atul's bollywood song a day- with full lyrics

Archive for the ‘NFS’ Category


This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The Unforgettable was the first album of ghazals and nazms launched by Jagjit-Chitra. It was released in 1977.

These days television and FM radio stations bombard the viewers/listeners with new film songs. A song becomes popular at once, or not at all. In a month or two, another song takes its place at the top of the Pop charts and it’s gone forever.

But those were slower times. When I turned up in Delhi in 1979, The Unforgettable was still gathering steam. My cousins had a turntable, and I listened to this album in the good old way, placing the needle on the record. The sounds were amazing. The music was soothing and seductive. Jagjit’s voice, heavy but low, crooned out the ghazals. Chitra’s fluty voice was melodious. Together they seduced my senses with the breathtaking shairi and a melody that gave me an out of body experience.

I listened to the album over and over again. I bought a copy of its cassette as well and listened to it all the time. It never lost its magic for me. At each listening, I would fall under its spell anew.

I know there are many other ghazal singers who are far superior. But that was the time of Jagjit and Chitra and they ruled the roost.

I was just at the end of my teens then. I was full of hopes and aspirations. The world was out there and full of possibilities. In such a rosy scenario, such songs sounded even sweeter, such songs that spoke of love and longing.

For this post I have chosen the first song in the album, “Baat niklegi to phir door talak jayegi”. The song is a recitation of the shairi, it is not ‘sung’. Yet Jagjit Singh’s mellifluous voice makes it sound like a soulful nazm. It speaks of a lover asking a young girl to hide her passions lest she is censured for it. It is loaded with sensuality and sweetness of love.


Song-Baat niklegi to phir door talak jaayegi (Jagjit Singh NFS)(1977) Singer-Jagjit Singh, Lyrics-Kafeel Azar, MD-Jagjit Singh

Lyrics

Baat niklegi to phir
door talak jaayegi
Log bewajha
Udaasi ka sabab poochenge
Yeh bhi poochenge
ki tum itni pareshaan kyun ho

Ungliyaan uthengi
sookhe huye baalon ki taraf
ik nazar dekhenge
guzre huye saalon ki taraf
Choodiyon par bhi kayi tanz kiye jaayenge
Kaanpte haathon pe bhi, fikre kase jaayenge

Log zaalim hain
har ik baat ka taana denge
Baaton baaton mein mera zikr bhi le aayenge
Baaton baaton mein mera zikr bhi le aayenge
unki baaton ka zara sa bhi asar mat lena
Warna chehre ke ta’asur se samajh jaayenge

Chaahe kuchh bhi ho
sawaalat na karna unse ae
Chaahe kuchh bhi ho
sawaalat na karna unse ae ae
Mere baare mein koi baat na karna unse

baat niklegi to phir
door talak jaayegi

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Happy Diwali.

Greetings to all dear fellow travelers of this musical voyage, and all dear friends and readers on this blog. Another new celebration of the festival of lights – may it illuminate your life with the brilliance of joy and happiness. And may it bring blessings of good health, peace and satisfying prosperity – blessings that may come visiting, and then continue staying in your household. Till the time when it is due for celebration again, and this greeting will be refreshed – again.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The 3rd death anniversary of Ghazal King Jagjit Singh was on October 1Oth and the 76th birth day of Urdu poet and lyricist Nida Fazli was on October 12th. For the occasions, I had planned to write a combined post and had selected a song months back to be posted on the Blog in October 1Oth or 12th. But some other activities relating to travels and pre Deewali atmosphere in my house resulted in diversion of my mind and in the process, I completely forgot about writing the article for the occasion. It was only when I saw a post on the occasion of the birthday of Nida Fazli that I got reminded of my pending article. Even though anniversary dates have passed, it is never late for paying tributes.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Sandhya Mukherjee – a voice that is comparatively heard less frequently on the Hindi film screen, is a big name in the world of Bangla music and Bangla film music. In fact her association with Hemant Kumar as a duet singer, is almost as legendary as the on screen pair of Uttam Kumar and Suchitra Sen. Majority of the duets of these two actors in Bangla cinema, have been playback sung by these two singers.

Greetings to Sandhya ji on her 73rd birthday (4th october).
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni raaten – Song no. 12
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chaand ek bewaa ki choodi ki tarah toota huaa
har sitaara besahaaraa soch mein dooba huaa
gham ke baadal ek janaaze ki tarah thehre huye
hichkiyon ke saaz par kehtaa hai dil rotaa huaa

Thus began a classic Talat Mahmood song ‘koyi nahin mera iss duniya mein’ from the movie ‘Daag’.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Kitni raahat hai dil toot jaane ke baad
zindagi se mile maut aane ke baad

Aah! the bliss of being free of illusions. As if someone has removed the coloured glasses from my eyes through which the world used to look colourful. The feeling is not always pleasant but it is a honest and truer state to be in. Keeping one's eyes closed so that one is able to avoid the unpleasant things and pretend that all is well, is a self defeating attitude. Once the truth is out in the open and accepted than it is something one faces and deals with in our own way. Out of the clouds of delusions. Only then the correct runway can be found and safe landing in possible.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In our high school curriculum, we had Hindi Padhya (Poetry) in which, among others, poems of Meerabai, Tulsidas, Kabirdas, Surdas, Raskhan were taught to us. While most of the poems were in the praise of Lord Ram and Krishna, poems of Sant Kabirdas were not addressed to any specific God. I had heard the word ‘nirgun’ from my teacher in regard to the poems of Sant Kabirdas, I did not know the meaning of ‘nirgun’ in wider sense until few years back. Some of Dohas (two liners) have still remained in my memory. One of those which often come to my mind is:
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Legendary singer Mukesh was born in Delhi, on July 22, 1923 in a middle class family consisting of 10 children. Mukesh was the sixth of the siblings. The lure of films always appealed to Mukesh and as such he was less interested in studies. After his matriculation in a municipal school he was able to get a job of assistant surveyor in Delhi’s department of public works through his father. However, after just seven months of service, Mukesh ran away to Mumbai to become another KL Saigal whose adherent fan he had been all along. Even in school, Mukesh was known as “junior saigal” and the lunch breaks often involved the young Mukesh rendering his favourite Saigal numbers to his peers amongst whom Roshan Lal would be one on the harmonium.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni Raaten : Song no. 5
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Song no. 05 of the series is a non – film song or rather a ghazal. Singer is Mohammed Rafi, judging by the voice it appear to be late 60’s recording. As the date of the song is not available anywhere that I could find, just making a guess. The poet of this very predictable ghazal is Muzaffar Shahjahanpuri. Now it the turn of music Directors name. The link on youtube is giving the name as Iqbal Qurieshi, and the comments on the youtube imply that the composer is Chhote Iqbal. Myswar.com and the excel sheets are playing it safe and giving the name as just “Iqbaal”. May be the knowledgeable readers of the blog will be able to clarify the name of the composer. By looking in the myswar.com I found the year of the song which is 1970.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The early phase of Talkie films was full of 2 types of people.

1. Those who wanted to do something worthwhile in this new field, and

2. Those who saw this field as an opportunity to showcase their skills.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10400 songs post by now.

Total number of songs discussed

10425

Number of movies (All songs covered)

553

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