Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Actor-Singer


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6298 Post No. : 19491

“Imtihaan”(1949) was directed by Mohan Sinha for Veena Pictures, Bombay. The movie had Surendra, Madhubala, Gulab, Sajjan, Munshi Khanjar, Rekha, Madan Puri, Y n Joshi, Jugnu, Cuckoo etc n it.

This social movie had ten songs in it that were penned by four lyricists.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6294 Post No. : 19483 Movie Count :

5139

Recently, I came across the film ‘Hari Bhari’ (2000) when I was scrolling through the filmography of Shyam Benegal. After going through the details of the film, I thought that this may be a documentary film because the film was produced by the Ministry of Health and Family Welfare, Government of India and National Film Development Corporation (NDFC). The title of the film which in English means ‘fertility’ reinforced my assumption of a documentary film on family planning. The film had Shabana Azmi, Rajit Kapur, Rajeshwari Sachdev, Nandita Das, Surekha Sikri, Seema Bhargav and other actors who have been usually associated with Shyam Benegal films. The duration and the songs in the film created a doubt in me whether it was really a documentary film. So, I decided to watch the film at least for the sake of its songs.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6290 Post No. : 19468

Today’s song is from a complicated film-Bindiya-1946.

There were 3 films with this title. I fail to understand why film titles are repeated so often, as if there is an acute shortage of titles. There are hundreds of such titles which are repeated from two to as many as 7 times. I have never found such repetition in Hollywood films. If at all there are any, they may be very rare cases.

Bindiya was made in 1946, 1955 and 1960. I remember writing a post on a song from the film Bindiya-1960, in which actor Om Prakash had sung a song. This was in my series of ” songs by non singers”, somewhere in the end of 2012.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6284 Post No. : 19449

#the Decade of Sixties – 1961 – 1970 #
———————————————————————

Regulars on this blog are aware that I am a big fan of Qawwaalees from Hindi films (as well as non-film qawwaalees ). I am also a big fan of the famous Qawwaalee singer Jaani Babu Qawwaal. His voice is pure nostalgia for me. I love his singing and also the way he performed his qawwaalees on screen.

I am trying to present Qawwaalees sung by him whenever I get an opportunity to do so. Today I am presenting a song that must be considered rare because it is not mentioned in HFGK and its records were apparently not made. This song is only available in the movie. Despite its presence in the movie it has gone unnoticed because not many people may have watched the video or noticed that this song was not mentioned in HFGK..
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6283 Post No. : 19445

Today’s song is from the film Pukar-1939.

The film was made by Minerva Movietone, Bombay. It was directed by the owner of the banner, Sohrab Modi himself. The lyricist was Syed Amir Hyder Kamaal Amrohi or simply Kamaal Amrohi, who became famous as a producer, director and a poet in later years. One of the points of his fame was that he had married Meena kumari. His surname was actually Naqvi which he never used and opted for highlighting his home town Amroha. he was also a screenplay writer, a Dialogue and storywriter. His famous films were Mahal-1949 and Pakeezah-1972. Meena Kumari- his 3rd wife died soon after the film Pakeezah was made. They had already separated in 1964 after 12 years of married life.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6275 Post No. : 19420

Today’s song is from the film Akela-1941.

Produced by Kikubhai Desai for his own banner Great India Pictures, it was directed by Pesi Karani. Music was given by Khan Mastana, who was basically a singer. Songs were written by P.L.Santoshi. The cast of the film included Mazhar Khan, Bibbo, E, Billimoria, Miss Moti, Hadi, Bose, Pratima Devi and others.

There were 3 films with the same title, made in 1941, 1963 and 1991. Then there were variations like Akeli, Akele Hum Akele tum, Akeli Ladki and Akeli mat Jaiyo (last film made by Ranjit Studios in 1963).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6263 Post No. : 19382

Today’s song is from a film from the early era of the first decade of the Talkie films – Postman aka Abhilasha-1938. First of all, let us take a look at what was happening in 1938, in the Hindi film industry….

1938 was an interesting year in the early life of the Talkie films. The film making studios had firm footing with a studio system and they tried a variety of subjects in their films. In the 88 Hindi films produced in 1938, one finds almost every Genre of film subjects, except perhaps the usual Folk stories and Historical themes. Comedy, Tragedy, Fiction, Jungle stories, Costume, Socials, Musicals, Mythologicals, you name it and you had it. Content and technical expertise had improved as films on famous novels were made.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6256 Post No. : 19349

Today’s song is from an unknown film of 1948 – Adalat-1948.

