Archive for the ‘Guest posts’ Category
- In: "paayal" song | Classical composition | Dance song | Duet | Guest posts | Post by Sadanand Kamath | Sadhana Sargam-Rajkamal (MD) duet song | Sadhna Sargam Songs | Semi Classical Dance | Semi Classical song | Song of Rajkamal (MD) as a singer | Songs of 1980s (1981 to 1990) | Songs of 1988 | TV Serial Song | TV song | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6453 | Post No. : | 20038 |
I present the song, ‘morele jhanak jhanak jhan baaje paayaliyaa’ rendered by Sadhana Sargam and Rajkamal from Episode-53 of TV Serial, ‘Mahabharat’ (1988). The song is written by Pandit Narendra Sharma and is set to music by Rajkamal based on Raag Darbari. The song is picturised on Gauri Sharma in the role of Urvashi. The actor playing dholak is Gopi Krishna in the role of Gandharva Chitrasen while Satish Kaul is seen in the role of Lord Indra.
Read more on this topic…
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6453 | Post No. : | 20037 |
“Kisi Ki Nazar Ne Ishara Kiya Hai” is a soft, melodic beauty sung by Lata Mangeshkar, penned by Anand Bakshi and composed by Laxmikant Pyarelal. The song is from a mystery/suspense genre movie “Sau Saal Baad” released in 1966.
The film is produced under the banner of Mansarover Pictures, Bombay and is directed by BK Dubey. The film is supposedly a tale of rebirth and memories of soul, presented as a ghost/apparition story. The cast of actors includes Feroze Khan, Kum Kum, Achla Sachdev, Manmohan Krishan, Rajendranath, DK Sapru, Ram Singh, P Kailash, Madhavi, Polson, Ravikant, Patanjali, On Mehra, Moolchand Kapoor and Rajan etc.
Read more on this topic…
Kisee ka koi naheen jag mein
Posted on: March 19, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6453 | Post No. : | 20036 |
Today’s song is from a social film – Khan Bahadur-1937.
The year 1937 was a year of Revolution for the newly started Talkie Film. Initially the films were mainly based on Folk tales, Parsi dramas and Mythological stories. 1937 was a year in which the Film industry was trying to drop its old skin and don a New Avtar. From this year, a variety of subjects were used to make films. If we briefly look at some path breaking, landmark films using Novel themes, we will understand how the film industry was attempting to change itself.
Read more on this topic…
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6452 | Post No. : | 20035 |
Hullo Atuldom
At the outset I would like to wish the blog & the Brain behind the blog on completion of 20000 posts, with this special post by Sudhirji. It was a song from 1931 film, just like the song with post number 10000.
I clearly remember the wait for the post number 10000, it was the rainy season of 2014 – July 20th, 2014 to be precise; a day after the blog’s sthapana diwas.
Congratulations to Atulji, Sudhirji, and the brigade of contributors led by our In-House Encyclopedia – Sri. Arunkumar Deshmukhji (whose personal score stands at 1823 at the time of writing this post). Having this many posts which give details about the films, artists, background of the particular song with accurate lyrics and accompanying video is no small feat. What began as Atulji’s effort to bring good songs onto the worldwide web (or cyberspace) with accurate lyrics has turned into a library/ a reference point for seekers.
Congratulations once again to the blog & atulites and I feel great that I am a part of it.
Read more on this topic…
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6452 | Post No. : | 20034 |
Kamsune/Unsune songs of Asha Bhosle – 96
“Humein Toh Aaj Isi Baat Par” by Asha Bhosle is from the 1977 movie “Taxi Taxie”. The song is written by Majrooh Sultanpuri and it is composed by Hemant Bhosle.
The Hindi film Taxi Taxie (1977) was directed by Irshad and produced by Pari A. V. Mohan under the banner of Radha Mohan Arts. The story and screenplay were also written by Irshad. The film was edited by Waman Rao. As mentioned above, the film’s music was composed by Hemant Bhosle, with lyrics by Majrooh Sultanpuri.
The film starred Amol Palekar in the lead role, alongside Zaheera, Reena Roy, Aruna Irani, Jalal Agha, Lalita Pawar, Rama Vij, Mehmood Jr., Dinesh Hingoo, Anjali Paigankar, Tun Tun and Dara Singh.
The story of the movie has been described in this article.
Three of the five songs have been posted here. Here’s the fourth one.
