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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘P Ramakant


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3843 Post No. : 14854

Today’s song is from film ‘Bhedi Bangla’ (1949). This film was produced by Anand Subramanyam, under the banner of Jagriti films, owned by Master Bhagwan. The story, dialogues and songs were by Ehsaan Rizvi and music was by P Ramakant. This was a name used by C Ramchandra, because he was under contract with Filmistan and could not give music in his own name. It started with Raja Nene’s film Shadi Se Pehle’ in 1947, in which he first used his assistant’s name Paingankar (the joint MD was Karnad). His name was Ramakant Paingankar and was assisting Chitalkar for a long time. Later, for Bhagwan’s films like ‘Bhedi Bangla’, ‘Bhole Bhale’ (1949), ‘Babuji’ (1950), and ‘Bakshish’ (1950) also, Chitalkar used the pseudo name P Ramakant as MD (information from Marathi Chitrapat Sangeetkar Kosh by Madhu Potdar).

Master Bhagwan was a very hard working person. In the real sense, he brought in the wave of stunt films in the late 40s. After the films of Master Vithal and Fearless Nadia waned in their popularity by 1944-45, it was Master Bhagwan, who established his own Production house – Jagriti Films, and produced several stunt films. He had a set of actors and actresses, which included Baburao Pehelwan, Vasantrao Pehelwan, Azeembhai, Shanta Patel, Chanchal, Leela Gupte, Usha Shukla and Vitha Lokare.

The storyline for most of his films was also fixed. Two young vagabonds – Baburao Pehelwan and Bhagwan, come to Bombay in search of employment. One Sethji (Azeembhai) appoints them to protect him from the local criminal (Vasantrao Pehelwan). Sethji has a good looking daughter (one of the stock Heroines), who has a maid (another girl from the stock). Baburao loves Seth ji’s daughter and Bhagwan loves the maid. After lot many stunts and fighting scenes, the end would be happy. The same story with changed names and other minor changes was used in almost all his films like ‘Badla’, ‘Bahadur’, ‘Jalan’, ‘Madadgaar’, ‘Dosti’, ‘Shake Hand’, ‘Matlabi’, ‘Bach Ke Rehna’, ‘Bhole Bhale’, ‘Jeete Raho’ or such other films. The audience did not mind . They were happy with the stunts. (Did Nasir Hussain get inspiration from Bhagwan in this matter ?)

Master Bhagwan entered the film world with silent film ‘Bewafa Ashiq’ (1930). His first talkie film was ‘Himmat-e-Marda’ (1934). Initially, like all other heroes, even Bhagwan used to sing his own songs. Once he had gone to Columbia company for rehearsal and recording a song. While entering, he saw a young man sitting under a tree and writing something. After rehearsal, he saw that fellow again and even after recording the man was still writing something. Bhagwan went to him and asked with curiosity what was he writing. The man answered, I am writing songs and stories. He came to know that his name was Ehsaan Rizvi and that he too lives in Dadar like Bhagwan. He took Rizvi’s address and left.

In 1938, Bhagwan got his first film as a director- ‘Bahadur Kisaan’ (1938). He called Ehsan Rizvi and gave him the job of writing the story, dialogues and songs. From that day Ehsaan Rizvi became a part of his team. He wrote for at least 25 films of Bhagwan’s. Born in 1914, Rizvi wrote lyrics for 60 films, but most of them were B or C grade films. He however wrote dialogues and screenplay for some well known films like ‘Do Ustad’ (1959), ‘Mughal e Azam’ (1960), ‘Woh Kaun Thi’ (1964), ‘Aan Milo Sajna’ (1971), ‘Gopichand Jasoos’ (1982) etc. He had shared the Filmfare award for dialogues of ‘Mughal e Azam’, with 3 other writers. He died on 16-1-1983.

Bhagwan and CR got introduced when Bhagwan was directing film ‘Bahadur Kisaan’ for producer Chandrarao Kadam. The MD was Meer Saheb and CR was his assistant. Of course, that time he was just Ram Chitalkar. Their friendship lasted for many more years. For film ‘Bahadur Kisaan’, the background music was composed by Naushad, CR and Sajjad Hussain. Naushad played piano, CR played organ and Sajjad played mandolin. Another person Prem, played clarinet. They were all struggling artistes then.

