Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Bhajan’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In those ” RADIO-ACTIVE” days, it was a pleasure to hear the bhajans of Paluskar.Though he was a well known classical singer, common people knew him for his wonderful Bhajans of Meerabai, Tulsidas etc during the 50s. His voice was quite familiar to the generations born after Indian independence..
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the 30s and 40s, two groups of female actor-singers emerged prominently. The first group excelled in both acting and singing. Barring a few exceptions, they confined to playback singing on themselves. This group consisted mainly of Khursheed, Kanan Devi, Noor Jahan and Suraiya. The second group though started their filmy career as actor-singer in a smaller way, later they concentrated mainly on playback singing. This group comprised mainly of Rajkumari, Amirbai Karnataki, and Zohrabai Ambalewaali.
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“Guddi” (1971) was produced by N C Sippy and Hrishikesh Mukherji and directed by Hrishikesh Mukherji. The movie had Samit Bhanj, Jaya Bhaduri, Asrani, Sunita Sanyal, Vijay Sharma, A K Hangal, Keshto Mukherjee, Chandra,, Lalita Kumari, Utpal Dutt, Bhagwan etc with Dharmendra in guest appearance.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In a book ‘Vedanta Treatise’ I have with me, four types of yogas have been prescribed for attainment of salvation. They are Bhakti (devotion), Gyaana (knowledge), Karma (activity) and Hata (compulsion). It is generally believed that devotion is the mother of all other yogas. Without devotion, all other yogas would be incomplete for attaining the objective. In this context, I recall an introduction by late C Rajagopalichari on a LP of M S Subbulaxmi’s immortal ‘Bhaj Govindam-Vishnu Shashtranamavali and I quote a part of it from the CD I have with me:
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

MAHASHIVRATRI greetings to all readers !

In India all our social customs, traditions, calenders and Festivals are linked to Agriculture, because basically,even today, we are an Agricultural country. With almost over 70% population (as against 85% in 1947) living in Villages and depending on farming, even in these days. No wonder if all our major events have an Agricultural base.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In olden times there was a saying that one must visit Kashi(Benaras/Varanashi) before one dies.(There is an old saying in Western India ” Surat nu Jaman ane Kashi nu Maran”,which means,in your life you must eat food in Surat and Die in Kashi-both the best options).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

My attachment to Lord Shiva is from a very young age. We resided in Hyderabad, but my father did his Law graduation from Nagpur. While at Nagpur,h e got introduced to some revolutionaries and he too joined them.
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This article is wtitten by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I like the singing style of Yesudas. He has not done too many songs in Hindi, but his songs in CHITCHOR are still echoing in people’s ears. I have heard many songs of Yesudas in Malyalam. Though I did not understand the language, the voice of Yesudas was enough for me to enjoy them.
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