On screen we can see Zaheera lip syncing the song and both Amol Palekar and Jalal Agha are shown listening to the song.
Video Link:
Audio Link:
Song-Hamen to aaj isee baat par hansee aayee (Taxi Taxie)(1977)Singer-Asha Bhonsle, Lyricist-Majrooh Sultanpuri, MD-Hemant Bhonsle
Lyrics:
humein to aaj isee baat par
hansee aayee ee
humein to aaj isee baat par
hansee aayee ee
bhar aayee aankh to honthon pe raaginee aayee ee
bhar aayee aankh to honthon pe raginee aayee ee
humen to aaj
khushee kab aayee ke
jab dil bhee ho chala rukhsat a a
khushee kab aayee ke
jab dil bhee ho chala rukhsat
chiraag bujhne laga aa
chiraag bujhne laga jab to raushnee aayee
humen to aaj
chalo koi to mila
baat poochhne waala
chalo koi to mila
baat poochhne waala aa
zara to chain mila aa
zara to chain mila
kuchh to zindagee aayee ee
humen to aaj
yeh jaate jaate zamaane ko
hum dikha denge ae
yeh jaate jaate zamaane ko
hum dikha denge ae
hamaare jaane se ae ae
hamaare jaane se
duniya mein kya kamee aayee ee
humein to aaj isee baat par
hansee aayee
bhar aayee aankh to
honthon pe raaginee aayee
bhar aayee aankh
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6452 | Post No. : | 20030 |
Today’s song is from a social film Azad-1940.
The film was made by Bombay Talkies. Bombay Talkies was one of the premiere production companies of India in those times. Its films became very popular and the music was lapped up by the audience. There were other equally famous production houses like Prabhat Films,Ranjit studios and New Theatres of Calcutta, all churning out blockbusters. While Ranjit showed how to make money, Bombay Talkies added prestige to films.
Language in Hindi films was a great issue in those times and it is here that Bombay Talkies won hands down ! Prabhat films had its Hindi totally influenced by Marathi ( and hence was popular in western India), and New Theatres films had their Hindi straight lifted from books of Hindi Prachar Sabha- too pure ! It was only Bombay Talkies films which used the colloquial language of India- easily understood by the masses and acceptable to all classes equally. While Prabhat called it “Preet” , and New Theatres said ” Prem”, Bombay Talkies used the words like ” Pyar” and “Muhabbat” – a mix of Urdu and Hindi ( called Hindustani). Prabhat dialogues were too formal, while New Theatres’ were highly literary and Bombay Talkies used day to day language understood easily over the length and breadth of India.
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So jaa laadley
Posted on: March 17, 2026
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6451 | Post No. : | 20027 |
In Hindi films, a lori refers to a lullaby song sung within the story to soothe a child or express tender emotions such as maternal love, longing, protection, or sacrifice. These songs became a recognizable musical motif in Hindi cinema, especially from the 1940s through the 1980s, when film narratives often included strong family and motherhood themes.
Read more on this topic…
Tujhsa haseen dekha na kaheen
Posted on: March 16, 2026
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6450 | Post No. : | 20022 |
Today’s song is a part of my growing up. Hearing it makes me very nostalgic and takes me back to 1981, the year I passed out of my undergrad degree and had joined the queue to land a good job. I eventually got a fantastic job as a Medical Rep for the #1 Pharma company in India – Glaxo Ltd (now GSK Ltd). Our in house encyclopaedia Arunkumar Ji has also spent a considerable amount of time in Glaxo and can vouch for my saying that it was a proud feeling, always.
Now coming to today’s song, “Tujhsa Haseen Dekha Na Kahin” is sung by Kishore Kumar, written by Gulshan Bawra and composed by Rahul Dev Burman. It is from the 1981 film “Harjaee”.
Read more on this topic…
Tu sabse haseen hai dilrubaa
Posted on: March 16, 2026
- In: "beach" song | Duet | expression of love | Feelings of heart | Guest posts | Mukesh and his composers | Mukesh songs | Mukesh- Suman Kalyanpur duet | Post by Mahesh Mamadapur | Series of articles | Song from unreleased movie | Songs of 1970s (1971 to 1980) | Songs of 1980 | Suman Kalyanpur songs | Yearwise breakup of songs
- 6 Comments
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6450 | Post No. : | 20021 |
Mukesh and his Composers – 46
Ramu to diwana hai (1970, 1980, 2001) was produced and directed by Chandru.
He wrote the lyrics as well as composed the songs in the film.
