Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for 2012


Hindi movie songs cover lots of ground as far as depicting various human feelings as well as activities of Indians are concerned. But there are still a few regular activities that have been sadly underrepresented. For instance, there are hardly any songs for an activity as common as buying and selling of vegetables.
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In 1950s, we had a genre of songs where a lady, alone or accompanied by other co workers carrying basket on her head would be going on her way to her work while singing a song. The hero and heroine would be at hand to listen to the song. The song in a way would express the feelings that the leading duo have for each other but are too shy to express themselves. alternatively the song may set the tone for the movie. Such a song is there in “Aar Paar” (Kabhi aar kabhi paar ),”Do Aankhen Barah Haath” (Sainya jhoothon ka bada sartaaj nikla), CID (Boojh mera kyaa naam re ) etc. I am trying to think of a name that describes such songs, but I am unable to find an appropriate descriptive name for such a genre of songs. I request our readers to help out in suggesting a name for such songs.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Khursheed Bano ( 14/04/1914 – 18/04/2001), the singer of immortal songs such as “panchhi baawara chaand se preet lagaaye” , “ghataa ghanghor ghor” , “jiske milne ki tamanna thhi wo pyaara mil gayaa” was born as Irshad Begum near Lahore on April 14, 1914. She became an actor at a time when the era of silent movie was about to end. In the advent of talkie films when actors had to sing their own songs, she had to learn singing in furtherance of her acting career. In one of her interviews, she said that it was because of the painstaking efforts by music directors of that time that some of the actors like her could improve their singing skills.
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“Jhuk Gaya Aasmaan” (1968) was an R D B Production. It was directed by Lekh Tandon. The starcast had Rajendra Kumar, Saira Banu, Prem Chopra,Rajendranath, Parveen Choudhary, Jagirdar, Randhir, Jagdish Raaj, Sulochana, Chaman Puri, Kamal Kapoor, Madhumati, David Abraham, Durga Khote, Hari Shivdasani etc in it.
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Looking at the video of this song adds considerably to my general knowledge about movies. For example, I was not aware that Rajesh Khanna had worked in a movie called “Aurat”(1967) and that too opposite an actress as obscure as Naazima. But then Rajesh Khanna himself was a newcomer those days.
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“Taqdeer” (1967) was a Rajshree Productions movie about a family that gets separated from its sole breadwinner (Bharat Bhushan) and lives without him. Bharat Bhushan, presumed dead comes back many years later and finds himself a stranger in his own home. It was a moving tale which was nicelty picturised. The songs of this movie captured the essense of the movie wonderfully well.
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“Miss Cocacola” (1955) is the only movie where Shammi Kapoor and Geeta Bali worked together. Shammi Kapoor never got to watch the movie and when he felt like watching it in his later years for the sake of nostalgia, the prints of this movie were all gone.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a regular conributor to this blog.

Here is another song from Achhoot Kanya. This has to be one of the first bullock cart songs. In the early years of the past century, the hero and heroine did not, or could not get physical during romantic numbers. Despite that constraint, Ashok Kumar and Devika Rani share a lovely chemistry during this song. They sit close together, lean into each other and smile often.
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From the little I know about “Mahua” (1969), it was a story about re incarnation, but unlike say “Madhumati” (1958) and “Milan” (1967), the makers of this movie were not clear about what they wanted to present to the public. The movie finally ended up with a confused story line which was given a thumbs down by the movie goers.
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