Posts Tagged ‘Pradeep Kumar’
Haay re insaan ki majbooriyaan
Posted on: September 13, 2010
“Ghoonghat” (1960) was a movie made by a South Indian production house, viz Gemini. It had Pradeep Kumar and Bina Rai in lead roles.
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“Raajhath” (1956) was a movie starring Pradeep Kumar and Madhubala. The movie had some nice songs in it.
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“Anjaan” (1956) is a movie starring Pradeep Kumar and Vyjyanti Mala with Premnath, Jeewan, Johny Walker, Minu Mumtaz,Helen,Raj Mehra,Mubarak etc in it.
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Do nain miley do phool khiley
Posted on: September 8, 2010
After watching so many “teasing” songs, I find non- teasing songs such a sight for sore eyes. These are songs where the boy is treating the girl in a dignified manner and the girl is not minding his advances. Here is one such delighfully picturised romantic song from “Ghoonghat” (1960).
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“Raajhath” (1956) was a movie starring Pradeep Kumar and Mabhubala. This movie had some lovely songs in it. I have posted two songs from this movie already including the fabulous Ye waada karo chand ke saamne.
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Khushiyon ko lootkar yahaan
Posted on: August 31, 2010
In Indian history/mythology/ folk tales, we have been handed down a few love stories, viz “Shirin Farhad”, “Sohni-Mahiwaal”,”Laila-Majnu” etc. All these love stories have one thing in common. And it is the tragic nature of these stories. And that is to be expected seeing that the ground reality in Indian culture does not allow people of opposite genders to openly interacts and fall in love with each other.
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“Ek Sholaa”(1958) is a forgotten movie by now. It had Pradeep Kumar and Mala Sinha in lead roles.
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Here is a nice song from a lesser known movie. This movie is “Mulzim” (1963) and it had Pradeep Kumar and Shakila in lead roles.
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This post is written by Raja, a fellow enthusiast of Hindi movie songs and a regular visitor of this blog
There is rarely an excuse required in Hindi movies for a song. Birthday or wedding celebration parties (with the ubiquitous piano), the “tribal” dance scenes, club dances, hero-heroine scenes out in beautiful natural surroundings, the pining scenes and the mujra scenes – these are all well-established occasions waiting for a song to happen.
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“Naagin” (1954) has so many songs that it is easy to lose track of them. And there are songs which seem like extensions of earlier songs. For instance, the song “teri yaad mein jalkar dekh liyaa” is immediately followed by “Oonchi oonchi duniyaa ki ” song.
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