Further, the story, screenplay and dialogue were also by Chandru only.
Last but not the least, he also acted in it.
The confusion whether it was Chandru Atma or Chandru Hingorani continues though the latter seems confirmed.
The film titles display the name as only Chandru. There is a very clear snap of his with Raj Kapoor and his wife Krishna along with the actress of the film. And the caption also says Chandru only.
Anyway, this film started as a B/W movie in the 70s and continued to be made for a long time. It was probably censored in 2001 but never released. Some clips of the film including the titles roll are available on the net.
Mukesh sang two soulful solos and a very good duet with Suman Kalyanpur. Both the solos are represented on the blog and I bring forth the classy romantic number in this post.
1 and 2 in the table below give ample information about the making of the film and the stories behind the making.
| 1 | Khwaabon ki duniyaa sitaaron ki duniyaa |
| 2 | Maanga thha pyaar magar |
| 3 | Tu sabse haseen hai dilruba |
I am not giving the full details of the Mukesh songs in the film in the above table as all were written and composed by Chandru.
It seems this was his only film as a composer. I request knowledge readers to throw more light on Chandru if anything is available lately.
I had sought info about this film from late Shri Harish ji and I reproduce his response in as-is basis. Since he was not keeping well for a long time, he wrote in phrases, but it is amply clear that he had a lot of authentic information about films and especially anything to do with Mukesh.
Dear Maheshbhai
Ramu To Deewana Hai Banner : Razzamattazz
Actor, Lyricist, Music director : Chandru
Relative of Arjun Hingorani
There is long story behind this film
I am writing in 3-4 linesFilms shooting started around 1970 in B& W Before it completed colour films started. No value of B& W, So chandru started in B&W heroine changed. But it seems it was not completed
May be producer thought it was not up to the standard. Its songs LP came in the market
around 1980 but film was not sent for censorship. Though it was censored in 2001
it is not released till now
3 Songs of Mukesh recorded Two solo and one duet
Khwabon Ki Duniya………Mukesh
Tu sabse hasin hai……….Mukesh-Suman Kalyanpur
Meri duniyako..Maangaa thaa pyaar magar……Mukesh
Today’s beautiful duet was one of the few that I had brought out as unposted on the blog when I had covered the songs of Mukesh with Suman Kalyanpur.
Here is the link to that memorable post.
Today’s post also has a couple of video links sans the actors lip-syncing it. Hence, I am proposing the audio link only which is good enough to hear.
A beautiful duet with its sweetness amplified in the voices of Suman Kalyanpur and Mukesh.
Listen and enjoy to this duet which sounds so lively to this day.
Editor’s note:- The cast of the movie as available online is Chandru Hingorani, Deepa Rani, Yakub Sayeed, Phonsok, Manvendra Chitnis, Leela Chitnis, Chand Usmani, Janki Das, Shakeel, Toot, Rasool, Baby Ritu, Rehman, David, I.S. Johar, Gulshan Bawra, T L Desai, Padmini Kapila, Raj Kapoor etc. Video of this movie showing Chandru and Deepa Rani frolicking in a beach is available. Deepa Rani had played the role of a career conscious fiancee of Raj Kiran in the movie “Hip Hip Hurray”(1984).
Chandru Hingorani (brother of Arjun Hingorani) was an assistant of Raj Kapoor since 1950s.
This song was picturised on Chandru Hingorani and Deepa Rani.
