Archive for the ‘Ghazal’ Category
“Dooriyaan” (1979) is a recent movie by the standards of this blog. The era of nerve jangling and mind numbing disco had begun by then, but on the other hand, soothing ghazals were making a brief return in a few movies, including this one. So the songs of this movie belong to this blog.
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“Neela Aakaash” (1965) is a movie which was produced and directed by Rajendra Bhatia for Kiron Productions. Starcast of the movie included names like Mala Sinha, Dharmendra, Madan Puri, Manorama, Shashikala, Madhvi, Raj Mehra, Sulochana Latkar, Sabita Chatterjee, Mehmood, Mumtaz Begum, Jeevan Kala, Hari Shivdasani etc.
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On the occasion of Kaifi Azmi’s birthday (19th january), we are discussing a few songs written by Kaifi Azmi.
Here is a song from “Arth” (1982). This song, which is picturised as a get together song, is sung by Jagjeet Singh. It is picturised on Raj Kiran, Shabana Azmi, Smita Patil, Kulbhushan Kharbanda etc. Kaifi Azmi is the lyricist. Music is composed by Kuldeep Singh Chitra Singh and Jagjit Singh.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
If I send the lyrics of the song “wo ham se chup hain, ham unse chup hain”, for discussion, Atul may, probably send me a return e-mail saying that this song has already been discussed and here is the link – https://atulsongaday.me/2010/01/28/wo-hamse-chup-hain-ham-unse-chup-hain/ unless he reads the entire lyrics. This was exactly what had happened to me whenever I read the first line of the mukhda appearing as a caption of an audio clip on YT. Unfortunately, I did not proceed further than a cursory glance assuming that this was the song from “Sargam” (1950).
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Aap ki yaad aati rahi raat bhar
Posted on: January 6, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I thought that there should be at least one song of Jaidev from a film for which he got National Award for the best music direction, for discussion on the occasion of his death anniversary which is on January 6th. The ghazal is from film GAMAN (1978) – “Aapki yaad aati rahi raat bhar”. The ghazal was wriiten by Maqdoom Mohiuddin, the famous urdu poet and then a member of Communist Party of India. This has been sung by many ghazal singers but I like the way Chhaya Ganguli has sung this ghazal and also the tune and soft orchestra used by Jaidev to reflect the mood of the ghazal.
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“Jahaan Ara” (1964) is a movie that was a resounding flop at the box office which came as a severe jolt to Madan Mohan who had composed some fantastic songs in this movie.
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“Dana Pani” (1953) is a sunrise pictures production. it was directed by V M Vyas and the movie had actors like Wasti,Meena Kumari, Shashi Kapoor (?), Weera, Chhagan, Romeo, Radha Krishnan, Chitra etc in it, according to what I have been able to gather.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The mystery of Saigal Saab’s mastery over music and singing will probably never be fully understood. Without a formal training regime from a dedicated master, the fact that he has accomplished what we know, one has to, but acknowledge an inner illumination and a divine gift.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Pankaj Mullick fondly remembers his time and interactions with Saigal Saab. In the year 1931, Pankaj Mullick was associated with India Broadcasting Company, as a vocalist and a music trainer. This company ran the Calcutta Radio Station, (prior to the advent of All India Radio). One evening, Pankaj Da found a young gentleman in the waiting room for visitors. When asked about why he was there, the young man introduced himself as Kundan Lal Saigal, from Jalandhar, and said that he aspired to sing for the Calcutta Radio Station. Impressed with the winsome manner and a voice that enchanted, even as he spoke, Pankaj Da took him to meet NN Majumdar, the director of programs. An audition was arranged immediately. Pankaj Da writes, “. . . For its charming melody and rhythm, distinct pronunciation and neat articulation, embellished with an exceedingly sweet and melodious nasal tone, the audition emerged as something really superb. Mr. Majumdar arranged to broadcast Saigal’s song from the Calcutta Station that very night, and asked the young man to join straight away as a regular artist of the company”.
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