Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1977


This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

This is a gem of a ghazal presented in Mujra style. Once again, very beautiful, almost semi classical composition. The words are lovely, and the music is just wonderful. As with the other song picturised on Helen, the quality of on screen situation and picturization is average. However, the song is mesmerizing, if one listens only to the audio, without any visual distractions.
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It is popularly believed (and faithfully reproduced by most sites copying from each other) that “Rustam Sohrab” (1963) was the last movie of Sajjad Hussain as a music director. Fortunately for music lovers, Sajjad Hussain was active even later and he kept getting assignments till 1970s, even if they were few and far between.
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This post is written by Santosh Ojha,a regular contributor of posts to this blog and a fellow enthusiast of Hindi movies and its songs

To me, “Amar, Akbar, Anthony”, a 1977 release, defined the Bollywood of late 70’s to mid-80’s. The ubiquitous lost-and-found formula, rocking songs, maar-peet, vendetta, incredibly hirsute villains…. you name it and it was there. It was a multi-starrer too, multi-starrer being a buzz-word in the era. A multi-starrer to beat all multi-starrers!
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In Hindi movies, actors are often seen singing in front of a gathering while seated on a grand piano. This to my mind was rather unrealistic. For one, there may not have been too many households owning spacious houses with huge hall where such grand pianos were kept. Secondly, it is humanly not possible to play the piano and sing a song simultaneously.
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This post is written by Santosh Ojha, a relatively new visitor of this blog and a fellow enthusiast of Bollywood movie music

The charm of Hindi films for me began from the time I began watching them avidly. The charm lay in those unique features of the Hindi film; multi-starrer, great fight scenes, action-packed, zingy songs and scintillating dialogues. If this was coupled with a lost-and-found brother/friend plot, with messages on religious harmony, and with good triumphing over evil, what more could a teenager want!
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This post is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor of posts to this blog

Many of the songs I have posted on this blog so far have been songs of the 1970s. I will not be so presumptuous as to claim that these songs are any better than songs of another decade. Every decade has produced its memorable songs and many would consider the golden period of Hindi film music to have started already in the 1940s/50s.
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This post is written by Santosh Ojha, a relatively new visitor of this blog and a fellow enthusiast of Bollywood movie music

I had stumbled onto Atul’s admirable effort a few months ago when I was looking for the lyrics of “Aaj pahli tarikh hai” for a non-film piece for my own blog. After I posted the piece, I sent the link to Atul who not only read that piece, but also several others on my blog. He has been prompt -and generous- with his comments. Over time we had sporadic email exchanges. We discovered that not only we had a common interest (Hindi film songs) but also our backgrounds; similar age, similar geography (he from Ranchi and I from Jamshedpur; both in Jharkhand) and both from middle-class families.
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I have mentioned it many times that Chitragupta, despite his outstanding musical talent would not go out and socialise with big wigs of the industry and that is what prevented him from landing big banner movies. For instance, the first time he was introduced to raj Kapoor was in late 1980s by his sons Anand and Milind, and on meeting him, Raj Kapoor said that he was a big fan of Chitragupta and he would have loved to work with Chitragupta had he met him in their heydays.
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