In 1942 Bhagwan directed ‘Sukhi Jeevan’, for which CR was the MD for the first time. Bhagwan and the producer Harishchandra Rao Kadam had some dispute on payments. Bhagwan decided to start his own production company and he started Jagriti Pictures. His first film was ‘Badla’ (1943). For this film he took 80,000 from a financier, with a condition of repaying one lakh rupees after the film is released. After this film Bhagwan churned out film after film in the stunt genre. In 1949, Bhagwan made film ‘Bhedi Bangla’, which was the first of its kind – a sort of horror cum mystery film. The film was a hit film. With this film Bhagwan had reached the zenith of his stunt films.

In this film, there were several scenes, where Bhagwan sees a ghost and his eyes widen and breath is held up. Due to the strain on the eyes, they became red and swollen and after some time, suddenly, he could not see anything. He thought that he has become blind. He shouted for his brother Shanker. Bhagwan was immediately taken to a hospital in Girgaon. The doctor examined him,gave him an injection and some tablets. That night he slept like a dead man, but after getting up on next day noon, he was happy that his eyesight was normal now.

Bhagwan had noticed that whenever his film’s trial show was arranged, a handsome young man would be present there. When he saw this man at the trial show of ‘Bhedi Bangla’ again, he inquired as to who he was. The young man told him that his name was Raj Kapoor and he was son of the great Prithviraj Kapoor. Bhagwan called him and asked him why he came. Raj kapoor said, “Sir, I like your stunt films. I am your fan. In my films, I copy your dance style. Why don’t you make a social film ?”. Few days later, even CR also pushed him hard to enter the social film genre now, so that CR can openly lend his name to Bhagwan’s films as MD and his film will get the benefit of his fame. Thereafter Bhagwan started thinking about it seriously and then ‘Albela’ happened. The rest is history, as they say! The story of Albela making, some other time. . .

The story of film Bhedi Bangla was,

Shyam (Baburao Pehelwan) and Manglu (Bhagwan) are friends and good for nothing. They come to Bombay to look for easy money. They pretend to be lame and blind and start begging. However, after few days, their secret is out and and the enraged public of Bombay gives them a sound thrashing. An onlooker calls them and asks if they would do a good job, instead of this nonsense. The agree and they are appointed as watchmen for a deserted haveli. It is owned by a Sethani (Tarabai – elder sister of Sitara Devi and mother of dancer Gopi Krishna). Her daughter is beautiful Prema (Leela Gupte). There is an estate manager also (Azeembhai – who later became a famous fight master in Hindi films), who does not like their coming there.

One day the friends find the dead body of the haveli’s maali (gardener) (Inamdar) in the premises of the haveli. The estate manager complains to the police. Police start investigations. Maali had a good looking daughter – Champa (Usha Shukla). While Manglu tries to take care of her, the estate manager tells police that he suspects this duo of murdering the maali. In absence of any proof, police do not arrest them but keep an eye on them.

Suddenly, the friends start seeing ghosts in the haveli. First few days, they are scared, but realise that this is all bogus and they try to reach the bottom of the matter. Finally, they unearth a plan of the estate manager to scare everybody, so that no one will remain there and he can conduct his gold smuggling business from there. He only has murdered the maali. After solid stunts and fighting scenes, the culprits are arrested and Shyam and Prema and Manglu and Champa are united. (658).

The film had 8 songs. Most songs are available on You Tube. 4 songs are already discussed here. Today’s song is the 5th song. It is a duet of Lata and Chitalkar. All in all, ‘Bhedi Bangla’ aka ‘The House of Mystery’ was a ‘paisa vasool‘ entertainment.

(Thanks to ‘Ek Albela’ by Isaq Mujawar and Mike Barnum’s Blog, for some information used here).

