Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Asha Bhonsle solo’ Category


“Miss Cocacola” (1955) was a Danny Production movie. It was directed by Kedar Kapoor. Starcast of the movie included names like Shammi Kapoor, Geeta Bali, Lalita Pawar, Om Prakash, Johnny Walker, Helen,Kuldip Kaur, Kamal Kapoor, Mumtaz Begum. This movie was Shammi Kapoor’s movie from his pre stardom days and a movie where he acted opposite Geeta Bali, his would be wife. Unfortunately the prints of this movie are not available. Not just public, even Shammi Kapoor had not seen this movie and it was Shammi Kapoor’s fond wish to be able to see this movie.
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The fact that this “Amaanat”, starring Manoj Kumar and Sadhana was described as a 1977 release always intrigued me and many others since the songs of this movie were popular from much earlier. The timeless classic song, viz. Matlab nikal gaya hai to pahchaante nahin is from this movie and I recall hearing this song since my pre teen years i.e. right from early 1970s if not earlier.
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“Ek Thhi Reeta” (1971) is a recent movie by the standards of this blog, yet that has not prevented it from becoming an obscure movie nearly as soon as this movie was released. This movie was produced and directyed by Roop K Shorey. The movie had Vinod Mehra, Rehman, Yogiraj, I. S. Johar, Tanuja, Pompi, Mona Mullick, Manmohan Krishna, Madhu Kumar, Lolita Chatterjee, Daisy Irani, Faryal etc ion it and the movie must have sunk without a trace seeing that I had not heard of this movie during 1971 when I was a precocious kid keen to know about everything.
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“Ek Hi Raasta”(1956) was produced and directed by B R Chopra. As was his wont, this movie too was on a socially progressive theme of widow remarriage which was quite bold for the time and as a result it was a commercially risky proposition for the movie. But B R Chopra pulled it off and the movie became a commercial success and it was critically acclaimed too.
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This song has quickly become an earworm with me right from the time I was sent the lyrics of this song a few days back. So much so that today this song was playing in my mind even when I was in the process of discussing other songs for the day.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Talking about romantic pairing in Hindi films, Nanda – Shashi Kapoor pairing is probably the most attractive pair in the 60s. It is interesting to note their career graphs. Both of them started off in the films as child artists. Nanda’s father, Master Vinayak, passed away when she was just 8 years old. She was obliged to start working in films as a child artist, Baby Nanda, due to financial difficulties at home. On the other hand, as a child, Shashi was part of the already famous Kapoor clan, and the youngest son of Prithviraj Kapoor. And with all his family seniors in the cine business, it was only natural that followed their footsteps. He too appeared in many films as a child artist.
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“Laila Majnu” (1953) was an all India Pictures Production. It was directed by K Amarnath. Nutan and Shammi Kapoor had played the title roles in this movie. The movie also had Ratan Kumar, Ulhas, Begum Para, Kammo, Wasti etc in the movie.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The saga of Hindi films will never be complete without the discussion of the “formula” that used to be, and continues to be, followed by the production banners. More often than not, once a film became a hit, and brought profits for the producers, generally there used to be a spate of new productions trying to imitate the theme, the storyline, and the main attractive ingredients of that successful film, in an effort to duplicate that success. Over a period of time, such duplications would get refined into a list of specific ingredients that should be part of a film production strategy. Besides the components of the storyline, and type of characters and the list of events that should form part of the film, a main item of consideration was the type of music and songs that a film should contain.
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“Chowkidaar” (1974) did not create any impression at the box office when it was released. And it meant that yet another movie with Madan Mohan’s compositions flopped and the songs of this movie remained unheard and unwatched by moviegoers.
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