Audio
Video
Song-Tu sabse haseen hai dilruba (Ramu To Deewaana Hai)(UR)(1980) Singers-Mukesh, Suman Kalyanpur, Lyricist-Chandru Hingorani, MD-Chandru Hingorani
Both
Lyrics
tu sabse haseen hai dilruba
dil tere bina hai bekaraar
chhodo jee chhodo ye baat humse naa chhedo
kar loon main kaise aitbaar
tu sabse haseen hai dilruba
dil tere bina hai bekaraar
chhodo jee chhodo ye baat humse naa chhedo
kar loon main kaise aitbaar
hum to tere deewaane hain tere bina begaane hain
hum to tere deewaane hain tere bina begaane hain
humne sune ye gaane hain
ye aur kisee ko geet suna
tu sabse haseen hai dilruba
dil tere bina hai bekaraar
chhodo jee chhodo ye baat humse naa chhedo
kar loon main kaise aitbaar
mere chaman kee hai tu bahaar
teree adaa pe jaan nisaar
mere chaman kee hai tu bahaar
teree adaa pe jaan nisaar
hum naa karenge koi ikraar
o baaten banaane waale yaar
tu sabse haseen hai dilruba
dil tere bina hai bekaraar
chhodo jee chhodo ye baat humse naa chhedo
kar loon main kaise aitbaar
donon jahaan ke maalee
is aashiyaan ke maalee
kaayam rahe ye ghadiyaan
yahee ek sawaal hai
yahee ek pukaar hai
tu sabse haseen hai dilruba
dil tere bina hai bekaraar
chhodo jee chhodo ye baat humse naa chhedo
kar loon main kaise aitbaar
tu sabse haseen hai dilruba
kar loon main kaise aitbaar
tu sabse haseen hai dilruba
kar loon main kaise aitbaar
tu sabse haseen hai dilruba
- In: "Nok-Jhonk" song | "sahelis teasing a lady" song | "teasing" song | Duet | friendly banter song | Guest posts | Lata song | Lata-Usha Mangeshkar duet | Post by Sadanand Kamath | Sahelis teasing a lady | Songs of 1960s (1961 to 1970) | Songs of 1966 | Usha Mangeshkar songs | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6450 | Post No. : | 20020 |
‘Toofaan Mein Pyaar Kahaan’ (1966) was produced by S H Munshi and was directed by Phani Majumdar. The cast included Ashok Kumar and Nalini Jaywant in the lead roles supported by Jayshree Gadkar, Lata Sinha, Sailej Prakash (debutant), Madhumati, Achala Sachdev, Tarun Bose, Tiwari, Sundar, Bhagwan Sinha etc.
In this film, I was impressed with the performance of Lata Sinha which reminded me that I had also seen her in many other films without knowing her identity. From her name, I guessed that Lata Sinha was from either Bihar or Jharkhand. I checked the cast of many Bhojpuri films but did not find her name. However, I found that she was the lead actress in the first Maithili film, ‘Kanyadaan’ (1965). She had also acted in a supporting role in the first Magadhi (Magahi) film, ‘Bhaiyya’ (1961). The common factors in both the regional films were the producer, S H Munshi and the director, Phani Majumdar, the same combination for the film under discussion.
From her filmography, I find that Lata Sinha has acted in as many as 40 Hindi films during 1955-79. With her long presence in Hindi film industry, it is surprising that very little information about her early life is available online. It is also surprising that she suddenly vanished from Hindi film industry. The only information I could get from Mike Burnum’s website, ‘Cinemajadoo’ is that Lata Sinha was the daughter of yester-year actress, Shobha Devi who had acted in supporting role in ‘Daawat’ (1943) and in lead role in ‘Jeena Sikho’ (1946) among others.
It may be observed from the filmography that Lata Sinha started her filmy career as a child artist, Baby Lata in ‘Barsaat Ki Ek Raat’ (1948), ‘Shikhar’ (1955), ‘Riyasat’ (1955) and ‘Nau Do Gyaarah’ (1957). Lata Sinha got her first adult and the lead role in ‘Ham Bhi Insaan Hain’ (1959). However, after this film, she was seen in only supporting roles such as ‘Chaudhvin Ka Chaand’ (1960), ‘Bees Saal Baad’ (1962), ‘Taj Mahal’ (1963), ‘Benazir’ (1964), ‘Bhoot Bangla’ (1965). ‘Main Wohi Hoon’ (1966), ‘Shikaar’ (1968), ‘Heer Raanjha’ (1970) ‘Raja Jaani’ (1972), ‘Insaaniyat’ (1974), ‘Apnaapan’ (1977) etc.
Coming back to the film under discussion, I have already given the film’s story in detail while discussing the song, le pee zaraa uar pee. However, just to refresh, I give below the gist of the story which is as under:
Shamu (Ashok Kumar) is a truck driver of Mahajan (Tiwari), a smuggler who indulges in business of smuggled good across the border with Sikkim. Although Shamu feels bad about serving Mahajan for his smuggling activities, he has to do this for taking care of Rami (Achala Sachdev), a Tibetan and her daughter as promised by him at the time of the death of her husband.
In a different village, Shanta (Nalini Jaywant) is being readied to depart for her marriage with Raimohan (Tarun Bose) against her wish. She runs away from the house. Shamu gives her shelter in his den in an adjoining room with a condition that she should find a different place to stay as his den is full of bad people. Shanta finds Shamu a kind-hearted person. Next day, Mahajan visits the den, Shanta introduces herself as the wife of Shamu for her own safety.
