Archive for 2014
Sapnon ka raaja koi
Posted on: October 22, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Chalte Chalte” (1976) was produced by Bheeshm Kohli and directed by Sundar Dar for Kailashpati pictures. The movie had Simi Garewal, Vishal Anand aka Bhisham Kohli, Nazneen, Chandrima Bhaduri, Dr ShreeRam Lagoo, Dinesh Hingoo, Jagdish Raj, Ashalata Wabgaonkar, Hakim, Ratan Gaurang, N.Mehra, B.Paremeshwar,Ghanshyam Dubey, Jaswant, Jankidas, Tarun Ghosh, Dinu Harish etc in it.
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Haseen dilruba kareeb aa zara
Posted on: October 22, 2014
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohd Rafi in the 70s
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The introduction to my Facebook group “Mohd Rafi – The Virtuoso” starts with – “Rafi Saab ek ehsaas hai jise mahsoos kiya jata hai, bayaan nehin. Yeh ek naam hai jise sunte hamare dil mein sukoon aur chhehre par muskurahat aa jati hai (Rafi Saab is a feeling that is felt, which cannot be told. It is a name that brings a smile on our face and we feel relaxed). To us he is ethereal; someone from another world; larger than life. No less than a God. This one name evokes a million feelings inside us. We have a smile on our lips and tears in our eyes. In other words, we feel alive when we hear this name – Mohammad Rafi.”
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Kahaan gayaa mera sanam
Posted on: October 22, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hindi film industry is like an ocean.Several small and big rivers join it and the ocean too gracefully accepts everything. Once inside, the individual rivers lose their identity and become a part of the ocean. Similarly, people from all corners of India join this industry, but only few get proper opportunity and recognition here. The rest simply disappear in this ocean. Success, they say, has no formula. Famous composer C.Ramchandra had once said, ‘If only there is anyone who can predict correctly what will succeed and what the public will like, such a person can earn millions here !’
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Do Phool” (1958) was directed by A R Kardar for Silver Wings Productions. The movie had Baby Naaz,Romi, Vijaya Chowdhary, Bipin Gupta, Ullhas, Jeevan, Pratima Devi, Rajan Haksar, Neelam, Ameer Banoo, Mumtaz Begum, Bannerji, Nasreen, Tiloo, Amir Ali, Agha, David Abraham etc in it.
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- In: "Defiance" song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Post by Sudhir | Song meant for one movie but used in another movie | Songs of 1950s (1951 to 1960) | Songs of 1954 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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The Many Colors of Love #23 – Defiant Love
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And so wrote the scribe
ishq baghaawat kar baithe to
duniya ka rukh mod de
aag lagaa de mehlon mein
aur takht e shaahi tod de
seena taane maut se khele
kuchh na karen fariyaad
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The association of Pankaj Babu and RC Boral starts from their coming together as artists and producers at Calcutta Radio. No specific dates are available, but the expected period is the second half of the 1920s. This period also coincides with the prime of the silent films in India. Calcutta had become a main production center. Being recognized as music directors at Radio Calcutta, it was natural for RC Boral and Pankaj Mullick to be called upon for creating the orchestral music for silent films. In the days of soundless films, the music and sound effects were presented live in the theatre, using a live orchestra. What we recognize as background music today, was very much a ‘foreground’ entity in those years. The mood and the action on screen, was duly accompanied by live music that was played by the orchestra sitting just below and front of the screen. Probably no recordings of such musical works were made, else that in itself would have been a very valuable treasure for lovers of film music. wo films from 1931 are identified as the ones for which this pair had prepared the orchestral ‘foreground’ music. Produced by International Filmcraft, the title of the films are ‘Chesher Maye’ (‘चेशेर मेय’) and ‘Chorkanta’.
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Ye kori karaari kanwaari nazar
Posted on: October 19, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (19 october 2014) is the 58th birth anniversary of Sunny Deol (DoB 19 october 1956). He is an actor from the post golden era and he worked in movies that I regard as “new” movies. To realise that a post golden era actor (and the son of a golden era actor) like him has turned 58 now means that time has flown faster than I realise. 🙂 In fact this is the era when children of post golden era of Hindi movies are active !
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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