Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1952’ Category

This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Let me start this post with the stats making good use of the freshly added statistics on the stats page. Madan Mohan has composed total 684 songs. Out of these 413 songs are posted in the blog. Talat Mehmood has 314 out of 450 songs sung by him in his career. This is also to acknowledge and appreciate the great work being done by fellow contributors(Not naming anyone here in case I miss some names) for the improvements, thus enhancing the data available in the blog.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SONGS FROM ARTISTE NAME FILMS….Song No. 4
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Today’s song is from the film Usha kiran-1952. It was a film made by Malwa productions Bombay and the production of the film and its supervision was by the nawab of Kurval from Uttar Pradesh. Those days, many kings and Nawabs got interested in making films. For some of them, the added attraction was the film’s Heroine. Some state chiefs, however,genuinely helped and encouraged Cinema as an art form. One such example was the Shahu Maharaj of Kolhapur State.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sandesh”(1952) was directed by Bal Gajbar for Sandesh Pictures, Bombay. The movie had Durga Khote, Umesh Sharma, Lalita Pawar, Kumud Lele, Meenaxi, Arvind, Nana palsikar, Neeru, Vikas, Madan, Priyadarshi, Dwarkanath, Tilak Sharma etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Statistics available about HFM are not as accurate as say cricket statistics. What is more, the reliability of HFM statistics too are often doubtful. Still, these statistics give us useful information that we can use.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from an obscure mythological film Veer Arjun-1952. It is sung by G M Durrani. It is a Bhajan. Durrani has hardly sung any bhajans in his career,so in a way,this is a rare song. Moreover the bhajan starts with Sanskrit shlokas, which Durrani has sung with surprising ease and clarity. He must have really taken lot of efforts to do this.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni Raaten – Song no. 6
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It is G. M. Durrani’s Death Anniversary on 7th September. So this duet by G. M. Durrani and Geeta Dutt is presented as a tribute on this occasion. G. M. Durrani and Geeta Dutt is a rare combination, only 8 duets are posted so far in the blog.

Famous simply as G. M. Durrani(1919-1988), I have wondered what is the full name. Now I find that it is Ghulam Mustafa Durrani. With the surname of Durrani, it was easy to guess his pathan ancestry.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Till 1947, Hindi films were made in Bombay, Lahore, Calcutta and Poona. Most studios were located in these cities. South Indian language films were made mainly in Madras and Bangla films were made in Calcutta and Dhaka.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Lata Mangeshkar has rendered songs under the batons of hundreds of Hindi film music directors. But some connoisseurs of Hindi film music are of the view that her combination with Anil Biswas, C Ramchandra and Madan Mohan produced many of her best songs from Hindi films. I feel that to this list, the name of music director Roshan should be added as Lata-Roshan combination churned out some of their best songs. Take for example, songs in ‘Malhaar’ (1951), ‘Hum Log’ (1951), ‘Raag Rang’ (1952), ‘Naubahaar’ (1952), ‘Taj Mahal’ (1963), ‘Chitralekha’ (1964), ‘Mamta’ (1966) to quote a few films. Some of her songs under the baton of Roshan may not have become as popular as that of her songs with Naushad and Shankar Jaikishan, but there is some uniqueness in her renditions under Roshan just as her renditions under Anil Biswas, C Ramchandra and Madan Mohan were unique.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Moti Mahal” (1952) was produced by Mulkraj Bhakri and directed by Ravindra Dave for Nigaaristaan Films, Bombay. The movie had Suraiyya, Ajeet, Satish, Veera, Jeewan, Roopmala, Baby Tabassum, Ratan Kumar, Srinath, Ramesh Thakur, B M Vyas, Indira Mumtaz, Nand Kishore etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

KHOOBSOORAT (1952) was produced under the banner of Fazil Brothers and was directed by S F Hussain. The star cast included Suraiya and Nasir Khan in the lead role with Yakub, Janakidas, Budho Advani, Baby Zubeida in the secondary roles. The film had 8 songs penned by 3 lyricsts – Shams Azimabadi (6), Shaukat Jaunpuri (1) and S H Bihari (1) which were set to music by Madan Mohan. All the 8 songs were solos by Suraiya (4), Asha Bhosle (2) and Talat Mehmood (2). Four songs have been covered in the Blog.
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