Pulma (Jayshree Gadkar), who runs a tea shop and is in love with Shamu, does not believe that Shanta is Shamu’s wife. By now Shamu has fallen in love with Shanta and has decided to propose her for the marriage. One day, Shamu sees a letter written by Raimohan to Shanta about their impending marriage. He assumes that Shanta is in love with Raimohan, and he has no right to ask for hand in marriage. Next morning, before Shanta could explain to Shamu about the notoriety of Raimohan, she finds that Shamu has left the place with Pulma.
Raimohan with the help of Mahajan conspire to kidnap Shanta to sell her across the border at a high price. Shanta now takes shelter in Rami’s house from where she is kidnapped by Raimohan and Mahajan. When Shamu comes to know about Shanta’s kidnapping, he takes out his truck with Pulma and follows the jeep in which Shanta is being taken. While driving on a jig jag hill road, the jeep roles down from road to valley killing Shanta, Raimohan and Mahajan. While consoling Shamu, Pulma reiterates her love for him.
In ‘Toofaan Mein Pyaar Kahaan’ (1966), Lata Sinha was almost like a second lead actress along with the debutant Sailej Prakash. Three out of eight songs were picturised on Lata Sinha, the same number as that for the lead actress, Nalini Jaywant. The songs were written by Prem Dhawan which were set to music by Chitragupt. Four songs have been covered on the Blog.
I present the 5th song, ‘goree itnaa bataa tera lagtaa hai kyaa’ rendered by Lata Mangeshkar and Usha Mangeshkar who sings for Nalini Jaywant and Lata Sinha respectively. Video clip has partial song while audio clip has the full song.
I am not able to give the exact context of the song as the film’s VCD is found to be heavily edited and the song suddenly appears on the screen. From the lyrics coupled with the preceding scenes in the film, my guess is that now it has been known to Shanta’s (Nalini Jaywant) friends that she is in love with Shamu (Ashok Kumar). So, while bathing in the river, her friend, Billu (Lata Sinha) teases her to let her know as to who is the person visiting her in her dream in the midnight. But after the end of the song, it is an anti-climax for Shanta as Shamu has already read the letter written by Raimohan (Tarun Bose) to Shanta about their impending marriage. So, instead of proposing marriage with Shanta, Shamu is in search of Raimohan to unite him with Shanta, without knowing his antecedent.
Enjoy this sweet song of the friendly banter between Lata Sinha and Nalini Jaywant on the screen.
Audio Clip (Full):
Video Clip (Partial):
Song-Goree itna bata tera lagta hai kya (Toofaan Mein Pyaar Kahaan)(1966) Singers-Usha Mangeshkar, Lata Mangeshkar, Lyricist-Prem Dhawan, MD-Chitragupta
Lyrics (Based on Audio Clip):
goree itnaa bataa
teraa lagtaa hai kyaa
wo jo sapnon mein aaye aadhee raat ko
goree itnaa bataa
teraa lagtaa hai kyaa
wo jo sapnon mein aaye aadhee raat ko
ae jee kaise bolen ham
hamen laage hai sharam
poochho hamse naa aisee waisee baat ko
ae jee kaise bolen ham
hamen laage hai sharam
poochho hamse naa aisee waisee baat ko
tu jo naa kahegee
kahengee teree ankhiyaan
tu jo naa kahegee
kahengee teree ankhiyaan
seekhee kahaan se ye badee badee batiyaan
seekhee kahaan se ye badee badee batiyaan
baaten ye pyaar kee kise naheen pataa
goree itnaa bataa
teraa lagtaa hai kyaa
wo jo sapnon mein aaye aadhee raat ko
ae jee kaise bolen ham
hamen laage hai sharam
poochho hamse naa aisee waisee baat ko
pyaar kise bolen
ye ham naheen jaane
pyaar kise bolen
ye ham naheen jaane
jaane do ham bhee nazar pahchaanen
jaane do ham bhee nazar pahchaanen
jab toone jaan liyaa poochhe phir kyaa
ae jee kaise bolen ham
hamen laage hai sharam
poochho hamse naa aisee waisee baat ko
goree itnaa bataa
teraa lagtaa hai kyaa
wo jo sapnon mein aaye aadhee raat ko
ae jee kaise bolen ham
hamen laage hai sharam
poochho hamse naa aisee waisee baat ko
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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