Posts Tagged ‘Singer-MD’
Baar baar haan bolo yaar haan
Posted on: April 19, 2013
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Song no. 5 of the ‘desert’ series. It is a group motivational song from the film “Lagaan – Once upon a time in India” (2001).
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Na kar itna pyaar panchhi
Posted on: April 17, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
There are some old film and non-filmy songs of 30s and 40s which I was aware of during my childhood not because of the radio or later the internet but by words of mouth. I heard those songs from my parents, relatives and even some friends of our family. During my childhood, I was not very fond of those songs. Later, as a teenager, I had heard some of those songs on Radio Ceylon which gave me a sort of reminder that I had heard those songs earlier. I got 78 RPM records of a few of those songs mostly by accident during early 70s. Since then, I have developed a liking for those type of songs. Later, with the advent of internet, it was a ‘memory recall’ for me when I listened to most of these songs again.
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Jiyenge magar muskura na sakenge
Posted on: April 12, 2013
We in this blog initially discussed just movie songs. Once I discussed a K L Saigal song and it turned out that it was a non film song (NFS). Several regulars of the blog then lobbied for the inclusion of NFS in the blog. And that is how NFS began to be discussed in the blog.
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Holi ka din hai pyaar karen
Posted on: March 27, 2013
- In: "Holi" festival song | Devnagri script lyrics by Sudhir | Feelings of heart | Festival song | Guest posts | Holi song | Lyrics contributed by readers | Post by Sudhir | Rare song | Song sung by three or more singers | Songs of 1940s (1941 to 1950) | Songs of 1947 | Yearwise breakup of songs | Zohrabai Ambalewaali song
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
हाँ भई, होली हो और गीतों में रंग न हो तो, तो क्या मज़ा है, हाँ?
बस, भला हो उस ऊपर से ideas देने वाले का। गाने में एक से ज़्यादा आवाज़ हो तो पंक्तियों को color code कर दो। और फिर देखो गीत की लाईनें पढ़ने का मज़ा। और होली के दिन तो बस मज़ा रंगदार गीतों का ही है। सो, पेश है एक ऐसा ही रंगदार पंक्तियों वाला गीत – होली भी और रंग भी, दोनों ही गीत में गुथे हुये मिल गए।
होली मुबारक
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Dil mein hamaare chhup jaa
Posted on: March 26, 2013
“Police” (1958) was a Deep and Sandeep productions movie. It was directed by Kalidas. The movie had Pradeep Kumar, Madhubala, Raj Mehra, Dhumal, Om Prakash, Anwar, Nadira etc in it.
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“Shahnaaz” (1948) was a Wahab Production movie. It was directed by S Hassan. The movie had Nihar, Begum Para, Sheikh, Shanta Patel, Shyama, Gulzar, Altaf etc in it.
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Nanha sa dil deti hoon
Posted on: March 14, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The year is 1957. The time in the Hindi film industry when the big name banners prominently ruled, and the success and recognition of film music was the domain of the high profile music directors. An era with a lot of stories of how Filmfare awards were influenced, and how the privileged songs were made to climb to the top of Binaca Geetmala list. In such a time and such an era, an ‘unprivileged’ song rapidly climbed the charts of popularity, completely defying the set commercial conventions, and confounding the hold of hierarchical tradition of established big names in the industry, it became the no. 1 song of 1957 at the top of Binaca Geetmala charts. The film – an unimpressive and an unremarkable socio-religious drama by the name of ‘Janam Janam Ke Phere’. The song – an unmatchable and a very endearing duet by Rafi Sb and Lata Mangeshkar – “Zaraa Saamne To Aa O Chhaliye”, an unlikely song of a human being’s search for the Almighty. The deep and impressive words of Bharat Vyas tuned to a lovely melody by a master craftsman of classical and folk genre – Shrinath Tripathi, better known as SN Tripathi.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
A few days back, I came across a song ‘taqdeer ne hansa ke hamen phir rulaa diyaa’ from the film ‘SHAHNAAZ (1948). The song was composed and sung by Ameerbai Karnataki. Until now, I had not heard the name of the film. In fact, except for Ameerbai Karnataki and Mohammed Rafi, most of other names associated with this film are new to me.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In olden times there was a saying that one must visit Kashi(Benaras/Varanashi) before one dies.(There is an old saying in Western India ” Surat nu Jaman ane Kashi nu Maran”,which means,in your life you must eat food in Surat and Die in Kashi-both the best options).
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This article is writtten by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The ghazal ‘ae mohabbat tere anjaam pe ronaa aayaa’ and Begum Akhtar are inseparable. If ‘deewaana banaana hai to deewaana banaa de’ (1925) heralded the arrival of Begum Akhtar as a ghazal singer, ‘ae mohabbat tere anjaam pe ronaa aayaa’ (early 1950s) consolidated her position in ghazal singing paving the way for her to be bestowed upon the title of ‘mallika-e-ghazal’ later. I came to know about Begum Akhtar in my younger days only because of this ghazal which was regularly played on the radio. The simple words in this ghazal with the captivating style of Begum Akhtar’s rendition attracted not only the connoisseurs of ghazals but also the commoners. No wonder, the sales of gramophone records of this ghazal attained the stature of a platinum disc.
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