Posts Tagged ‘Shamshad Begam’
Ae falak yoon hi sataata jaayegaa
Posted on: April 24, 2013
“But Taraash” (1947), forgotten movie by now had an interesting history behind it.
Here is what Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia has to say about this movie:
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O dil mein basaane waale
Posted on: April 24, 2013
“Jeewan Nauka” (1952) was a K and K Production. This movie was directed by K Vembu. The movie had Thikkurissi, B. S. Saroja, Girija etc in it.
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Shamshad Begam (14 april 1919- 23 april 2013) is no more. She was the seniormost among all the survivors from the earliest days of Hindi movie music. She in fact was senior to all the legends of the golden era of Hindi movie music. She was more or less a contemporary of the likes of K L Saigal, Khursheed, Amirbai Karnataki etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
“Door Koi Gaaye. . .”
The voice of these words has now gone away very far from us, to probably sing at and regale the ‘mehfils’ in heavens.
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Qismat ne hamen majboor kiyaa
Posted on: April 24, 2013
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor of this blog.
Long ago during weddings in the family, couple of my aunts who were fond of singing, would start this singing session, among ladies. There were a few peppy songs, but I am remmbering a couple of songs now like ‘chhod baabul ka ghar mohe pi ke nagar’ from Baabul’ (1950) and ‘baalam se milan hogaa sharmaane ke din aaye’ from ‘ Chaudhvi ka chand ‘. They would sing it in chorus in Shamshad Begum style. They probabaly had no inkling that the song from Baabul is a sad song, and song from ‘Chaudhvi ka chand’ is by Geeta Dutt.
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Kaahe nainon mein naina daale re
Posted on: April 22, 2013
“Jogan”(1950) was a Ranjit Film Company Production. This movie was made at a time why the studio was on the verge of bankruptcy. This movie, based on a seemingly flimsy looking story line rescued the company. Here is what Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia, has to say about this movie:-
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- In: Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Hans songs | Lyrics contributed by readers | Mukesh songs | Post by Sadanand Kamath | Shamshad Begam songs | Shamshad Begam-Mukesh duet | Songs of 1940s (1941 to 1950) | Songs of 1947 | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The song I have chosen for discussion is a Mukesh-Shamshad duet ‘moti chugne gayi re hansi maansarovar teer’ from the film ‘CHHEEN LE AZAADI (1947) which I have been all along assuming to have already beencovered in the blog. Now I find that this duet is yet to be discussed in the blog. The reason for my erroneous assumption was that some time back our dear Sudhir had taken up the mission of posting Mukesh songs pertaining to 1940s.
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Bogi bogi bogi
Posted on: April 19, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
HAM LOG (1951) was a typical Zia Sarhadi film highlighting the social issues in keeping with the socialistic ideology followed by Indian People’s Theatre Association (IPTA). The film was produced under the banner of Ranjit Movietone. In this film, social issues were raised that arose out of the difficulties faced by a poor family of Lalaji Harcharandas (Kanhaiyalal) and his wife (Durga Khote), unemployed son Raj (Balraj Sahani), a sickly daughter Paro (Nutan) and a school going son (Master Ratan). The problem is further accentuated by the arrest of Lalaji for allegedly stealing money from his employer for which he is sent to prison.
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- In: "kalaayi" (wrist) song | Dance song | Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Shamshad Begam solo | Shamshad Begam songs | Songs of 1950s (1951 to 1960) | Songs of 1951 | stage dance | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
“BACHELOR MOTHER”-39 was a popular Hollywood film directed by Garson Kanim, with Ginger Rogers and David Niven in the lead. It was the story of a single girl, who finds an abandoned child and raises it. She is stamped as unwed mother and many hilarious situations are created with her lover.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
When the system of playback singing started in Hindi films in early 30s it paved the way for playback singers like Rajkumari, Amirbai Karnataki, Zohrabai Ambalewaali and Shamshad Begum in becoming the top playback singers by 40s. With the emergence of new playback singers in the late 40s like Geeta Dutt and Lata Mangeshkar, demand for playback singers with heavy and high throated voices were on the decline, relegating them to the background. The only exception to this trend was Shamshad Begum who weathered the ‘onslaught’ of Mangeshkars in the 50s and remained fairly active up to early 60s.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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