Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Verma Malik


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A wonderful gem from the film Dost from 1954. A very poignant song, which has been rendered so soulfully by Talat Saab. Such a soft and silky smooth rendition, in a manner that only he can accomplish.
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In olden days, if you heard a song and liked it, then the only way you came to know about the details of that song was if that song became popular. In case one heard a song that failed to take off in the popularity stakes, then there was no way to find out the details of that song. And the feeling of desperation to find out the details of that song is something that many of us have experienced.
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This article is written by Sudhir, a fellow enthusisat of Hindi movie music and a regular contributor to this blog.

The enticement of the tinsel world of films has fostered many real life stories of people from all walks of life giving up their professions and jobs, with an aspiration to make it a success in the film world. The story of the famous composer Chitragupt (full name Chitragupt Stivastava) is also of this kind. Born in 1917 in Karmaini (Chhapra District), Bihar, Chitragupt did a double MA in Economics and Journalism, and was working as a lecturer in Patna. In the early 40s, he gave it all up and came to Bombay with a dream to make it big, not as an actor, but as a singer and music director. He worked as an assistant with SN Tripathi, who became his mentor. In 1946, Chitragupt got his first independent assignment as a composer for the movie Toofan Queen. Not a success on the box office, the film did nothing much to help progress Chitragupt’s career. He would do another 20 odd films between 1946 and 1952, before coming into his own in the early 1950s. The 1952 film Sindbad the Sailor, though not a huge success in itself, its music was very successful. In 1955, SD Burman recommended him to the AVM studios (in Madras), which started an association that lasted for many years. During this time, he composed music for many hit films from AVM viz., Mein Bhi Ladki Hoon, Barkha, Mein Chup Rahoongi, Bhaabhi etc.
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Beginning from 1944, Hindi movie industry have produced movies named “Dost” after every ten years. Thus we had movies called “Dost” in 1944, 1954, and 1974. We did not have a “Dost” in 1964, , though we had “Dosti” in 1964.
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In the early 1970s, when I was growing as a pre teen kid, I used to listen to Hindi movie songs and I longed to watch the movies containg these songs. The movies that I wold have dearly loved to see those days, since I loved their songs, were “Seeta Aur Geeta” (1972) and “Victoria No. 203” (1972). But unfortunately I could never see these two movies at that time. That remains a big regret of my life to this day.
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This post is written by Lalitha, a fellow enthusiast of Hindi movie music and a regular visitor of this blog

This is my first attempt at writing anything more than a couple of sentences on the Internet, and the thought fills me with trepidation. In a rash moment, I practically offered to do one for this blog, and so here I am, penning a few thoughts down, and hoping that I don’t sound like a rambling old idiot!
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Hindi movies called “Dost” seem to get released every decade. The first such movie was “Dost” (1944) and it had memorable music by Sajjad Hussain. In my days, another movie by this name, viz “Dost” (1974) was released which had memorable music by Laxmikant Pyarelal. There was no movie by this name in 1964, though there was a movie called “Dosti” (1964), which again had memorable songs composed by Laxmikant Pyarelal.
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Manoj Kumar who played a patriotic Indian named “Bharat” in his movies from late 1960s onwards played a different “Non-Bharat” kind of role in “Beimaan” (1972). Beimaan means Dishonest and Manoj KUmar played the title role in this movie.
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(The review of this song is written by Raja,a regular visitor of this blog and a fellow enthusiast of Bollywood music)

Hindi Films in the early 1970s could be clearly divided into two categories : “Rajesh Khanna” films and “Others”.
Such was Rajesh Khanna’s domination that unless you were a name already (like Dharmendra, Shashi Kapoor or Sanjeev Kumar), it was tough for another hero to compete with the Rajesh wave. Ageing heroes like Rajendra Kumar and Biswajeet began getting rejected, aspiring heroes like Rakesh Pandey and Romesh Sharma began getting dejected. You needed tremendous staying power, patience and a lot of luck to ride through those times. Ask Amitabh Bachchan who had a string of flops till Dame Luck smiled on him, with the lead role in Zanjeer falling into his lap with Dev Anand rejecting it.
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