Archive for the ‘“Aankh” song’ Category
- In: "Aankh" song | Artist century song in blog | Blog century song | Century songs for the blog | Dance song | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | Post by Sudhir | Rafi solo | Rafi songs | Semi Classical Dance | Semi Classical song | Songs of 1960s (1961 to 1970) | Songs of 1961 | Thousandth song for the blog | Thousandth song in the blog | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 9000th song post in the blog.
Yesterday, just like that, I googled ‘nine thousand’. Did not expect to find anything really interesting and useful to write about. After all, it is just another number. But really, I was surprised. Wow, never thought I would find such an interesting information description that would be so appropriate for this huge milestone that we have arrived at today.
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Udhar teri nazar badli
Posted on: November 9, 2013
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Hamdard” (1953) was produced by Asha Biswas and directed by S Bhagat under the banner of Variety Pictures. The movie had Shekhar, Nimmi, Smriti Biswas, Yashodharat Katju, Ishu Jagirdar, Harish Bhardwaj, Rajan Kapoor, PD Lal, KS Sengar, and Shivraj etc.
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Masti bhari nazar teri
Posted on: November 9, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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The Many Colors of Love #9 – Glances Stealing the Heart
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And so wrote the scribe
tere nainon ne chori kiya
mera chhota sa jiyaa, pardesiaa. . .
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
It is a well known fact to all those interested in Hindi film music of golden era that Mohammed Rafi regarded G M Durrani as his idol. In the initial period of his singing career starting with his public and private performances, Mohammed Rafi used to imitate the singing style of G M Durrani. In the later 40s, as he started getting assignments for playback singing in Hindi films, somewhere during this period, he developed his own style of singing. Perhaps to some extent, credit should go to the music directors like Naushad, Husnlal-Bhagatram and Shyam Sundar who groomed him suitably in the initial stage of his playback singing. Later, with the popularity of his songs in ‘Baiju Bawra’ (1952), he reached the stage of ‘take off into a sustained growth’ in his playback singing carrier. The rest is history.
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- In: "Aankh" song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Shamshad Begam solo | Shamshad Begam songs | Songs of 1950s (1951 to 1960) | Songs of 1952 | Translation by Sudhir | Translations by readers | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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The Many Colors of Love #8 – At First Sight
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And so wrote the scribe
Milte Hi Nazar Tum Se
Hum Ho Gaye Deewaane
A dazzling flash of lightning, and a sudden pause. As the heartbeats rapidly quicken, and the vocal chords freeze for a while. The expressions become immobile, and the activity of thoughts quickly peters down to nothing. The sensations subside, and the world around seems as if to have disappeared. Yes, sometimes it happens so, maybe once in a lifetime (and maybe more, for a fortunate few ;).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
It is said that Prabaht Films’ ‘Amrit Manthan’ (1934) has the distinction of having songs in ghazal format for the first time. I found that there were 3 songs in this film in ghazal format written by Veer Mohammed Puri. I had never heard of the name of this lyricist (or poet). So the curiosity led me to make a search for his name in websites. Unfortunately, I could not get much information about the lyricist except a hint that he was a poet which I guessed from a ghazal ‘kamsini mein dil pe gham ka bhaar kyon’ from the same film that he had used ‘Veer’ as his takhallus (alias) in the maqta (last she’r) of the ghazal.
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Tumhaare nain dekh ke suna hai
Posted on: October 27, 2013
- In: "Aankh" song | Artist century song in blog | Biography of artists | Biography of Music Directors | Biography of singer | Blog century song | Century songs for the blog | Guest posts | Hemant Kumar solo | Hemant Kumar songs | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 15 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 8900th song post in the blog.
Two years have passed. Well, almost, just about two weeks short. It was another cool night of November that I was busy typing the write up for the 5000th song on this blog. There was much exhilaration and excitement that the 5000th milestone was reached. There were some very cautious and guarded comments, pointing towards the 10,000th song. But at that time, although the 5000th was already capped, the 10,000th still seemed daunting and unthinkable. That was two years ago.
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Dil dhadke nazar sharmaaye
Posted on: October 26, 2013
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Albelaa” (1951) was produced and directed by Bhagwan. The movie had Geeta Bali, Bhagwan, Sunder, Pratima Devi, Nihal, Maruti, Dulari, Badri Prasad, Bimla etc in it.
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Teri nigaahon ne sawaal kiya
Posted on: October 21, 2013
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Main Hoon Alladin” (1965) was directed by Mohammad Hussain for Ram Krishna Films. The movie had Ajit, Sayeeda Khan, Madan Puri, Gajanan Jagirdar, Maruthi, Shyam Kumar, David, Munshi Munakka, Ratnamala,Habib, Amar, Mumtaz Begum, Noor Jehan etc in it.
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