Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shailendra


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s…Song No. 9
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Today’s song is from the film Pooja-54. It was a social film made by Verma Films. The producer and director was Bhagwandas Verma and the music was by Shankar Jaikishan. The cast of the film was Bharat Bhushan, Poornima, Shakuntala, Omprakash, Ulhas, Badri Prasad,Heeralal etc etc. The lyricists were Shailendra and Hasrat Jaipuri. The film had nine songsin it. Six of these songs are already discussed in the Blog.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kahin Aur Chal”(1968) was one movie which few people have seen because this movie was withdrawn after one show in one movie hall by its maker. That is how it was Tolaram Jalani, the maker of this movie, who was not interested in releasing the movie and was more interested in balancing his books for income tax purposes by showing this movie as a loss making venture for him.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR- JAIKISHEN IN THE 50s…Song No. 8
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Should an actor working as a Hero be necessarily good looking ? In India, yes ! If one sees the list of heroes from 1931 till recent time, one will find that on 99% of the occasions, the Heroes were handsome, good looking,tall and with good physique- irrespective of whether they could act or not. Not that there were no heroes who were ordinary looking, but by and large they were exceptions or they were the producers or directors themselves ( like Kishore Sahu ) or their sons etc. The Indian audience had a mind set that a film Hero must be good looking and the Heroine must be beautiful-preferably.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s…Song No- 7
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The Lovers of old Hindi film music are spread all over the world in almost all countries of all the continents. It is not an exaggeration. Youngsters of the decade of the 60s and the 70s, who migrated to different countries, must be in their 60s and 70s now. They all are lovers of old music. They not only loved that music,but with the help of 78 RPM Records,Tapes and later with CDs, they kept the music alive even today. Let any famous singer got to any country for a stage show, the audience farmaishes are for old songs only. No show is successful without singing old songs.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

So the experience repeats itself yet once again. Search and locate, and listen, as many songs as you may.  There still will be many more songs that will surprise you. This song is coming based on a request from a far away land. A friend and visitor on the blog from West Indies, the name of the gentleman is Ramdass, has requested to locate this song, and to post it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s….Song No 4
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After having lost the melody and sweetness in their music post Junglee and after an attempt to redeem their prestige with a few sporadic melodies, Shankar Jaikishan came closest to their earlier magic with Teesri Kasam-66. Mukesh was just superb. Except for their songs made for Shammi Kapoor films, rest of their songs failed miserably. There was a talk in the industry about their differences and decline. This of course did not bother them much.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s….Song No.3
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Shammi Kapoor shouted “YAAHOO ” in the film Junglee-63 and the equation of film music changed drastically. Shammi Kapoor became a representative of the Rebel Youth of his times and the music in his films became loud and unmusical, as it remained only an aid to heighten his presence on the screen. Market Savvy Shankar Jaikishan started composing only those songs which served this purpose, thus sacrificing melody considering it redundant in his compositions.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Shankar-Jaikishen in the 50s

The second song in the series “Shankar-Jaikishen in the 50s” is a duet of Asha and Manna Dey from the film “Baaghi Sipaahi”(1958).

By 1955, with great efforts and difficulties, Shankar Jaikishan came out of the rigouring influence and control of Raj Kapoor on their music compositions. Now they were free to fly high and be the “Numero Uno “.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Shankar-Jaikishen in the 50s-1

We are starting a New Series from today- “Shankar-Jaikishen in the 50s”.

There was a Shankar-Jaikishan mania in the 50s and the 60s. They not only had popularity,versatility and flexibility but also unparallelled success. After Husnlal-Bhagatram, it was Shankar-Jaikishan pair who actually set the trend of composer duos in Hindi films. After Shankar-Jaikishan, no new solo composer, barring perhaps R D Burman,tasted such consistent success. Even R D Burman confessed that in the 1980s, he lost out to competition from duos everywhere.
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This article is written by K Satish Shenoy, a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

When I & my siblings were school going kids , we used to make it a point to listen to a program called ‘Anokhe bol’ on Radio Ceylon. Even now we recall those days and laugh our hearts out, because traces of a child will always be in there within us at all times. It finds an outlet especially when we play with our children & grand children. (And also, if I may say so, in our unguarded moments)
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