Posts Tagged ‘Padmini’
O Mrignainee Madhubainee Menaka
Posted on: January 26, 2026
- In: Duet | Geeta Dutt solo | Geeta Dutt songs | Guest posts | Multi part song | Post by Sadanand Kamath | Seduction song | Shamshad Begam songs | Shamshad Begam-Talat Mehmood duet | Songs of 1950s (1951 to 1960) | Songs of 1952 | stage dance | Talat Mehmood songs | Yearwise breakup of songs
- 4 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6401 | Post No. : | 19856 |
Mr. Sampat (1952) was produced and directed by S S Vasan under the banner of Gemini Pictures. The film starred Motilal, Padmini, Vanaja, Sundari Bai, Swaraj, Agha, Kanhaiyalal, Badriprasad, Kailash Nath, Ramamurthy, J S Casshyap, B S Kalla etc. The film was adapted from R K Narayan’s novel, ‘Mr. Sampat – Printer of Malgudi’ (1949). It is a satirical film. This was Padmini’s first Hindi film in a lead role while Motilal was in the title role of Mr. Sampat. The film was first made in Tamil in 1948 but R K Narayan made some revision in the story based on which the Hindi version was made.
I have already given the story of the film in some detail while covering one of the film’s songs, laila laila pukaaroon main ban mein. So, I will cover here only the gist of the story which is as under:
Mr. Sampat, (Motilal) sustains himself by coning the people through presenting himself in immaculate western attires with his smooth and humourous talks. He has the power to convince his potential targets with his believable schemes. One of his potential targets is Malini (Padmini), a stage artist who has a good fan base. Simultaneously, he has one more target, Seth Makhanlal Gheewala (Kanhaiyalal) who is standing for a municipal election. Sampat uses Malini in the guise of an interview for a newspaper and brings her at Gheewala’s tea party for her. Because of Malini’s fan base, Gheewala wins the municipal election thus creating a confidence in the ability of Sampat.
With this success, Sampat spells out a scheme, both for Malini and Gheewala to start a bank by offering the customers a high interest rates on deposits. The new bank thrives in its business and attract huge deposits. Raj Mohan (Kailash Nath) from a former royal family member has put a large chunk of deposits in the banks because he has developed infatuation with Malini. For Sampat, things are working nicely as per his plans and he has now improved his status. One day, Malini rejects Raj Mohan’s advances which angers him. He immediately withdraws his entire deposits from the bank. Soon the bank collapses and the entire investments made by Malini and Gheewala are lost. Creditors are queuing up and to meet their demand, Malini’s house is under auction. Knowing that he has nothing to gain now, Sampat leaves them after pocketing Malini’s theatre collections and moves on to select his next potential target for coning. And this time, he has been seen as a godman giving an impressive lecture to his followers.
The film was under production before India became a republic in 1952 and before the first general election took place. So, there was no major corruption and fraudsters cases at the time of making the film. The Haridas Mundra case and much later, Natwarlal’s coning instances came to light only sometime in mid-1950s though he was involved in theft and cheatings during the British Rule. Hence, it is to the credit of story writer, R K Narayan that he could foresee such scenarios which became realities in India in the later years. The film is still relevant and it is for the reason that film is enjoyable to watch even after seven decades from its release. Despite the role of Sampat having some negative shades, Motilal in the title role, has given an excellent performance and has been successful in creating an impression on the audience of his likeable character mainly because of his natural acting.
The film had 13 songs written by Pandit Indra (10) and others (3) which were set to music by Balkrishna Kalla and E Shankar Shastri. All are the stage songs. Surprisingly, not a single song was picturised on Motilal.
Five songs have been represented on the Blog. I present the 6th song, ‘o mrignaini madhubani……o bairaagi banwaasi’ which is tandem song rendered by Talat Mehmood, Shamshad Begum and Geeta Dutt. The soundtrack of the song in the film appears as a continuous song. Due to technical reasons, this song on gramophone records have been released in two parts. Geeta Dutt parts of the song is composed in Baul style, a type of kirtan song, which has been prevalent in Bengal.
This tandem song is a part of the mythological story of Menaka and sage Vishwamitra being staged in a theatre. In the first part of the song, Menaka (Padmini) is directed by Lord Indra () to entice sage Vishwamitra (Ramamurthy) who is on a deep meditation to attain the highest status of a Brahmarishi which can dethrone Lord Indra in heaven. In the second part of the song, Menaka goes from heaven to earth and starts singing and dancing. Towards the end of the song, Menaka is successful in breaking sage Vishwamitra’s meditation and he gets attracted to Menaka.
