Archive for the ‘Songs of 1960s (1961 to 1970)’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6241 | Post No. : | 19303 |
ye ilm kaa sauda, ye risaale, ye kitaaben
ek shaks ki yaadon ko bhulaane ke liye hain
—– Jaan Nisaar Akhtar
The meaning of the sher is that these exchange of knowledge, these journals, these books are meant to forget memories of a person. But I write this article for remembering today, Jaan Nisaar Akhtar on his 49th Remembrance Day. He was essentially a poet but circumstances forced him to write songs for films when an arrest warrant was issued against him in Bhopal being the follower of leftist ideology. He went underground eventually landing in Mumbai in 1949 leaving behind his wife and two small children. So, to manage the family, he started writing songs for Hindi films.
Syed Jaan Nisaar Hussain Rizvi (18/02/1914 – 19/08/1976), popularly known as Jaan Nissar Akhtar was born in Gwalior. His father, Muztar Khairabadi, a well-known Urdu poet was the Magistrate in the State of Gwalior. After completion of the matriculation from Gwalior, Jaan Nissar Akhtar joined Aligarh Muslim University and completed M.A. in Urdu. He returned to Gwalior and got a job as a lecturer in Victoria College. In 1943, he got married to Safia, sister of Urdu poet, Mazaj Lucknawi. In 1947, he shifted to Bhopal where he joined Hamidia College as Head of Urdu and Persian Department. In Bhopal, he joined the Progressive Writers’ Movement.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6241 | Post No. : | 19302 |
Today, August 19, 2025, is the 6th Remembrance Day of a ‘ruhaani‘ music director, Mohammed Zahoor Khayyam Hashmi (18/02/1927 – 19/08/2019), better known as Khayyam. His musical career can be divided into three parts. The first part (1948-67) was his struggling years during which he mostly got low budget films. In the second part (1967-74), he took sabbatical from the Hindi film industry and concentrated in composing non-film Hindi songs. In the last part of his musical career, (1974-2013) he rejoined his musical career in Hindi films during which he had a successful stint both financially and career-wise.
Khayyam was born in Rahon in Nawanshahr district (now Shaheed Bhagat Singh Nagar) of Punjab in a Muslim scholar’s family who loved poetry and music. There used to be a regular gathering in his father’s large library room to discuss poetry and music which included films as well as classical music. All the family members were highly educated. His father expected Khayyam to follow suit. But he was glued more to the gramophone record player listening to film songs than to his schoolbooks (akin to the addiction to smartphone among today’s school going children) as he wished to become an actor-singer like K L Saigal, his idol.
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Daiyya kasam saram saram laage
Posted on: August 18, 2025
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6240 | Post No. : | 19295 |
Hullo Atuldom
18th August 2025. It is the 92nd birthday (completes 91) of a most revered lyricist/ poet, writer and film director of Hindi Films. He was born Sampooran Singh Kalra in a Sikh family in the small town of Dina (now in Pakistan). Deeply engrossed in literature and poetry right from his school days, he avidly listened to Hindustani music, attended concerts by Pt. Ravi Shankar and Ustad Ali Akbar Khan.
His family moved to Delhi after Partition, but Sampooran moved to Bombay to pursue his ambition to become a writer. He started working as a mechanic in a garage and wrote poetry in his free time under the pen name (first) Gulzar Deenvi & later on (simply) Gulzar. All this is public knowledge.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6240 | Post No. : | 19292 |
Today’s song is from a film – Naya Kanoon-1965 – which had an offbeat story on current affairs of IPC. Unfortunately due to several reasons the film was not successful. Two reasons were there. First was, in 1965 so many iconic and milestone movies were made that anything less than their standard was unlikely to have acceptance of the audience. Secondly, the film had inherent lacunae which downgraded it.
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Dil gaya baabu mera dil gaya
Posted on: August 12, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6234 | Post No. : | 19273 |
Today’s song is from a C grade stunt film Khooni Khazana-1965. The film was directed by A.Shamshir and the music was by S.Kishen. The cast included Vijaya Chaudhari ( real name Qurasha Begum), Sudhir, Bhagwan, Madan Puri, Shaikh Mukhtar, Bela Bose, Jeevan Kala, Heera Sawant and many other small-time actors. This C grade film was among the last few stunt action films, which were on their way to the end of their era.
I was a great fan and admirer of C grade action/stunt/costume films from my young age. The decorative sets and the unusually long, shining and attractive costumes in the films, the daredevil stunts and the hand or the sword fighting in these films impressed me. Unfortunately, as I grew older, the number of such films was reducing and by the time I almost stopped running after films by the 1970 beginning, C grade action, stunt and Costume films almost disappeared from the theatres. Perhaps their regular audience thinned out or the stuntmen became old or producers of such films turned to other more respectable Genres. Whatever the reason, reality was that the end of such films had occurred !
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6233 | Post No. : | 19270 |
Kamsune/Unsune songs of Asha Bhosle – 36
For a change, we move away from Asha Bhosle solo songs to a beautiful duet she has sung with the ethereal voiced Mohd Rafi Saab.
Today’s song is “Khud Toh Badnaam Huye” from Chanda Aur Bijli (1969). The lyricist is Hasrat Jaipuri and the composer jodi is Shankar Jaikishan.
Four songs out of six have already been posted earlier, so this is the fifth song.
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