Archive for the ‘Asha Bhonsle solo’ Category
Nikle the kahaan jaane ke liye
Posted on: November 18, 2009
I have seen many mujra songs in Bollywood movies, and this song is a mujra song, but with a difference. Mujra songs tend to be depressing because the female dancer performing mujra tends to be wallowing in self pity. But this song is different.
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I have listened to this song in the past, but that was when I was not paying attention and when I was unaware about the details of this song.
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Paan khaaye sainyaa hamaaro
Posted on: October 25, 2009
I notice that I have posted only one song from “Teesri Kasam” (1966) so far. This movie is a goldmine of songs that have gone on to become classics.
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Lahraaye jiyaa bal khaaye jiyaa
Posted on: October 24, 2009
I thought that I had posted songs from “Sharada” in the past. It turns out that I was confusing “Sharada” with “Sadhana”. Yes, those days we had movies with names like “Sharada”, “Sadhana”, “Kalpana” etc which were also the names of some well known actresses. Incidentally, the actress with the same name was nowhere to be found in these movies.
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Here is a truly “bhoola bisra” geet even by the standards of this blog.
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Ham panchhi ek daal ke
Posted on: October 22, 2009
- In: Asha Bhonsle solo | Asha Bhonsle songs | Duet | Lyrics by Sudhir | Lyrics contributed by readers | Multiple version song | National integration song | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1950s (1951 to 1960) | Songs of 1957 | Theme song | Title song | Yearwise breakup of songs
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After India became an independent nation in 1947, nation building began in the right earnest. Movies too reflected it, and many movies of that era talked about nation building, and also about the values and aspirations of the newly independent nation.
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Tum hamse kyun darta hai
Posted on: October 22, 2009
“Ham Sab Chor Hain” (1955) is a movie of historical significance because here one can see many would be legends in action during their earlier days. For instance, it was one of the first movies as a music director for O P Nayyar. It is in movies like this that he began to groom Asha Bhonsle and gave her voice an identity.
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While listening to bollywood songs, it is interesting to observe that many characters who speak in simple laguage while talking burst into a song containing flowery high sounding language. After the song is over and normality is restored, they resume their talk in plain language.
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I have watched many old actors only in black and white movies. So it was quite a pleasant suprise to see Ameeta, one of the more lovable leading ladies of 1950s and 1960s in colour, and that too in a B grade movie.
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