Incidentally, HFGK shows the song under discussion as two different songs because it has been issued on 78 RPM gramophone records with two different matrix numbers. In the film, it is a continuous but tandem song. Since the theme of both the songs is a part of the same story with continuity in stage performance, I felt that both the songs should form a part of the single post for the better understanding of the context of the song.
Video Clip (Part-1):
Video Clip (Part-2):
Audio Clip (Part-1):
Audio Clip (Part-2):
Song-O mrignainee madhubainee Menaka (Mr Sampat)(1952) Singers-Talat Mehmood, Shamshad Begum/ Geeta Dutt, Lyricist-Pt Indra Chandra, MD-B S Kalla
Chorus
Lyrics:
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Part-1 (Based on Video Clip)
————————–
Devendra dev ki jai jai jai
?? kee jai jai jai
Gajpati Narendra kee jai jai jai
Gajpati Mahendra kee jai
Mahendra kee jai
Mahendra Kee jai
[Dialogues]
o o
mrignaini madhubaini Menaka
tum ho kahaan
tum ho kahaan
swaami ee
o o o o
haazir hoon main naath yahaan
haazir hoon main naath yahaan
haazir hoon main naath yahaan
o o o
mrignaini madhubaini Menaka
tum jaao
tum jaao
o o o
o o
meree laaj aabroo
ab to tumheen bachaao
salonee jaao
tum jaao
ab tajo shok tum swaami naath hamaare
ab tajo shok tum swaami naath hamaare
naath hamaare
sab bade bade brahmchaaree mujhse haare
mujhse haare
main jaaun
main jaaun aur suljhaaoon sabhee samasya
taphaaree kee kar aaoon
bhang tapasyaa
bhang tapasyaa…..aa
————————-
Part-2 (Based on Audio Clip)
————————–
o o o
bairaagee banwaasee..ee
o o o
bairaagee banwaasee ee
charnon kee daasee
darash ko pyaasee
bairaagee banwaasee
o o o
bairaagee banwaasee ee
ab nain khol kar dekh re
ab nain khol kar
ab nain khol kar dekh
dwaar tere chhaayee pooranmaasee
o bairaagee banwaasee
main daaroongee galbaiyaan
tod de maala
main daaroongee galbaiyaan
tod de maala
main apnaa hriday bichhaaoon
phenk mrigchhaala
dho daal bhaal ke bhabhoot
bhagwa taj de
?? ang ang ras bhar le
dho daal bhaal ke bhabhoot
bhagwa taj de
?? ang ang ras bhar le
preet mohse kar le
preet mohse kar le
preet mohse kar le
chhod udaasee
preet mohse kar le
chhod udaasee
o banwaasee
o banwaasee
o banwaasee
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6391 | Post No. : | 19827 |
Hullo Atuldom
This post is thanks to the reminder that came from an Atulite (on Whatsapp), that today would have been the 100th birthday of Omkar Prasad Nayyar better known as O.P.Nayyar to the film- music- loving public.
O.P. Nayyar was born in Lahore, which is now in Pakistan, on 16th January 1926 as one among four sons. According to information on the internet, all his brothers are doctors. He was married to Saroj Nayyar who was a stage dancer when she met OPN who was at that time a singer at Lahore Radio Station. The Nayyars are parents to three daughters and a son. One of his granddaughters or grand niece, Niharica Raizada an actress, was born in Luxembourg, was seen in the Rohit Shetty directed ‘Sooryavanshi’ in 2021 & ‘Total Dhamaal’ (2018) a Inder Kumar directed film.
O P Nayyar was active in the film world from 1949 when he gave the background score for ‘Kaneez’. Dalsukh Pancholi’s ‘Aasman’ (1952) was his first as music director. ‘Zid’ (1994) directed by Esmayeel Shroff was the last film with OPN’s music.
In between 1952 & 1994 (almost 42 years) OPN’s music was heard in 73 Hindi movies (according to this post by Atulji.
That post also gives the number of O.P. Nayyar songs yet to be posted as 97. Since then (2018) we have added 37 more songs i.e. around 60 filmy songs are yet to be posted.
