Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1972’ Category


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, the 11th of October, is the birthday of Amitabh Bachchan, superstar, legend, colossus, role model, vagaira, vagaira, vagaira.

Just to clarify, the vagairas here are not meant to demean Mr. Bachchan in any way. Rather, they are meant to stress the fact that there are so many facets to his personality that I stopped trying to list them, after just a few. So no offence of any sort meant.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There was a time when we used to discuss songs on the occasion of anni9versaries of artists. That practice is no longer as common now a days as used to be the case. Things are slow in the blog at the moment, but one should not be surprised if we soon pick up pace once again. At this juncture my time is being taken up in other matters. Not that I have not spent time on the blog. I have spent good amount of time in background work, and the results of that may have escaped the attention of most. Some of the result of my work is available on the blog for those who may have noticed it (like for instance Sudhir Ji and Mr Sadanand Kamath, for instance). Then there are other background work whose results are not reflected yet in the blog, but they are there with me and they will enable me to go about futute posying of songs in a more systematic and streamlined manner.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 27
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‘फ’

“फुर्र से उड़ जाती थी बुलबुल”

Although he lacked the finesse and comeliness of Shammi Kapoor, yet Jeetendra did acquire the epithet of ‘Jumping Jack’ of Hindi cinema. The film was ‘Farz’ from 1967. White shoes till then, were typically a trademark of either Rajkumar, or of the villain bosses like NK Ansari etc. In ‘Farz’, Jeetendra donned these white shoes for the song “Mast Bahaaron Ka Main Aashiq”. The image captured the imagination and clicked with the audiences. And then of course, followed a string of films with songs by Jeetendra presented with the same vigor and similar mannerisms. The ‘Jumping Jack’ epithet quite stuck on now.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 42 #Kishore Kumar-In remembrance #
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Few months back (on 13th May 2016) there was a comment by Anekant ji on this song ‘laayi kahaan hai zindagi’ (Taxie-Taxie 1977). Reading the title ‘laayi kahaan hai zindagi’ of his song post reminded me of a Kishore Kumar song – ‘toone hame kya diya ree zindagi’.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Genius of Jaidev – 49
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Maan Jaaiye of 1972 was a social film produced by Vasudha Productions. Bombay and directed by B R Ishara. The star-cast included Rehana Sultana, Rakesh Pande, Jalal Agha, Asit Sen, Leela Misra, Samar Rao, Asha Nadkarni, Shefali, Jyoti, Abhijit Sen, Sabina, Amol Sen, Roopali, Madhumati, Misrilal, A Agrawal, Dube, Hamid, Ratan, Deep, Dharmavir, Kumud, Satyadeep etc.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Mukesh and his Composers – 11a
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The last post on this series dealt with the non-film songs sung by Mukesh for Ravindra Jain. That was nearly five months back. Some personal and professional matters crept in resulting in the inordinate delay. Though there was enough time for a few posts, the procrastinator in me kept on scoring small victories resulting in the holdup.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is well past 3.00 in the night (early hours of the 18th of July) as I start to write this post for the blog. I’m tired, my eyes are almost closing, I know I should be going to sleep – but the mind is rebelling and urging me on. It is saying “Go on, you can do it, you need to do it. You need to write a post, however tired you are, however badly the post comes out. You cannot let him down. Not on his death anniversary.”
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Piyaa Ka Ghar”(1972) was produced by Tarachand Barjatya and directed by Basu Chatterji for Rajshree Productions private Ltd. The movie had Anil Dhawan,Jaya Bhaduri,Agha, Sulochana Chatterjee, Suresh Chatwal,Rajeeta Thakur, Raja Paranjape,Mukri, Kesto Mukherjee, Asrani, Sunder, Paintal, Samar Chatterjee, C.S.Dubey, Sarita Devi, Manmauji, Prakash Mishra,Pardesi,Rajan Verma, Alka,Master Suhas,Bhanumati,Sri Ram Shashtri, Raahe, Ranga Reddy,Vasant Bhatia etc in it. Amitabh Bachchan was in Guest Appearance and Dharmendra in special appearance in this movie.

The movie had (surprise surprise) only four songs in it. Three of these songs have already been discussed in the blog.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 14
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‘च’
“चलना ज़िंदगानी दुनिया बहता पानी”

This song is another bright memory from the radio listening days. I had heard it only on the radio, and then it faded and remained elusive for many years. As I was preparing the list of songs for this series, I remembered this song, and then searched for it online.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 11700th song post in the blog.

mere saathi
meri awaaz ke peechhe

chale aao
chale aao
chale. . . aao

 

Kaash, ye awaaz phir se live sunaai de, to kahin tak bhi chal ke jaane ko jee karta hai.
(Wish this voice could be heard live again, the heart would want to follow it, wherever.)
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