Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Qamar Jalalabadi


“Johar Mehmood in Hongkong” (1971) was produced by K Z Seth and Madan Chopra and directed by S A Akbar. The movie had I S Johar, Mehmood, Sonia Sahni, Kamal Kapoor, Tuntun, Manorama, Agha, Mukri, Polson, Pran, Madhumati, Mehmood Junior, Raj Kishore, Murad, Tiwari, Aruna Irani, Haroon etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A new film on the blog. And another one that tells us that the producers will go after some very strange names as the film title. Hollywood may have come out with films like ‘Telefon’, ‘Cellular’, ‘Phone Booth’ etc. much later. The Hindi film industry already had a film titled ‘Trunk Call’ way back in 1960. And today this film makes a debut on this blog.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Changez Khan’, the film from 1957, boasts of the iconic Rafi rendition “Mohabbat Zinda Rehti Hai. Mohabbat Mar Nahin Sakti”. Coming from the banner of NC films, this is a home production of Hansraj Behl and his family. The film is produced by Gulshan Behl (brother of Hansraj Behl), and is directed by Kedar Kapoor. The star cast is impressive and includes Premnath, Bina Rai, Sheikh Mukhtar, Johnny Walker, Jeevan, Tiwari, Leela Misra, Ramesh Thakur, Helen, Khursheed, Sandow, Jai Singh, Satpal, Bakshi, Chaman Lal, Aazam, B Saagar. The songs of this film are penned by three poets – Qamar Jalaalabaadi, Saraswati Kumar ‘Deepak’ and Verma Malik. This particular song is written by Qamar Jalaalabaadi. And yes, the music is by Hansraj Behl. The film has a total of six songs, four of which are already present on this blog. This here is a very sweet and a very lilting melody, the fifth one from this film to make it here.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In March last year, when Atul ji had posted the wonderful melody “Apne Khayaalon Ko Samjha Deejiye. . .”, from the 1955 film ‘Marine Drive’, I was instantly bowled over by this stunning sound that I had then heard for the first time. And it went on to reinforce, the lofty stature of N Dutta, the music director of this film, as one of the most talented composers from the 50s and 60s.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Well, yes, there is a film by the name ‘Great Show of India’. Released in 1958, it is a social drama from the banner of Chitra Bharati, Bombay. By some accounts, it appears to be a story built around a circus company. I request our more knowledgeable team members and readers to please add more information about this film. The film is directed by C M Trivedi and Chandrakant. The cast of actors includes Kamini Kaushal, Mahipal, Tiwari, Maruti, Kamal Kapoor, Mirza Musharraf, Moni Chatterjee, Kamal, Jugnu, Gamdiya, Bhujbal Singh, Reva Rakshit.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The name of SHABISTAN evokes the memories of a very handsome and jovial actor-SHYAM.

He died during the final scene shooting of this film while riding a horse. Actually, Shyam was an expert rider and the horse was also the same,usual one. Everything was the same but the Time had come for Shyam to go…
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Marine Drive was a Sippy Films Production. It was produced and directed by G P Sippy. The movie had Ajit, Bina Rai, K.N.Singh, Vijayalaxmi, Johnny Walkar, Yakub, Om Prakash, Tuntun, Mohana, Anwar Hussain, Hari Shivdasani, Rajan Kapoor, Jankidas, Roopmala etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A Shammi Kapoor song is always the quintessential Shammi Kapoor song. With very little apparent effort and with minimum movements, the amount of expression and energy that this powerhouse actor is able to pack into the edifice of a single song, it is simply amazing. The tiny twitches of the neck, the small movements of the fingers and the hands, the rolling and shifting eyes – small signals that are able to communicate a whole nine yard story.
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