 

Song – Aansoo Na Bahaana, Ab Aansoo Na Bahaana  (Bhedi Bangla (aka House of Mystery)) (1949) Singer – Chitalkar, Lata Mangeshkar, Lyrics – Ehsaan Rizvi, Music – P Ramakant (aka C Ramchandra)
Chitalkar + Lata Mangeshkar

Lyrics (Provided by Sudhir)

aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana

mast pawan is  phulwari mein
kali kali khilaati hai
mast pawan is  phulwari mein
kali kali khilaati hai
usi chaman mein raen andhere
shabnam neer bahaati hai
usi chaman mein raen andhere
shabnam neer bahaati hai
tum kehte ho is jag mein
bas hansna aur hasaana
kaanton bhari ye raah se hai
muskuraate jaana
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana

sukh mein to hansti hai duniya
sabka yehi haal hai
sukh mein to hansti hai duniya
sabka yehi haal hai
lekin dukh utha kar koi
hanse to phir ye kamaal hai
lekin dukh utha kar koi
hanse to phir ye kamaal hai
jag ki reet badal kar dekho
dukh ko bhi sukh banaana
kaanton bhari ye raah se hai
muskuraate jaana
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana

sach poocho do dil ka milna
kaanta bhi hai phool bhi
pyaar ko sach maano to sach hai
bhool kaho to bhool bhi
sach poocho do dil ka milna
kaanta bhi hai phool bhi
pyaar ko sach maano to sach hai
bhool kaho to bhool bhi
lekin dil mein himmat ho to
khud badlega zamaana
kaanton bhari ye raah se hai
muskuraate jaana

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना

मस्त पावन इस फुलवारी में
कली कली खिलाती है
मस्त पावन इस फुलवारी में
कली कली खिलाती है
उसी चमन में रैन अंधेरे
शबनम नीर बहाती है
उसी चमन में रैन अंधेरे
शबनम नीर बहाती है
तुम कहते हो इस जग में
बस हँसना और हँसाना
काँटों भरी ये राह से है
मुसकुराते जाना
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना

सुख में तो हँसती है दुनिया
सबका येही हाल है
सुख में तो हँसती है दुनिया
सबका येही हाल है
लेकिन दुख उठा कर कोई
हँसे तो फिर ये कमाल है
लेकिन दुख उठा कर कोई
हँसे तो फिर ये कमाल है
जग की रीत बदल कर देखो
दुख को भी सुख बनाना
काँटों भरी ये राह से है
मुसकुराते जाना
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना

सच पूछो दो दिल का मिलना
काँटा भी है फूल भी
प्यार को सच मानो तो सच है
भूल कहो तो भूल भी
सच पूछो दो दिल का मिलना
काँटा भी है फूल भी
प्यार को सच मानो तो सच है
भूल कहो तो भूल भी
लेकिन दिल में हिम्मत हो तो
खुद बदलेगा ज़माना
काँटों भरी ये राह से है
मुसकुराते जाना

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3708 Post No. : 14634

“Baabuji”(1950) was directed by Bhagwan for Udai Productions, Bombay. This stunt movie had Bhagwan, Leela Gupte, Baburao, Usha Shukla, Vasant Rao, Azeem, Jaani, Mirajkar, Zafar, Vitthalrao, Dhondu, Anmanta, Swami etc in it.

The movie had nine songs in it. Two song from the movie have been covered in the past.

Here is the third song from “Baabuji”(1950) to appear in the blog. This song is sung by Sulochana Kadam. Ehsan Rizvi is the lyricist. Music is composed by P Ramakant.


Song-Nazar se nazar lad gayi (Baabuji)(1950) Singer-Sulochana Kadam, Lyrics-Ehsan Rizvi, MD-P Ramakant

Lyrics

nazar se nazar lad gayi ee ee eeee
haaye raam
nazar se nazar lad gayi
jigar mein chhuri gad gayi haaye raam
nazar se nazar lad gayi
jigar mein chhuri gad gayi haaye raam

nasheeli teri aankhen hai be piye ae ae
nasheeli teri aankhen hai be piye ae ae
hamen zahar gairon ko amrit diye
hamen zahar gairo ko amrit diye
kisi ki nahin ban padi deed(?) kiye ae
pilaane par jab ad gayi
jigar mein chhuri gad gayi haaye raam
nazar se nazar lad gayi

hansi wo sharaarat ki hansne lage ae ae
hansi wo sharaarat ki hasne lage ae ae
gade(?) bachne waale bhi hansne lage
gade(?) bachne waale bhi hansne lage
bichhe jaal sau phande kasne lage ae
girah aur bhi pad gayi
jigar mein chhuri gad gayi haaye ram
nazar se nazar lad gayi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3626 Post No. : 14447

“Rupaya”(1950) was directed by G P Pawar for Vijay Chitra, Bombay. This obscure “social” movie had Shashikala, om Prakash, Manmohan, Naaz, Anwari, P Varne, Nautiyal, Ganpat Rao, Gauli Mota, Ramesh, Mirajkar etc in it.