1948 was an year when the filmmakers breathed a sigh of relief, because now there was no restriction on making films openly on our Independence efforts or having songs of patriotism and Indian culture.

Film Shaheed made by Filmistan was based on the 1942 Quit India Movement. This was Dilip Kumar’s first Hit film.

Bombay Talkies made Majboor on the exit of the British from India. There was a song also describing it.

Internationally famous dancer Uday Shankar made ‘Kalpana’ glorifying different dances of india. It ran well in Calcutta, but other places it had a lukewarm reception.

Suhag Raat by Kidar Sharma -his best in career- presented Geeta Bali (who resembled his wife Kamla Chaterjee), as a Heroine for the first time. She too did justice to her role.

Raj Kapoor established his RK Studio and made Aag with 3 heroines- Nargis, Kamini Kaushal and Nigar Sultana. He did not match them, but managed well with good songs.

Another Dilip film Mela was full of melodious songs. Suraiya’s Pyar ki jeet too was a musical.

Chandralekha from the South created history with its impressive challenge to Hindi films. Lavishly made and released with over 600 prints all over India at the same time it indicated the future competition from southern films !

Dev Anand’s Vidya and Ziddi made an impression.

Kishore Kumar sang his first song in Ziddi. Asha Bhosle sang her first solo in Chunaria.

Anokhi Ada with veteran Naseem and Surendra was successful.

Grihasthi, Pagdi, Gopinath, Nadiya ke Paar etc were other notable films.

Among these famous and hit films, a film made with artists who were unknown to Hindi film audiences had no chance to succeed. Additionally, the film had nothing unusual about it…story, music, songs or anything else It was the first film with this title. Later on came the more famous and successful film Adalat in 1958 and then Adalat in 1976.

This film was produced by Mangal Pictures. It was directed by Vasant Joglekar and the music was provided by Datta Davjekar, for songs written by Mahipal and Narendra Sharma. Yes, he is the same Mahipal who became a regular feature in 131 Hindi Stunt, Action, Costume, Historical and Mythological films. Incidentally, Adalat-48 was Mahipal’s last film as a Lyricist. he wrote 13 songs in 4 Hindi films.

The cast of the film was Baburao Pendharkar (brother of Bhalji Pendharkar),Salvi, Jog, Madgulkar, Jaysingh, Saroj Borkar, Sudha Apte, Nalini Dhere, Shalini and Rajan (Jawale). The cast, MD, Director all singers except Mohd.Rafi were Marathi people. Most of them are unknown to Hindi audiences.

Jaysingh was the son of director Bhalji Pendharkar, from his first wife. From his second wife(Miss Leela aka Leela Chandragiri) he got another son Prabhakar. Combining the names of these two sons, Bhalji named his new studio “Jayprabha” at Kolhapur. During the riots against the Bramhins, after the murder of Gandhi, this studio was burnt, because Bhalji Pendharkar was a Brahmin. The studio was rebuilt. It was later purchased by Lata Mangeshkar,only to get embroiled in court cases with the Maharashtra Government, for a long time.

Actor Rajan (Jawle) was a Marathi actor. He is the person who lived with and looked after actress Hansa Wadkar in her later bad days in her life, till she died. Actress Nalini Dhere was a Marathi actress but had done few Hindi films like Nagad Narayan-43 etc. In Hindi film industry, at some or the other times, there were as many as 8 Nalini’s operating as actresses and singers – Nalini Tarkhad, Nalini Jaywant, Nalini Nagpurkar, Nalini Gupte, Nalini Dhere, Nalini Saraf (who became Seema Deo-wife of actor Ramesh Deo), Nalini Chonkar and Nalini Korgaonkar (singer-Jail Yatra-47).

Our film industry is full of ungrateful people. There is nothing like true friendship here. So called friends do not hesitate to cut the throat of others for selfish purposes. There are hundreds of such instances here. However for every rule there is an exception and there was ONE friendship which was used as an example here. That is the friendship of Vasant Joglekar and Ashok Kumar. They were true friends and their friendship ended only when Joglekar died.

Vasant Joglekar, actor-by compulsion and producer/Director-by choice was born on the Christmas day, 25th September 1914 at Nagpur. He started his filmi career as asstt. to Master Vinayak in 1942. In the struggling days he met Ashok Kumar and they became friends forever.

