Archive for the ‘Dance song’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Munim Ji” (1955) was directed by Subodh Kumar for Filmistan Limited, Bombay. The movie had Nalini Jaiwant, Dev Anand, Nirupa Roy, Pran, Ameeta, S L Puri, Prabhu Dayal, Kanu Roy, Samar Chatterji, Madan Mohan etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Bade Sarkaar” (1957) was directed by Kishore Sahu for Filmistan. The movie had Kishore Sahu, Kamini Kaushal, K. N. Singh, Durga Khote, Sajjan, Agha, Gope, Vijayalaxmi etc in it.
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Aa dance karein
Posted on: July 31, 2014
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Amongst various phases that we go through in life, childhood, though the earliest of our conscious phases, usually manages to imprint some memories in our brain that seem to be indelible right through our life. We might forget what we had for lunch earlier today but we remember a seemingly inconsequential event that occurred when we were ten!
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Ye kaisi lagi agan
Posted on: July 19, 2014
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Atul Song-A-Day 10K Song Milestone Celebrations – 39
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Fortunately or unfortunately (for my friends, readers and followers) I belong to the variety of people who take pleasure in bringing out the hidden rare gems from HFM, usually from the 60s and the 70s. In keeping with my passion for “Rare Hindi Film Songs” (RHFS is my group on FB), today, I present two forgotten gems from one single movie – “Raftaar” released in 1975.
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Ukkad dukkad bamba
Posted on: July 15, 2014
- In: 10k song milestone celebration posts | Asha Bhonsle solo | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Guest posts | Introduction of blog contributors | Lyrics contributed by readers | Post by Sudhir | Rare song | Regulars meet in USA | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
- 25 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Atul Song-A-Day 10K Song Milestone Celebrations –23
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One can say, in some ways, it was a letdown. I mean my first meeting in person with Khyati Ben. We had been in email touch prior to that. I was in US, and had made plans to go down to Los Angeles and meet her. For identification purposes, she had sent me her photograph – a most dazzling blonde, with sharp features and attractive eyes, carrying a red rose. As per suggestions from Raja ji (who was also party to the email thread), I had been instructed to wear a trench coat, a felt hat, dark glasses and sporting a fake beard. And yes, also to carry a red rose. That would have been the identification to each other. Then, we had code words also defined for a more certain identification. On seeing the red rose in her hands, I was supposed to approach her and ask the question –“Aasmaan mein kitne sitaare hain?”. And she was supposed to reply with “hoshiyaar, khatre ke har taraf se ishaare hain”. That was how the introduction was planned.
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Main to khadi re khadi re
Posted on: June 9, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In 1973, he wrote the prescient lines that eventually would become a significant epitaph for him.
Remembering Asad Bhopali Sb on the anniversary of his passing away today (9th June). Two decades and four years ago in 1990, this definitive poet breathed his last on this day, bringing to close a career that lasted for four decades.
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Dil ko lagaayen ye gawaara bhi nahin
Posted on: June 1, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Samundar” (1957) was a P N Films production where P N Stood for Premnath. The movie was produced and directed by Premnath. It was quite an all family affair in the sense that Premnath, Bina Rai (his wife), Rajendranath (his brother) figuring in the movie. Others in the cast were Nishi, Tuntun, Anmol Krishan, Ram Avtar, Ullas, Heeralal, Sundar, Ridkoo, Paul Sharma, Rajan Kapoor, Habeeb, Azeem, Mahesh, Manohar, Niranjan etc.
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Aankhon mein muskuraaye jaa
Posted on: May 7, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE VIBRANT 40S (Episode No. 12)
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Initially, when the Talkie films started, most of the actors and actresses of the silent era, who could speak Hindi/Urdu and sing a little got entry into these films. Soon many Anglo-Indian girls and actors like master Vithal, who could not speak Hindi properly, leave aside singing, had to be excluded from Talkie films.(Master Vithal who was selected as the Hero for India’s First Talkie film,”Aalam Ara”-1931, based on his looks,Physique and his silent film credentials-over the capable Mehboob Khan- gave such pathetic performance in his Hindi/Urdu dialogues that he had to be shown as Unconcious almost throughout the film to hide his poor diction of Hindi/Urdu dialogues.)
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
‘Jaise hafte bhar mein ek chhutti hai itwaar ki’ – With yet another sunday today, this is an opportune time to post this song. This is talking of elements such as ‘paani’, ‘aag’, ‘sardi’,’ beemari’, ‘jawaani’, ‘ghadi’ etc and non elements like, aitbaar, intezaar, gulzaar, sansaar, zindagi. The is also about non recurring events and recurring events in life.
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