Archive for the ‘Ghazal’ Category
“Zeenat” (1945) is a movie that is directed by Shaukat Hussain Rizvi. This movie had Noorjahaan, Zohrabai Ambalewaali, Cuckoo, Shashikala (then a child), Baby Khursheed (later known as Shyama) etc. In fact, this movie seems to be a movie with mainly female actors . : D All the eight songs of this movie have been sung only by female singers, and that includes an all female qawwaali (Aahen na bharin shiqwe na kiye ).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The films in India started to talk in 1931, and with it came the music and the songs, that are so inseparable from the culture of this country. No matter what part of the country one talks about, music is the flow that nurtures and strengthens the emotional character of the society. And the music immediately became a crucial thread in the talking films, and the films became a pivotal medium for the folk and popular music to prosper. It was with the coming of the talking films that the concept of a ‘music’ industry was born in India.
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Jaanaa thhaa hamse door
Posted on: September 5, 2011
I have discussed as many as four songs from “Adaalat” (1958) and I was surprised to receive the lyrics of this song from Prakashchandra. When I checked up, I found that this well known song from “Adaalat” (1958) was actually missing from the blog.
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Searching for unknown songs from B grade movies is almost always a highly rewarding experience. I always discover some amazing gems ervery time I indertake this exercise.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
It is a well known fact that Saigal Saab did not have any formal training classical music. As a child, he was blessed by and initiated into the practice of riyaaz by Pir Salman Yusuf, a sufi saint in Jammu. This blessing, and the word of his first Guru, led to a secret discipline, which was akin to a pursuit in spiritual internalization. It molded his voice such that his voice gained an unusual musical power – an emotional content that is not generally cared for in formal training. Saigal Saab has this dexterity to make the words glow with music, as he sings. In ghazal singing, his swara’s power the words from within, such that the music does never seem to interfere with the flow of words. It is like a magic. From the lowest note, he can move his voice so smoothly to the higher octaves, without ever becoming shrill even when he touches the highest notes. Throughout the entire rendition, there is a smooth and vivid timbre to the sound that is very pleasant. Nowhere can the listener detect any vibrations, or ‘kampan’.
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This article is written by Sudhir, a fellow enthusiast of hindi movie music and a regular contributor to this blog.
Saigal, a voice that became still more than sixty years ago, is still regarded as the unvanquished king of Hindi film music. The prodigious voice of Saigal, the Golden Voice as many writers have referred to him, is a wonder that has not since been emulated again. And this person of humble and affable personality, also carried a heart of gold.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The year is probably 1932-33; and the location is Calcutta. Kidar Sharma, a very young and talented poet and writer from Amritsar, about 23 or 24 years of age, is eagerly trying to get a break into the world of cinema. The film Rajraani Meera is under production at New Theatres, and the star cast boasts of such luminaries as Prithviraj Kapoor, Durga Khote and KL Saigal. (Although these became household names a few years hence, in those fledgling years, all these stars were new and still trying to find their feet in the industry).Kidar Sharma writes in his memoirs about his first meeting with all three of them on a single fateful day, as he is trying for an introduction to the powers that be in New Theatres.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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