atul's bollywood song a day- with full lyrics

Archive for the ‘Calling the beloved’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maala”(1941) was produced by Prakash Pictures and was directed by Mahendra Thakur and P.Jairaj (actor). The movie had Miss Rose and Jayant in the lead, with P Jairaj, Nazir, Heera, Lallu Bhai, Daya bai, Munshi Khanzar etc. also appearing in the cast.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sharda”(1942) was produced and directed by A R Kardar. It was the debut film for his Kardar Productions. The movie had was Mehtab, Ulhas, Wasti, Nirmala devi, Badri Prasad, Pratima Devi, Shyam Kumar etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sharda”(1942) was produced and directed by A R Kardar. It was the debut film for his Kardar Productions. The movie had was Mehtab, Ulhas, Wasti, Nirmala devi, Badri Prasad, Pratima Devi,Shyam Kumar etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sipahiya”(1949) was directed by Aspi for Super Pictures, Bombay. The movie had Madhubala, Yaakoob, Agha, Husn Bano, Altaf, Kanhaiyya Lal, Jillo Bai, Ghulam Rasool, Amirbai, M K Hasan etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This song is a special search request from a dear friend Arvinder ji Sharma.  Regular team members would have noticed this name being appended to the email ‘To’ list in recent email exchanges.  I got introduced to him, at first through our mutual friend Zafar Bhai, and then once again the threads met thanks to AK ji (of SOY) when he invited us for a get together.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Amitabh – The Later Decades – 4
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Almost ‘Lolita’, but not quite so.  In the book, the young nympho is only 12 years old, and the old man is actually a pedophile.  In this Hindi film take off, the young girl is 18, and the old man is not a pervert, but is actually in love. And for all that matters, for all the time it matters, it is a two way love between the girl and the old man.

Around the time this film was relased, a joke was doing the rounds. Q: What is the height of good luck?  A: Amitabh in ‘Nishabd’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The Wonderful Sounds of 1930s – 4
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Imagine the treasures lost.  The true magnitude may never be measured correctly.  We have a definitive record, in the shape of Hindi Film Geet Kosh, which presents the most complete information available.  The sense of completeness and correctness can be gauged by the fact that the compiler, Shri Harmandir Singh ji ‘Hamraaz’, went back to dig out the past records of the censor board, and also searched and retrieved as many film information booklets as possible, in his effort to compile as complete and as accurate set of information, as possible.  Even with this momentous effort that he has put in, he still acknowledges that the information is not yet 100%.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Life is short but art and for that matter music is permanent. There is no death of a true art and so is it with music.”

These are the words of one who is known as the ‘Gentleman Musician’ amongst the community of music directors and musicians, both in Bombay and in Calcutta.  Vistas Ardeshir Balsara – a name that is part of a long list of very talented musicians, whose contributions to the making of the film music has been immense.  These musicians, instrumentalists and arrangers, most of whom were  experienced and capable of being music directors in their own right, rarely got to appear in the limelight and be recognized for their work.  V Balsara is one such gifted musicians who did get the opportunity to step out from behind the curtain, and be known for his art.  I am sure all will remember the iconic song “Ae Mere Dil Kahin Aur Chal” (‘Daag’, 1952) in all its flavors.  The piano accordion in this song is played by him.

Remembering V Balsara on the anniversary of his passing away (24th March).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Shyamlal Babu Rai, who wrote endearing gems in the golden era of melody, such as “Bade Armaanon Se Rakha Hai Balam Teri Kasam”, and also popular hits for the new generation in the 1970s, such as “Aap Jaisa Koi Meri Zindagi Mein Aaye, To Baat Ban Jaaye”, had started his career back in the 1946 with two completely obscure and now unknown films – ‘Double Face’ and ‘Jungle Ki Pukaar’.  Information about these films is not easily traceable, and neither have the songs of these films have surfaced so far.

Remembering Indeewar, song writer par excellence, on the anniversary of his passing away today (27th Feb).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaanoon”(1943) was produced and directed by A R Kardar. The movie had Mehtab, Shahu Modak, Jagirdar, Nirmal, Ulhas, Badri Prashad etc. in it.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than seven years. This blog has over 11300 song posts by now.

Total number of songs discussed

11377

Number of movies (All songs covered)

684

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