Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Anil Biswas


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Ghazab kiyaa tere waade pe aitbaar kiyaa’ is a famous ghazal written by Daagh Dehlvi. Ever since I heard this ghazal sung by Mohammed Rafi for the first time in late 60s, I am spellbound by his rendition. In fact, I scouted for a gramophone record in 78 rpm of this song in early 70s and I was able to get a brand new record. I must have played this record many times and now I can tell which points Mohammed Rafi takes a momentary pause while singing this ghazal. This non-filmy ghazal was set to music by Khayyam. This ghazal has also been sung by many well known singers of thesub-continent such as Mehdi Hasan, Pankaj Udhas, Mallika Pukhraj, Farida Khanumand many more. With due respect to all these singers who are numero uno in their own rights, I still prefer to listen to Mohammed Rafi’s version.
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“Heer” (1956) was a Filmistan Production. It was directed by Hamid Butt and the starcast included Pradeep Kumar, Nutan, Ulhas, Darpan, S. L. Puri, Randhir, Krishna Kumari, Zohra Sehgal, Chaman Puri, Mubarak, Murad, Rashid Khan, Lalita Pawar, Shakuntala etc.
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“Heer” (1956) was a Filmistan Production. It was directed by Hamid Dutt (?) and the starcast included names viz Pradeep Kumar, Nutan, Ulhas, Darpan, S. L. Puri, Randhir, Krishna Kumari, Zohra Sehgal, Chaman Puri, Mubarak, Murad, Rashid Khan, Lalita Pawar, Shakuntala etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

PARDESI (1957) was an Indo-Soviet co-production film in Hindi and Russian languages . The Hindiversion of the film was directed by K A Abbas and the star cast included Balraj Sahani, Nargis, Oleg Strizhenov, Prithviraj Kapoor, Jairaj, David, Padmini. The film did not create a stir at the box office but was nominated for Cannes Film Festival (1958.) M R Acharekar got the Filmfare award for the best art direction (1958) for this film.
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This article is written by Sadanand Kamath, a fellow enthusiast of hindi movie music and a regular contributor to this blog.

Janaury 31st is the death anniversary of Suraiyya who was India’s greatest female singer-actor of the post-partition period. While reading her profile and biography, I felt that her life had twists and tales worthy of making a full length feature film. For instance, her romantic involvement with Dev Anand, a dominating maternal grandmother who, apart from deciding her filmy career, played a spoilsport in her romantic relationship and finally her decision to quit films to live a life of seclusion, can be some of the ingredients for a cinematic presentation. Suraiyya’s life cycle can best be described in some of her own renditions like Laayi khushi ki duniya (Vidya) , Tere nainon ne chori kiyaa mera chhota sa jiya pardesiya (Pyaar ki jeet) and Raste pe ham khade hain dil e beqaraar le kar (Rajput) to Ye kaisi ajab daastaan ho gayi hai(Rustam Sohrab)(1963) and finally to Rahiye ab aisi jagah chal kar jahan koi naa ho (Mirza Ghalib) .
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Posting writeups during journey is turning out to be more difficult than I thought on this return journey. I was hoping that I would be able to discuss several songs in this return journey but so far I have been unable to do so. With difficulty, I have managed to post one song so far. Here is another song for the day.
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“Kismat” (1943) is a movie which was produced by Bombay Talkies Ltd, Bombay. Gyan Mukherji was the producer and the star cast had Ashok Kumar, Mumtaz Shanti, Shah Nawaz, Moti, P.F.Pithawala, Prahlad, Harun, Mubarak etc. This movie was India’s first multi starrer movie and also the most successful movie of those days. This movie was the original lost and found movie which was then copied and emulated in countless number of movies for several decades to come.
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Today (25th october) is the death anniversary of Sahir Ludhianvi. Sahir Ludhainvi, a stormy petrel among Hindi movie lyricists, stirred quite a few hornets’ nests’ during his time, which are well documented and which have been discussed in this blog too from time to time.
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