Read more on this topic…
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6351 | Post No. : | 19684 |
Today’s song is from the Historical film Padmini-1948. Made by Punjab Film Corporation, it was produced and directed by its owner Wali Saheb. All the 11 songs of this film were also written by Wali Saheb. The Music Director was Ghulam Haider. The cast of the film was Mumtaz Shanti ( wife of Wali Saheb), Ashok Kumar, Mumtaz Ali, Samson, Maya devi, Neelam, Sultana, A. Shah and others. The story of Padmini is very well known and is available easily on the internet, hence I am not going into that.
Read more on this topic…
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6233 | Post No. : | 19270 |
Kamsune/Unsune songs of Asha Bhosle – 36
For a change, we move away from Asha Bhosle solo songs to a beautiful duet she has sung with the ethereal voiced Mohd Rafi Saab.
Today’s song is “Khud Toh Badnaam Huye” from Chanda Aur Bijli (1969). The lyricist is Hasrat Jaipuri and the composer jodi is Shankar Jaikishan.
Four songs out of six have already been posted earlier, so this is the fifth song.
Read more on this topic…
Dil jo de doongee raajaa nikaal ke
Posted on: April 29, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6129 | Post No. : | 18957 |
‘Raaj Tilak’ (1958) was simultaneously shot in Hindi along with ‘Vanjikottai Valiban’ (1958) in Tamil. Both the films were produced and directed by S S Vasan under the banner of Gemini Pictures. While Gemini Ganesan, Vyjayantimala and Padmini were the common actors for both Hindi and Tamil films. Jagirdar, Bipin Gupta, Lalita Pawar, Durga Khote, Pran, Manmohan Krishna, Agha, Shammi, Meenakshi etc worked only in the Hindi version of the film. C Ramchandra composed the songs for both Tamil and Hindi films. The film was inspired from the novel, ‘The Count of Monte Cristo’ (1844) by Alexandre Dumas. The screenplay of the story was written by Ramanand Sagar.
Read more on this topic…
Haree chunariyaa waalee kaa dil
Posted on: April 20, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6120 | Post No. : | 18941 |
Today’s song is from the Historical film Padmini-1948. Made by Punjab Film Corporation, it was produced and directed by its owner Wali Saheb. All the 11 songs of this film were also written by Wali Saheb. The cast of the film was Mumtaz Shanti ( wife of Wali Saheb), Ashok Kumar, Mumtaz Ali, Samson, Maya devi, neelam, Sultana, A. Shah and others.
Read more on this topic…
Ho mainaa bol rahee
Posted on: March 14, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6083 | Post No. : | 18876 |
Today’s song is from the Historical film Padmini-1948.
This film has a historical value, in the sense that this was one of the last films of Music Director Ghulam Haider in India. He had recorded his last song of Lata for his film. The film was made by Punjab Film Corporation, Bombay. It was owned by Wali Saheb, who was the Lyricist and the director of this film. By the way his wife Mumtaz Shanti was the Heroine in this film. The Music Director was Ghulam Haider. The cast of the film included Mumtaz Shanti, Ashok Kumar, Mumtaz Ali, Maya Devi, Neelam, Sultana and many others.
Read more on this topic…
Laila Laila pukaaron main ban mein
Posted on: March 10, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6079 | Post No. : | 18870 |
‘Mr Sampat’ (1952) was produced and directed by S S Vasan under the banner of Gemini Pictures. The film starred Motilal in the title role of Mr Sampat with Padmini, Vanaja, Sundari Bai, Swaraj, Agha, Kanhaiyalal, Badriprasad, Kailash Nath, J S Casshyap, B S Kalla etc. This was Padmini’s first Hindi film in a lead role. The film was adapted from R K Narayan’s novel, ‘Mr Sampat – Printer of Malgudi’ (1949). It is a satirical film.
Read more on this topic…
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6032 | Post No. : | 18784 |
‘Afsaanaa’ (1966) was produced by Dilip Mukherjee under the banner of Devi Movietone and was directed by Brij Sadanah. The cast included Ashok Kumar, Pradeep Kumar, Padmini, Helen, Jagdeep, Anwar Hussain, Jeevankala, Tuntun, Parshram, Ravikant etc. The film’s producer, Dilip Mukherjee was a well-known producer-director-writer-actor of Bengali films. This was the only Hindi film Dilip Mukherjee and his banner, Devi Movietone had produced.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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