Starting with Aap ki seva mein-47, in which Lata Mangeshkar sang her first Hindi film solo, Joglekar produced 10 films and directed 20 films ( 11 Hindi and 9 Marathi). In one of the Marathi films directed by this young man-Vasant Joglekar, actress Sumati Gupte was acting in it. They fell in love and soon got married in 1943. Sumati became Sumati Gupte Joglekar. In due course, the couple had 3 daughters- Meera, Chanda and Madhushri.

In almost all his films Ashok Kumar was a fixture. There was a time when Ashok kumar was involved in 30 films at one time,still the 31st film was that of Joglekar. The only condition Dadamuni used to put was that Joglekar’s wife, actress/housewife Sumati Gupte Joglekar should provide him food Tiffin cooked by her own hands, at the shooting place ! . He was very fond of her cooking. No wonder, Sumati was a CKP by birth-a fish eater and Bangali babu liked Fish dishes very much !

Joglekar’s Filmography as a Director in Hindi films – Aap ki sewa mein-47, Adalat-48, Nand Kishore-51, Jeet Kiski-52, Firdaus-53, Samaj-54, Karigar-58, Aanchal-60, Aaj aur kal-63, Ek Kali Muskayee-68 and last film Prarthana-69. Vasant Joglekar tried to promote his daughter Meera as a Heroine in Hindi films, with the film Ek Kali Muskayee-68. However, she was not successful and the film was a flop. Vasant Joglekar died on 13-1-1993.

One of the cast members was G.D.Madgulkar. Though this name is unknown to most Hindi film lovers, he has contributed to films in a substantial way In marathi literature and films, his name is taken with respect. Gajanan Digambar Madguḷkar (1 October 1919 – 14 December 1977) was a Marathi poet, lyricist, writer and actor. He was born in village Shetphal, Atpadi Taluka, Sangli district in Maharashtra. His family hailed from village Madgule in the same Taluka.

He is popularly known in his home state of Maharashtra by just his initials as Ga Di Ma (गदिमा). He was awarded Sangeet Natak Akademi Award in 1951 and Padma Shri in 1969. He has written 157 screen plays and over 2000 songs in his career. He was called Adhunik Valmiki (the modern Valmiki) of the current era due to his composition of Geet Ramayan ( Ramayana in Songs) as the most notable work. 2019 was celebrated as his Birth Century year. The Government of Maharashtra hosted various events and festivals to grace the occasion.

Madgulkar wrote poetry, short stories, novels, autobiographies and scripts, dialogues and lyrics for Marathi as well as Hindi movies. His poems have been adapted to a wide range of musical forms such as Sugam-Sangeet (light music), Bhav-Geet (emotional songs), Bhakti-Geet (devotional songs), and Lawani (a genre of folk songs in Maharashtra). Madgulkar entered the world of movies in 1938 at Kolhāpur. He contributed to 157 Marathi and 25 Hindi movies. He was also an artist. He loved to draw nature scenes. Special mention must be made for the films, Jeewan Jyoti-53-S/play and dialogues, Toofan aur Diya-56- story, and Do aankhen barah haath-57-Story, S/play and dialogues.

A noteworthy fact about Madgulkar is that during his peak period in Marathi films, he created a World Record. He teamed up with Music Director Sudhir Phadke and director Raja Paranjape. Together, as a team, they gave a total of 11 Hit films,in a row in 18 years- from 1948 to 1966 … a record for a Team.

He had knowledge of 10 languages including Marathi, Hindi, English, Urdu, Bengali, Gujarati, Punjabi, Kannada, Tamil and Telugu.

Madgulkar was married to Vidya (Padma Patankar, Kolhapur) and they had 3 sons (Shridhar, Anand, Sharad Kumar) and 4 daughters (Varsha, Kalpalata, Deepa, Shubhada). The popular Marathi writer, Vyankatesh Madgulkar was his younger brother.

His home in Pune (‘Panchavati Bungalow’) has become a place of attraction for his fans.

I was based in Poona during the period 1974 to 1976. In this period one of my local friends took me to Madgulkar’s bungalow and introduced me. When Madgulkar came to know that I hailed from Hyderabad, he was very excited and asked me several questions. I spent about 4-5 hours with him and had lunch also with him, on his repeated insistence. He was a good conversionist and loved to talk and listen. I will never forget this meeting. Those days he was not keeping good health.

I have not seen this film, but I know that this was a film based on a Love marriage which goes sour ending up in a family court for a divorce. However, the skillful judge tries and the couple reunite with greater love and return to their sweet home happily.