The movie had nine songs in it. One song has been covered in the past.

Here is the second song from “Rupaya”(1950) to appear in the blog. The song is song by Shamshad Begam. Indeewar is the lyricist. Music is composed by P Ramakant.

If one thought that the song, going by the title, would discuss financial matters, then that is hardly the case. Hindi movies, no matter what their genre andwhat their title, would only have the same kind of songs discussing the same old “mohabbat”. And this song is no exception. 🙂


Song-Mohabbat dard hai (Rupaya)(1950) Singer-Shamshad Begam, Lyrics-Indeewar, MD-P Ramakant

Lyrics

mohabbat dard hai
mohabbat dard hai
dil mein basa le
jiska jee chaahe
ye meethha geet hai ae
ye meethha geet hai
ise gun guna le
jiska ji chaahe
mohabbat dard hai

ajab kya dekh tujhko gar
kisi ki jhuk gayin palken
ajab kya dekh tujhko gar
kisi ki jhuk gayin palken
ye duniya jhukti hai ae
ye duniya jhukti hai ik din
jhuka le jiska ji chaahe
mohabbat dard hai ae
mohabbat dard hai
dil mein basa le jiska ji chaahe
mohabbat dard hai

jawaani dar pe bachpan ke hai
sangam aag paani ka
aa aa aa aa
jawaani dar pe bachpan ke hai
sangam aag paani ka
aa aa aa aa
mita ke apne ko o
mita ke apne ko
armaan nikaale
jiska ji chaahe
mohabbat dard hai ae
mohabbat dard hai
dil mein basa le
jiska ji chaahe
mohabbat dard hai

kahar hain ham to rahmat bhi
zahar hain ham to amrit bhi
kahar hain ham to rahmat bhi
zahar hain ham to amrit bhi
agar ho pyaas honton pe
laga le jiska ji chaahe
mohabbat dard hai
mohabbat dard hai
dil mein basa le
jiska ji chaahe
mohabbat dard hai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3504 Post No. : 14076

“Rupaya” (1950), an extremely obscure movie by now, was directed by G P Pawar for Vijay Chitra, Bombay. This “social” movie had Shashikala, Om Prakash, Manmohan, Naaz, Anwari, P Varney, Nautiyal, Ganpat Rao, Gauly Mota, Ramesh, Mirajkar etc in it.

There were nine songs in it.

Here is the first song from “Rupaya” (1950) to appear in the blog. HFGK is silent about the singer of this song. Listening to the song leaves no doubt in anyone’s mind that the song is sung by Geeta Dutt.

Indeewar in the lyricist. Music is composed by P Ramakant.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

Wit this rare song, “Rupaya” (1950) makes its debut in the blog.


Song-Tiki huyi thhin jinpe nazren (Rupaya)(1950) Singer-Geeta Dutt, Lyrics-Indeewar, MD-P Ramakant

Lyrics

tiki huyi thhin jin par nazren aen
tiki huyi thhin jin par nazren
doob gaye wo taare ae ae
aaye na meet hamaare
ho o o
aaye na meet hamaare
tiki huyi thhin jin par nazren
doob gaye wo taare ae ae
aaye na meet hamaare
ho o o
aaye na meet hamaare

kaate kat’ti nahin ye raaten
o o o
kaate kat’ti nahin ye raaten
kab tak karoon main din se baaten
paapi duniya peer na jaane
paapi duniya peer na jaane
bigdi kaun sanwaare ae
aaye na meet hamaare
ho o o
aaye na meet hamaare
tiki huyi thhin jin par nazren
doob gaye wo taare ae ae
aaye na meet hamaare
ho o o
aaye na meet hamaare

baaqi ab na rahi ummeeden
o o o o o
baaqi ab na rahi ummeeden
nainon ki ud gayi hai neenden
tum tak ud na saken ye naina
tum tak ud na saken ye naina
palkon ke pankh pasaare
aaye na meet hamaare
ho o o
aaye na meet hamaare
tiki huyi thhin jin par nazren
doob gaye wo taare ae ae
aaye na meet hamaare
ho o o
aaye na meet hamaare


