Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Wali Sahab


this article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the last few days, I have been looking for songs composed by Shyam Sundar, the forgotten music director of 40s and early 50s. Whenever I think of him, the name of another forgotten music director Sajjad Hussain creeps in my mind. If Shyam Sundar was called a genius music director, Sajjad Hussain was called an original music director by none other than Anil Biswas, the ‘Bheeshm Pitaamah’ of Hindi film music. Despite these superlatives against their names, Shyam Sundar and Sajjad Hussain composed music for only 20 and 17 Hindi films respectively in their careers. This works out to on an average 2 films per year for Shyam Sunder (1943 to 1953) and less than 1 film per year for Sajjad Hussain ( 1944 to 1977). One common reason attributed for their musical output not being commensurate with their talents was that both were short tempered and perfectionist to the extent that they were uncompromising which was not to the liking of producers/directors of the films.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

On the eve of my retirement from the service in 2006, I had started buying VCDs/DVDs of many classic Hindi films mostly of 40s and 50s to watch them as a part of my post retirement activities. While I have watched most of them, there were still a few VCDs which were lying intact without even breaking the plastic wraps. One of such VCDs was of the film ‘Village Girl’ (1945). What caught my attention was not the intact plastic cover but a boldly printed statement on the top of the VCD cover in Hindi which in English meant ‘Mohammed Rafi’s first song – ajee dil ho qaaboo mein to dildaar ki aisee taisee’. Until now I was under the impression that Mohammed Rafi’s first debut Hindi film as a playback singer was ‘Pahle Aap’ (1944). I decided to first watch the film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

NAYI KAHAANI (1943) was produced under the banner of Prabhat Film Company and directed by D D Kashyap. The star cast included Jairaj, Miss Ross, B Nadrekar, Shalini, Paresh Banerjee, Master Balakram etc. I had not heard of Miss Rose as an actress. A search on the website did not reveal much information about her except some basic information here. She was born as Rose Masbiah in Calcutta (Kolkatta) in a Jewish family. Her filmography indicates that she started working for Madan Theatres in Calcutta starting with the film ‘Hindustan’ (1932). Sometime around 1938, she shifted to Bombay (Mumbai) and joined Sagar Movietone. After the closure of Sagar Movietone, she seems to have become a freelance actor doing roles in films produced under the banners of Ranjit Movietone, National Studios and other film production banners in Bombay/Poona. During her career, she acted in 24 films. ‘Daasi Yaa Maan’ (1946) was her last film. She was a good singer and in a few films, she sang her own songs.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog

The first time we hear of Khayyaam as a music director is in the 1951 film, ‘Pyaar Ki Baaten’. In this film, he shares the honors of music composition with Bulo C Rani. But certainly, this is not his first film as a music director. He has been active in the industry since 1948, albeit has was using a different name. In 1947-48 when he came to Bombay looking for opportunities as a music director, some producers and friends suggested to him not to use his original name, and so he adopted a pseduonym – Sharma ji. Under this name he composed music for three films, before reverting to his original name with the film, ‘Pyaar Ki Baaten’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The Voice of Mukesh #2
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Listening to the first song of Mukesh, ‘Dil Hi Bujhaa Huaa Ho To Fasl e Bahaar Kyaa’ from the film ‘Nirdosh’ (1941), one is suitably impressed by this maiden effort from a singer, whom we now know as a stalwart of the Hindi film music. But back then in 1941, this debut happened singularly unacknowledged, failing to impress the public, the music directors and film producers. With Saigal Saab’s voice reigning supreme at that time, most people wrote off this voice as another Saigal imitator, trying to make it good with a voice sounding like the great icon. And what with the icon still in full bloom and alive, this song by Mukesh failed to evoke any great level of interest. And so started the career of Mukesh, unimpressive and indifferent.
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