Here is a 77 year old song, sung by V.S.Jog. This must be his first song on this Blog. V.S. Jog was a notable Indian actor, primarily known for his work in Marathi films and theatre, with notable films including Pratibha (1937), Lagna Pahave Karun (1940), and Amrit (1941). He was involved in the Marathi theatre scene, particularly in a period when naturalism was gaining prominence, with connections to the Natyamanwantar group and actor-writer K. Narayan Kale.

He made a comedy pair with Damuanna Malavankar. He also was ‘Gundyabhau’ in some films of a known popular character ‘Chimanrao’, along with Damuanna Malavankar.
Enjoy the song….


Song- Beet gaya beet gaya Prabhu Raam ka raaj re (Adalat)(1948) Singer- V S Jog, Lyricist- Mahipal, MD- Datta Davjekar

Lyrics

Beet gaya aa aa aa aa
beet gaya aa aa aa

Beet gaya
Beet gaya
Prabhu Raam ka raaj re
Prabhu Raam ka raaj re
Beet gaya
Beet gaya
Prabhu Raam ka raaj re
Prabhu Raam ka raaj re
kalah ka Raavan ghar ghar janma
kalah ka Raavan ghar ghar janma
nasht bhaye sab kaaj re
nasht bhaye sab kaaj re
nasht bhaye sab kaaj re
nasht bhaye sab kaaj re
Beet gaya
Beet gaya
Prabhu Ram ka raaj re
Prabhu Ram ka raaj re

dukh ke madir(??) baraabar bikhre
dukh ke madir(??) baraabar bikhre
aaj sanehee sanehee ko bisre
dukh ke madir(??) baraabar bikhre
aaj sanehee sanehee ko bisre
palat gaye patwaaar
palat gaye patwaar
samajh ke
ulta beech(?) jahaaj re
ulta beech(?) jahaaj re
ulta beech(?) jahaaj re
ulta beech(?) jahaaj re
Beet gaya
Beet gaya
Prabhu Raam ka raaj re
Prabhu Raam ka raaj re

Danav ka avtaran hua hai
Danav ka avtaran hua hai
Seeta maa ka haran hua hai ae ae
Seeta maa ka haran hua hai
koi upaay karo Prabhu aisa
koi upaay karo Prabhu aisa
Lanka dahan ho aaj re
Lanka dahan ho aaj re
Lanka dahan ho aaj re
Lanka dahan ho aaj re ae ae ae


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6254 Post No. : 19342

Today’s song is from a film which is almost 90 years old – Chhaaya-1936.

This was the first Marathi/Hindi bilingual film made by Huns Pictures, Bombay – a banner owned by master Vinayak along with 2 others. The other partners were Baburao Pendharkar (actor/director) and Pandurang Naik (ace Cinematographer). The film was directed by Master Vinayak. Music was by Dhamman Khan. The film story, dialogues were translated by Pt. Indra, who also acted in this film. He wrote all the 14 songs of the Hindi version.

This was the period of tragic films by Saigal. His famous film Devdas, based on a story by Sharat Babu, became famous and popular all over the Indian subcontinent. This led to a trend in other languages to make tragedy films, in which the Hero dies. In the original Bangla language film, P.C.Barua had acted as Devdas. K.L.Saigal acted in its Hindi and Tamil version, singing 2 songs in the Tamil version. Barua directed the Bangla, Hindi and Assamese versions.

Film Chhaya-1936 was also based on this pattern, where the hero dies. Initially it was thought that such tragic films would not succeed, but film Chhaya became a Hit film. It won accolades from the public and the critics equally. It won many awards too. The cast of the film was Vinayak, Leela Chitnis, Ratnaprabha, Baburao Pendharkar, Indira Wadkar, Pt, Indra, Anant Marathe etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6251 Post No. : 19333

Today’s song is from a very old film Anath Ashram-1937.

In the early era, when silent films were made, it was Maharashtra – especially Bombay which led the new medium as the production centre for silent films. Of course, some films were also being made in other places like Poona, Kolhapur, Coibtor, Nashik, Bangalore, madras, Calcutta and other occasional towns.

After the Talkie films started, Calcutta came up with one of the most organised, well equipped and big studios, making films in Bangla, Hindi and some other eastern languages. That was New theatres, Calcutta. In those days, Calcutta quickly rose as a busy centre for filmmaking in several languages and many studios and production houses came up, but no one could match the magnificence of New Theatres in terms of consistency, number of star actors, actresses and directors along with technicians. New Theatre ruled supreme till the rise of Bombay Talkies and Ranjit Studios in Bombay.
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