Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1973’ Category


“Nirdosh” (1973) was a Navsampati Productions movie. It was produced by Nariman H Baria and A Khaliq and directed by S M Sagar. The movie had Yogita Bali, Vinod Mehra, Padma Kkhanna, Sujit Kumar, Ifthekar, Junior Mehmood, Mohan Choti, Nazneen, Mumtaz Begum, Lalita Kumari, C.S.Dubey(Chandrashekhar Dubey), Murad, Brahmachari, Yunus Parvez, Shivraj etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Unknown composers Composer 9- Kamal Rajasthani
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How important is LUCK in one’s life ?

There will be different opinions. Some people will be tempted to quote the saying-” Luck is another name for Hard work “.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Following the passing away of Bharat Ratna Pandit Ravi Shankar recently on 11 Dec 2012, his phenomenally gifted first wife Annapurna Devi and his talented daughter Anoushka came under renewed focus. His eldest brother Padma Vibhushan Late Uday Shankar, an acclaimed dancer and choreographer of his day, was also very much in the mention.
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“Jwaar Bhaata” (1973) was a Bahar Films Combines production. The movie was produced by Hargobind Duggal and directed by A Subba Rao. The movie had Dharmendra, Saira Bano, Sujit Kumar, Nazir Hussain, Jeevan, Sunder, Rajendra Nath, Shammi, Jayashree T, Meena T, Baby Guddi, Randhir, Sabina, Baby Pinky, Shivraj, Nazir Kashmiri, Moolchand, Nana Palsikar, Narbada Shankar, Sulochana Chatterjee, Johnny Whisky, Master Shahid, Bihari, Gulshan Bawra, Keshav Rana, Aziz, Mukthar Ahmed etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The decade of the 1970s was when the significant transition happened in the Hindi film music, as the old order gave way to the new sounds. The number of music directors and singers with grounding in Indian classical music was dwindling, and the musical arrangements and the melodies were getting to be transformed, forever.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is perhaps the inability of our times to distinguish between the “good” and the “great”, the “noteworthy” and the “legendary”, the “impressive” and the “brilliant”, that leads us to use the latter of the two adjectives in each case in far greater measure, and for far more modest achievements than would have been approved of by an earlier generation. Or maybe it is just our laziness, or our tendency to exaggerate, that leads us to our use (or abuse) of the English language in this manner.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When Alam Ara was released in 1931, people were awe-struck. Additionally, there were 7 songs in it. It was a novelty that the moving images on screen not only talked but they also sang. Alam Ara was lauded as a Landmark. One would imagine that there must have been a spate of Talkie films in its wake, but surprisingly only 24 in 1931, 61 in 1932 and 76 films in 1933 were made. This was because silent films were still being made till september 1934. Further the new filmmakers were yet to join the field. After 1934 the number crossed 100 and never stopped again.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are already two songs from Chhalia (1973) here. Therefore, I am glad to add another one to make it a trio. The music director is R D Burman. As with many of his good scores, this one is also for a film, which flopped badly and sank without a trace, till the Pancham renaissance in the last few years resurrected its songs.
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