Archive for the ‘Ghazal’ Category
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6357 | Post No. : | 19712 |
Ta’areef uss khuda ki jis ne jahaan banaaya – Non-Film Song (Jagjit & Chitra Singh)
तारीफ़ उस ख़ुदा की जिस ने जहां बनाया
कैसी ज़मीं बनाई क्या आसमां बनाया
पांव तले बिछाया क्या ख़ूब फ़र्श-ए-ख़ाकी
और सर पे लाजवर्दी इक साएबां बनाया
मिट्टी से बेल-बूटे क्या ख़ुशनुमा उगाए
पहना के सब्ज़ ख़िलअत उन को जवां बनाया
ख़ुश-रंग और ख़ुशबू गुल फूल हैं खिलाए
इस ख़ाक के खंडर को क्या गुलिस्तां बनाया
मेवे लगाए क्या क्या ख़ुश-ज़ाएक़ा रसीले
चखने से जिन के मुझ को शीरीं-दहां बनाया
सूरज बना के तू ने रौनक़ जहां को बख़्शी
रहने को ये हमारे अच्छा मकां बनाया
प्यासी ज़मीं के मुंह में मेंह का चुवाया पानी
और बादलों को तू ने मेंह का निशां बनाया
ये प्यारी प्यारी चिड़ियां फिरती हैं जो चहकती
क़ुदरत ने तेरी उन को तस्बीह-ख़्वां बनाया
तिनके उठा उठा कर लाईं कहां कहां से
किस ख़ूब-सूरती से फिर आशियां बनाया
ऊंची उड़ें हवा में बच्चों को पर न भूलें
इन बे-परों का उन को रोज़ी-रसां बनाया
क्या दूध देने वाली गाएं बनाईं तू ने
चढ़ने को मेरे घोड़ा क्या ख़ुश-इनां बनाया
रहमत से तेरी क्या क्या हैं नेमतें मयस्सर
इन नेमतों का मुझ को है क़द्र-दां बनाया
आब-ए-रवां के अंदर मछली बनाई तू ने
मछली के तैरने को आब-ए-रवां बनाया
हर चीज़ से है तेरी कारीगरी टपकती
ये कारख़ाना तू ने कब राएगां बनाया
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Ismail Meerathhi writes the above “Hamd”. The above is the full Hamd in ghazal format, in devnagari script.
“Tarif us Khuda ki jisne jahan banaya” is a famous Urdu poem (Nazm) by Ismail Merathi (1844-1917), a pivotal figure in modern Urdu literature known for awakening intellect through simple, descriptive verses, particularly for children, focusing on nature, God’s creation, and moral lessons, making this poem a classic praise of the Creator’s artistry in making the world.
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Gayee yak bayak jo hawa palat
Posted on: November 13, 2025
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6327 | Post No. : | 19594 |
Mukesh and his NFS – 13
More than a decade back, 27 August 2015, to be precise, I had a written a special post on the Remembrance Day of Mukesh.
It was special in the sense that it dealt with the composing career of Mukesh in my series Mukesh and his Composers.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6325 | Post No. : | 19589 |
Mukesh and his NFS – 12
Mukesh had an excellent rapport and good association with composer Khaiyyam. He sang about 18 filmi and 10 NFS.
I have mentioned and enlisted all these 28 songs in my earlier posts. They can be found here and here.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6319 | Post No. : | 19567 | Movie Count : |
5148 |
‘Ooparwaala Jaane'(1977) was produced and directed by Naresh Saigal. The cast included Vinod Mehra and Rehana Sultan in the lead roles supported by Abhi Bhattacharya, Shailesh Kumar, Lalita Kumari, Asit Sen, Laxmi Chhaya, Ratna, Jasbir, Rajan Haksar etc. The film was released on November 28, 1977.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6284 | Post No. : | 19448 |
Today’s song is from an almost 90 year old film, Manzil-1936.
