Posts Tagged ‘Anil Biswas’
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
During my four decades of sojourn with old Hindi films songs, I have come across many admirers of such songs among my friends, office colleagues and also within my family circle. There were categories of admirers in terms of period songs, fans of some singers, lyricists. music directors etc. There was one more category of admirers who outscored other categories in terms of numbers. Members of this group, while being admirers of popular old Hindi film songs of golden era, were by and large ignorant of other details of the songs especially names of music directors and lyricists. I also noted that out of these details, they were least interested in knowing the names of lyricists.
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Katati hai ab to zindagi
Posted on: May 7, 2012
“Naaz”(1954) was a S K Films Production, S K Ojha was the producer and director of this movie. The movie had Ashok Kumar, Nalini Jaiwant, Murad, Arif, Tiwari, Veena, Nawab, S. Nazir, Amar, K. Sabir etc in it.
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Tera haathh haathh mein aa gayaa
Posted on: May 1, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Today, May 1st, is the 93rd birthday of one of the icons among the playback singers who has enthralled the listeners of both filmy and non-filmy songs with his versatile singing for over five decades. He is Prabodh Chandra Dey, popularly known as Manna Dey. We are fortunate that Manna Dey is with us to remain a source of inspiration for budding singers.
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Dil shaam se doobaa jaata hai
Posted on: April 14, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
When one would sit down to list and compile a gold collection of Asha Bhonsle, this ghazal is a ‘must have’ in such a compilation. It is a short ghazal, by many standards. Just three verses, but the words are like sharp stilettos of passion that twist and wrench inside the heart. The composition is fairly simple yet emphatic, and the rendition that sounds apparently casual to start with, carries the words with a resounding conviction – almost a categorical statement of resignation to the wiles of fate. There is a compelling question that the singing voice asks at the end of each verse, and one is forced to absorb and contemplate and empathize and feel the restless, and yet a resigned passion that dominates this poetic expression. What a creation this one is !
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
‘Ghazab kiyaa tere waade pe aitbaar kiyaa’ is a famous ghazal written by Daagh Dehlvi. Ever since I heard this ghazal sung by Mohammed Rafi for the first time in late 60s, I am spellbound by his rendition. In fact, I scouted for a gramophone record in 78 rpm of this song in early 70s and I was able to get a brand new record. I must have played this record many times and now I can tell which points Mohammed Rafi takes a momentary pause while singing this ghazal. This non-filmy ghazal was set to music by Khayyam. This ghazal has also been sung by many well known singers of thesub-continent such as Mehdi Hasan, Pankaj Udhas, Mallika Pukhraj, Farida Khanumand many more. With due respect to all these singers who are numero uno in their own rights, I still prefer to listen to Mohammed Rafi’s version.
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Allah teri khair kare
Posted on: March 6, 2012
“Heer” (1956), as the name suggests is based on the Punjabi tragic love story of Heer Ranjha. The title roles in this movie were played by Nutan and Pradeep Kumar.
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“Heer” (1956) was a Filmistan Production. It was directed by Hamid Butt and the starcast included Pradeep Kumar, Nutan, Ulhas, Darpan, S. L. Puri, Randhir, Krishna Kumari, Zohra Sehgal, Chaman Puri, Mubarak, Murad, Rashid Khan, Lalita Pawar, Shakuntala etc.
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“Heer” (1956) was a Filmistan Production. It was directed by Hamid Dutt (?) and the starcast included names viz Pradeep Kumar, Nutan, Ulhas, Darpan, S. L. Puri, Randhir, Krishna Kumari, Zohra Sehgal, Chaman Puri, Mubarak, Murad, Rashid Khan, Lalita Pawar, Shakuntala etc.
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Na dir dim taana
Posted on: February 7, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
PARDESI (1957) was an Indo-Soviet co-production film in Hindi and Russian languages . The Hindiversion of the film was directed by K A Abbas and the star cast included Balraj Sahani, Nargis, Oleg Strizhenov, Prithviraj Kapoor, Jairaj, David, Padmini. The film did not create a stir at the box office but was nominated for Cannes Film Festival (1958.) M R Acharekar got the Filmfare award for the best art direction (1958) for this film.
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Ghar tera apna ghar laage
Posted on: January 31, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of hindi movie music and a regular contributor to this blog.
Janaury 31st is the death anniversary of Suraiyya who was India’s greatest female singer-actor of the post-partition period. While reading her profile and biography, I felt that her life had twists and tales worthy of making a full length feature film. For instance, her romantic involvement with Dev Anand, a dominating maternal grandmother who, apart from deciding her filmy career, played a spoilsport in her romantic relationship and finally her decision to quit films to live a life of seclusion, can be some of the ingredients for a cinematic presentation. Suraiyya’s life cycle can best be described in some of her own renditions like Laayi khushi ki duniya (Vidya) , Tere nainon ne chori kiyaa mera chhota sa jiya pardesiya (Pyaar ki jeet) and Raste pe ham khade hain dil e beqaraar le kar (Rajput) to Ye kaisi ajab daastaan ho gayi hai(Rustam Sohrab)(1963) and finally to Rahiye ab aisi jagah chal kar jahan koi naa ho (Mirza Ghalib) .
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