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3468 Post No. : 13922

Lata’s songs NOT YET covered in this Musical Blog – 22
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The 1949 film ‘Bhedi Bangla’ was a stunt film Produced by ‘Jagruti Pictures, Bambai’ (as the city was called then) and Directed by Master Bhagwan. The star-cast included himself as well as Baburao, Azim, Shankar Mirajkar, Inamdar, K K Swamy, Leela Gupte, Usha Shukla, Tarabai etc.

Music was provided by P Ramakant to the lyrics of Ehsan Rizvi. The Film Had Six songs and Lataji had Five songs according to ‘Lata Samagra’. (2 Solos and 3 Duets with Chitalkar)

HFGK is slent about the singers of 7 songs and attributes only one song to the credit of Lataji.

After this duet of Lata and Chitalkar, only one duet is to follow soon, in this serial ‘Lata’s songs NOT YET covered in this Musical Blog’.


Song– Jhoolo more laalna sukh ke hindole (Bhedi Bangla) (1949) Singer– Lata, Chitalkar, Lyrics– Ehsan Rizvi, MD–P Ramakant

Lyrics

jhoolo more laalna sukh ke hindole ae
jhoolo more laalna sukh ke hindole
resham ki ho doriyaan aaa aa
resham ki ho doriyaan
sone ka ho paalna
jhoolo more laalna sukh ke hindole ae
jhoolo more laalna

chaandni suhaani tumhen jhoolnaa jhulaaye
chaandni suhaani tumhen jhoolnaa jhulaaye
taaron ke des pe phir nindiya raani aaye
ho nindiya raani aaye
apni nindiya rani ko tum nainon mein sambhaalna
jhoolo more laalna sukh ke hindole ae
jhoolo more laalna

kaun hamen sunaata hai yeh meethhi loriyaan
kaun hamen sunaata hai yeh meethhi loriyaan
badhha rahi hain peengen mere hirday ki doriyaan
ho hirday ki doriyaan
jhoolnaa jhulaane waale saath(?) se na taalnaa

jhoolo more laalna sukh ke hindole ae
jhoolo more laalna
waan waan waah
hun hun hun uu
haa aaa aaa


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3456 Post No. : 13860

Lata’s Songs NOT YET covered on our Blog – 21
———————————————–

The last post I had posted on our wonderful musical blog was on 11th October 2017 !! After such a looooooooong gap, I am encouraged by what Sadanand Bhai has started and being one of the contributors (though a minor one) I am trying to post one song in this new year in my series ‘Lata’s Songs NOT YET covered on our Blog’.

This reminds me of a funny proverb in Gujarati, ‘Mai Bhi Dich’. In olden days there were community dinners for various castes and there was a dinner hosted for Brahmins. All will sit on cleaned ground in rows and the host will come to each with salt in the hand and ask for the sub-caste of Brahmins. The town had maximum Audichya Brahmins, so the major response from the row will be ‘AauDICH’, which sounded ‘Dich’ ‘Dich’ on the whole. One Miyabhai was tempted to taste the wonderful smelling food, also set down in the row. When the host came to him he said ‘Ma Bhi Dich’ and exposed himself that he was not a Brahmin. (ha ha ha ha )

I am like that Miyabhai trying to present one song in this New Year.

The 1949 film ‘Bhedi Bangla’ was a stunt film produced by ‘Jagruti Pictures, Bambai’ (as the city was called then) and directed by Bhagwan. The star-cast included himself as well as Baburao, Azim, Shankar Mirajkar, Inamdar, KK Swamy, Leela Gupte, Usha Shukla, Tarabai etc.

