Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1965’ Category


This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The 1965 movie, Luteraa, is a typical pirates movie, with an esteemed star cast that includes Dara Singh, Prithviraj Kapoor, Nishi, Helen, Hiralal, Jeevan, Maruti, Bela Bose and others. The story is about two brothers who are separated as children. Prithviraj Kapoor plays the role of the elder brother, who grows up to be the leader of a pirate group. Dara Singh also grows up to be a sort of vigilante who operates as a loner. Hiralal is a king, and Nishi is his daughter, the princess. Jeevan is the Wazir in the court of Hiralal.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is another beautiful ghazal from the film Chhoti Chhoti Baaten (1965), presented as a duet in this movie. The ghazal is sung by Mukesh and Lata Mangeshkar, and on screen, it is picturized on Moti Sagar and Manju. Moti Sagar plays the role of Motilal’s son in this movie. Motilal leaves his children and comes to live in a village. After some time, one of his sons, Moti Sagar, disillusioned with his own life in his own ways, also follows him and starts to live with his father in the village. Here, he falls in love with a village girls, Radha, played by actress Manju.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

This is another lovely ghazal rendered by Mubarak Begum. As I continue to search for her songs that I have heard before, I also keep running into songs that I have never heard before, and they are simply wonderful. This one I had heard before, decades ago, and have been searching for it for some time. Nowadays it seems that anything that is available as an audio or video recording, it will surface eventually on YouTube, so I keep trawling through this immense storehouse. Eventually I am able to locate this ghazal on YouTube. Only the audio is available, yet a relief that it is there.
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When one listens to the songs of the golden era, one realises that the overall quality of the songs was quite high. Not just the big name music directors, even small time music directors were creating quality stuff. The only difference between big names and small names was marketability, otherwise qualitywise, even music directors confined to B and C grade movies were just as good as the A grade music directors.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Even as I type out this write-up, my fingers are trembling. And I am not exaggerating! I have written over 50 write-ups for this blog so far and yet I find myself struggling to put down my thoughts coherently for this particular piece. It is not as if I have writer’s block (which I may also well have) ; it is just that the occasion seems to have got the better of me. I find myself totally inadequate to the occasion, and although I’ve just started, I have this nasty foreboding that I am going to make a mess of this, I am going to end up “choking”. I am suddenly beginning to empathise and sympathise with the South African cricket team. 😀
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The 1965 movie Do Dil is a standard fare lost-and-found prince heir to the kingdom throne, palace intrigues, and struggles to get control of the kingdom. It was a time in the Hindi movies that on just seeing the name Pran in the credits of a movie, one could predict the main plot of the movie in a jiffy. Almost a similar situation in this movie. The heir to a certain kingdom goes missing as a child, and is presumed dead. Pran, a relative of some sort to the main lineage, is the most eligible person to succeed and ascend the throne. Then out of the blue, Biswajeet appears, and claims to be the long lost child and the actual heir to the throne. The storyline beyond that moves on a very predictable course.
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In late 1970s, I had watched a movie called “Dada”. In that movie, Amjad Khan, then typedcast as Gabbar Singh following his role in “Sholay” (1975) played a baddie who turns over a new leaf thanks to a young blind girl (whose father he has murdered). this movie moved the audience a lot. The movie went on to become a reasonable hit. Vinod Mehra and Bindiya Goswami were the hero and heroine of this movie, but Amjad Khan was the real star of the movie.
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Hindi movie scenario was so rich during the golden era that great music composers almost grew on trees. Some of them went on to become legends, but there were many great composers that failed to land sufficient number of assignments that their talents merited.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Chhoti Chhoti Baatein (1965) is the last movie of the great actor Motilal. Motilal had been active in the Hindi film world for more than 3 decades by then. This was his first (and also the last) venture as a director and producer. Unfortunately, Motilal passed away before the release date of the movie, and in more than one ways, this movie turns out to be his swansong.
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