in a slow tempo to make the listeners understand the deep meaning behind each words. Ghazals rendered in an appropriate mood can awaken emotional feelings even in a stone-hearted person. Perhaps it was in these context that ghazals were sung in thumri style in the early 20th century, creating a melancholic mood and offering the opportunity for singers to emphasise on some specific words in the ghazals which were important in understanding the meaning in the ghazals. Singers like Begum Akhtar, Kamala Jharia, Master Madan, K C Dey, K L Saigal etc sang ghazals mostly in thumri style.
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