The music is by P Ramakant to the lyrics are by Ehsan Rizvi. The film has eight songs and Lataji had sung five of them, according to the book ‘Lata Samagra’ – 3 Solos and 2 Duets with Chitalkar. HFGK is slent about the singers of 7 songs of this film, and attributes only one song to the credit of Lataji.


Song–Kaali Ghata Chhaaye Re (Bhedi Bangla) (1949) Singer – Lata Mangeshkar, Chitalkar, Lyrics – Ehsaan Rizvi, MD – P Ramakant

Lyrics

kaali ghata chhaaye re
dupatta uda jaaye
ho oo oo oo
oo oo oo
kaali ghata chhaaye re
dupatta uda jaaye
madbhari rut mori
madbhari rutu mori sudh bisaraaye
kaali ghata chhaaye re
dupatta uda jaaye
ho oo oo oo
oo oo oo
kaali ghata chhaaye re
dupatta uda jaaye

haaye khoyee khoyee hain khilti jawaaniya
sunne waala koi nahin preet ki kahaaniya
saawan to aa gaya
tu bhi chalaa aaye
kaali ghata chhaaye re
dupatta uda jaaye
ho oo oo oo
oo oo oo
kaali ghata chhaaye re
dupatta uda jaaye
 
tumne hamen paas bulaaya
door se pukaar ke
ji door se pukaar ke
daude huye aa gaye
saath ham bahaar ke
saath ham bahaar ke
ghunghat ab to khol de bijli laheraaye
kaali ghata chhaaye re
dupatta uda jaaye
ho oo oo oo
oo oo oo
kaali ghata chhaaye re
dupatta uda jaaye
 
ek koyal ki kookon ne
mann mera tadpaaya hai
upar se ik be-bulaaya mehmaan aaya hai
baadal garje darr laage
main kaise kahun jaaye
kaali ghata chhaaye re
dupatta uda jaaye
ho oo oo oo
oo oo oo
kaali ghata chhaaye re
dupatta uda jaaye

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

काली घाटा छाए रे
दुपट्टा उड़ा जाये
हो ओ ओ ओ
ओ ओ ओ
काली घाटा छाए रे
दुपट्टा उड़ा जाये
मदभरी रूत मोरी
मदभरी रूत मोरी सुध बिसराए
काली घाटा छाए रे
दुपट्टा उड़ा जाये
हो ओ ओ ओ
ओ ओ ओ
काली घाटा छाए रे
दुपट्टा उड़ा जाये

हाए खोई खोई हैं खिलती जवानियाँ
सुनने वाला कोई नहीं प्रीत की कहानियाँ
सावन तो आ गया
तू भी चला आए
काली घाटा छाए रे
दुपट्टा उड़ा जाये
हो ओ ओ ओ
ओ ओ ओ
काली घाटा छाए रे
दुपट्टा उड़ा जाये

तुमने हमें पास बुलाया
दूर से पुकार के
जी दूर से पुकार के
दौड़े हुये आ गए
साथ हम बहार के
घूँघट अब तो खोल दे बिजली लहराए
काली घाटा छाए रे
दुपट्टा उड़ा जाये
हो ओ ओ ओ
ओ ओ ओ
काली घाटा छाए रे
दुपट्टा उड़ा जाये

एक कोयल की कूकों ने
मन मेरा तड़पाया है
ऊपर से इक बे-बुलाया मेहमान आया है
बादल गरजे डर लागे
मैं कैसे कहूँ जाये
काली घाटा छाए रे
दुपट्टा उड़ा जाये
हो ओ ओ ओ
ओ ओ ओ
काली घाटा छाए रे
दुपट्टा उड़ा जाये


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Baabuji”(1950) was directed by Bhagwan for Udai Productions, Bombay. This stunt movie had Bhagwan, Leela Gupte, Baburao, Usha Shukla, Vasant Rao, Azeem, Jaani, Mirajkar, Zafar, Vitthalrao, Dhondu, Anmanta, Swami etc in it.

The movie had nine songs in it. One song from the movie has been covered in the past.

Here is the second song from “Baabuji”(1950) to appear in the blog. This song is sung by Sulochana Kadam. Ehsan Rizvi is the lyricist. Music is composed by P Ramakant.

