Archive for 2013
Lambi joru badi museebat
Posted on: February 20, 2013
“Ek Thhi Ladki” (1949) was a Shorey Films production movie. It was produced and directed by Roop K Shorey. The movie had Motilal, Meena Shorey, Majnu, Kuldip, Batra, Shamlal, Gogia Pasha, Pasha, I. S. Johar, Shakuntala, Agha Miraz etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I was aware of four popular folklores of Punjab-Sind provinces which are now in Pakistan – Heer Ranjha, Mirza Sahiban, Sohni Mahiwal and Sassi Punnu. These are the tragic love stories in which the lovers die at the end. The common features of all these four folklores are (i) the female character is extremely beautiful, (ii) families of both the lovers resent their unions, (iii) female lovers are forced by their families to marry other man and (iv) at the end, female lovers die first followed by the male lovers except in case of Mirza Sahiban where the two lovers die in the reverse order.
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Dekho ye kaun aaya
Posted on: February 19, 2013
This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
It seems like “Saveray Wali Gaadi”(1986) makes a debut on this blog with this song. This reflects the fact that the film is hardly remembered now. The reason behind that is that the movie was not highly successful. Thus also sank the beautiful soundtrack of the movie. The songs are not vintage Pancham-stuff but they are very hummable and much better than what his stable would churn out in the later part of the 80s.
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Ek aag lagaa kar chupke se
Posted on: February 19, 2013
“Nav Durga”(1953) was a Basant Pictures Production. It was directed by Babubhai Mistry. The movie had Mahipal, Usha Kiran, Dalpat, Sulochana Chatterji, Raja Sandow, Maruti, S N Tripathi, Amarnath etc in it.
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Tujhko dekh kar noorullah
Posted on: February 19, 2013
“Pyaar Mohabbat” (1966) was produced and directed by Shankar Mukherji for Alankar Chitra production. The movie had Dev Anand, Saira Bano, Premnath, Shashikala, Durga Khote, David Abraham, Asit Sen, Sulochana Latkar, Harindranath Chattopadhyay, Tarun Bose, Murad, Jankidas, S. Nazir etc in it.
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Ghoda nachaave mera laadla
Posted on: February 19, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
LUCK plays an important role in our film industry. It is this Luck which has built bright careers and it this Luck that has brought down people’s careers.
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So meri raani
Posted on: February 19, 2013
“Pehli Raat” (1959) was a Pushpa Pictures Production. It was produced by A A Nadiadwala and directed by P L Santoshi. The movie had Sohrab Modi, Nimmi, Rehman, Nanda, Sudesh Kumar,Sheela Kashimiri, Raj Prakash, Manorama, Jeevan, Amir Bai Karnataki, Johny Walker, Lalita Pawar, Munshi Munaqa, Adeeb, Daraz,Ratna,Maqbool, Paro etc in it.
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Din chhup gaya nikle taare
Posted on: February 19, 2013
“Anjaan” (1956) an All India Pictures Production movie. It was directed by M Sadiq. The movie had Pradeep Kumar, Vyjyantimala, Jeevan, Raj Mehra, Minoo Mumtaz, Shammi, Helen, Johnny Walker, Mubarak etc in it.
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“Baap Re Baap”(1955) was a Kardar Production movie. It was produced and directed by A R Kardar. The movie had Kishore Kumar, Chand Usmani, Smriti Biswas, Jayant, Ulhas, Maruti, Leela Misra, Banerji etc in it.
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This article is writtten by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The ghazal ‘ae mohabbat tere anjaam pe ronaa aayaa’ and Begum Akhtar are inseparable. If ‘deewaana banaana hai to deewaana banaa de’ (1925) heralded the arrival of Begum Akhtar as a ghazal singer, ‘ae mohabbat tere anjaam pe ronaa aayaa’ (early 1950s) consolidated her position in ghazal singing paving the way for her to be bestowed upon the title of ‘mallika-e-ghazal’ later. I came to know about Begum Akhtar in my younger days only because of this ghazal which was regularly played on the radio. The simple words in this ghazal with the captivating style of Begum Akhtar’s rendition attracted not only the connoisseurs of ghazals but also the commoners. No wonder, the sales of gramophone records of this ghazal attained the stature of a platinum disc.
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