For a long time, I was searching for a song from this film, but none were available. Finally, I wrote to Shri Syed Jafer Shah ji and enquired if he has any song of this film, other than those already posted here. Promptly, he sent me today’s song- no.7 as per HFGK list. HFGK showed the singer’s name as Harimati, but the song sent by Jafer Bhai was sung by K.C.Dey. I pointed out this to him. He sent me the photo of the record No. 6764, which was tallying with the no. in HFGK. The film name was correct and the singer’s name was K.C.Dey. Obviously the song was correct. It seems that Harimati sang it in the film, but the record was in the voice of K.C.Dey. Or the HFGK had made a mistake in the singer’s name. Whatever it is, the song was correct as per the record number and details on it. So, no problem. Then our friend Sadanand ji Kamath uploaded it for me. Thanks to Jafer Bhai and Kamath ji.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6276 | Post No. : | 19424 |
In my last article, I have covered the details of the film ‘Jumbish’ (1986) which was produced and directed by Salahuddin Pervez who also wrote the fictional story, screenplay, dialogues and the lyrics. Surprisingly, he was not connected with film industry in any capacity before he ventured into making the film under discussion. Since Jaidev, the music director of the film was one of my favourites, I heard all the seven songs in the film which were all melodious as expected from him. The songs, especially the ghazal and nazm written by Salahuddin Parvez were poetic with unusual metaphors. With his poetic lyrics, the unusual story of the film and the symbolic dialogues he used, I became curious to know about his background. Checking on him on the internet led me to a PDF of his biography on Sahitya Akademy website following his winning the Sahitya Akademy Award in 1991. I found his biography interesting, a gist of which is given below:
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6262 | Post No. : | 19380 |
‘Beraham’ (1980) was produced by K D Shorey and was directed by Raghunath Jhalani. The cast included Sanjeev Kumar, Mala Sinha, Shatrughan Sinha, Reena Roy, I S Johar, Keshto Mukherjee, Rinku Jaiswal, Manmohan, Raj Mehra, Dev Kumar, Helen, Padmini Kapila, Brahm Bhardwaj, Viju Khote etc. Moushumi Chatterjee made a special appearance in the role of a qawwali singer. It was a last film for Mala Sinha in a lead role.
Delhi-born Raghunath Jhalani started him filmy career in 1950s joining Bimal Roy as assistant director. He assisted him in about half a dozen films until Bimal Roy’s death. He debuted as an independent director in J Om Prakash’s ‘Aaye Din Bahaar Ke’ (1966). He directed 10 films, most of which were musical family dramas. It was a rare occasion for him when he admirably handled the genre of crime-action-thriller film, ‘Beraham’ (1980).
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6254 | Post No. : | 19344 |
Mukesh and his Composers – 42
What do these three films have in common?
• Footpath (1953)
• Shola aur Shabnam (1961)
• Shagoon (1964)
Well, it’s no brainteaser. Khayyam saab scored music for all the above quoted films.
But then a lesser-known trivia is the name of Vipin Mehra who was the assistant music director in all the three films.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6241 | Post No. : | 19303 |
ye ilm kaa sauda, ye risaale, ye kitaaben
ek shaks ki yaadon ko bhulaane ke liye hain
—– Jaan Nisaar Akhtar
The meaning of the sher is that these exchange of knowledge, these journals, these books are meant to forget memories of a person. But I write this article for remembering today, Jaan Nisaar Akhtar on his 49th Remembrance Day. He was essentially a poet but circumstances forced him to write songs for films when an arrest warrant was issued against him in Bhopal being the follower of leftist ideology. He went underground eventually landing in Mumbai in 1949 leaving behind his wife and two small children. So, to manage the family, he started writing songs for Hindi films.
Syed Jaan Nisaar Hussain Rizvi (18/02/1914 – 19/08/1976), popularly known as Jaan Nissar Akhtar was born in Gwalior. His father, Muztar Khairabadi, a well-known Urdu poet was the Magistrate in the State of Gwalior. After completion of the matriculation from Gwalior, Jaan Nissar Akhtar joined Aligarh Muslim University and completed M.A. in Urdu. He returned to Gwalior and got a job as a lecturer in Victoria College. In 1943, he got married to Safia, sister of Urdu poet, Mazaj Lucknawi. In 1947, he shifted to Bhopal where he joined Hamidia College as Head of Urdu and Persian Department. In Bhopal, he joined the Progressive Writers’ Movement.
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