Lyrics of this song were sent to me by Avinash Scrapwala some four years ago and even I had planned to post it at that time as song number 8526. For some reason it did not materialise at that time. Now it finally appears as song post number 13756 in the blog. The blog has added more that 5000 songs in the interim period. 🙂

Sulochana Kadam had sung as many as eight songs out of ten in the movie. So it appears that she had sung for the leading lady which going by the cast was Leela Gupte. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Jo bigad gayi wo kismat hoon (Baabuji)(1950) Singer-Sulochana Kadam, Lyrics-Ehsan Rizvi, MD-P Ramakant

Lyrics (Provided by Avinash Scrapwala)

Jo bigad gayi wo kismat hoon
jo bigad gayi wo kismat hoon
jo ujad gayi wo duniya hoon oon
jo bigad gayi wo kismat hoon

main khili kali ki soorat mein
main khili kali ki soorat mein
ab kisi ke dil ka kaanta hoon
jo bigad gayi wo kismat hoon
jo ujad gayi wo duniya hoon oon
jo bigad gayi wo kismat hoon

thhi hansi unhin ke hansne ki
thhi hansi unhin ke hansne ki
sab khushi thhi dil ke milne ki
wo bichhad gaye to marti hoon
wo bichhad gaye to marti hoon
wo miley to mar kar zindaa hoon
jo bigad gayi wo kismat hoon
jo ujad gayi wo duniya hoon oon
jo bigad gayi wo kismat hoon

dil lagaa ke dhokha khaaya hai
dil lagaa ke dhokha khaaya hai ae
gham uthhaake hansnaa padtaa hai
gham uthhaake hansnaa padtaa hai
jis diye ki lau par jalna hai
jis diye ki lau par jalna hai
Us diye ki main parwaana hoon
jo bigad gayi wo kismat hoon

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

जो बिगड़ गयी वो किस्मत हूँ
जो बिगड़ गयी वो किस्मत हूँ
जो उजड़ गयी वो दुनिया हूँ ऊँ°°
जो बिगड़ गयी वो किस्मत हूँ

मैं खिली कली कि सूरत में
मैं खिली कली कि सूरत में
अब किसी के दिल का काँटा हूँ
जो बिगड़ गयी वो किस्मत हूँ
जो उजड़ गयी वो दुनिया हूँ ऊँ°°
जो बिगड़ गयी वो किस्मत हूँ

थी हंसी उन्हीं के हंसने कि
थी हंसी उन्हीं के हंसने कि
सब ख़ुशी थी दिल के मिलने कि
वो बिछड़ गए तो मरती हूँ
वो बिछड़ गए तो मरती हूँ
वो मिले तो मर कर ज़िंदा हूँ
जो बिगड़ गयी वो किस्मत हूँ
जो उजड़ गयी वो दुनिया हूँ ऊँ°°
जो बिगड़ गयी वो किस्मत हूँ

दिल लगा के धोखा खाया है
दिल लगा के धोखा खाया है ए
ग़म उठाके हंसना पड़ता है
ग़म उठाके हंसना पड़ता है
जिस दिये कि लौ पर जलना है
जिस दिये  कि लौ पर जलना है
उस दिये कि मैं परवाना हूँ
जो बिगड़ गयी वो किस्मत हूँ


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bhedi Bangla”(1949), an obscure B grade mystery movie was directed by Bhagwan for Jagriti Pictures, Bombay. This movie had Baburao, Bhagwan, Azim, Shankar Mirajkar, Inamdar, K K Swami, Leela Gupte, Usha Shukla, Tarabai etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bhedi Bangla”(1949), an obscure B grade mystery movie was directed by Bhagwan for Jagriti Pictures, Bombay. This movie had Baburao, Bhagwan, Azim, Shankar Mirajkar, Inamdar, K K Swami, Leela Gupte, Usha Shukla, Tarabai etc in it.
Read more on this topic…


“Baabuji” (1950) was an Udaya Pictures Production. It was directed by Bhagwan. the movie had Bhagwan, Munawwar Sultana, Leela Gupte, Amar, A. Shah, Jankidas etc in it.
Read more on this topic…


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14800 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14880

Number of movies covered in the blog

Movies with all their songs covered =1162
Total Number of movies covered =4069

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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