Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sadanand Kamath’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Question-Answer (Sawaal-Jawaab) songs and its variant, teasing (Ched-Chaad) songs have a special place in Hindi films. These songs are generally duets of male and female voices and are my favourites in the genre of light songs. These songs are sometimes also composed in qawaali style. One can enjoy these songs doubly when the video clips of such songs are available and directors like Guru Dutt, Vijay Anand etc were involved in the picturisation of these songs.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

KHUSHBOO (1954) was produced under the banner of Beautiful Pictures and was directed by Rana Indu Shamsher. The cast included Motilal, Shyama, Moti Sagar, Shakila, Kesri, Noor, S K Prem, Amina Bai, Radheshyam etc. I have no idea about the story of the film. I was aware about “Khushboo”(1976), but I came to know about the existence of “Khushboo”(1954) only after I got the mp3 clip of the song under discussion.
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Forgotten Melodies of the 1940s – 40
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MOHABBAT KI JEET (1943) was produced under the banner of Girdhar Bahaar Productions and it was directed by Ramanlal Desai. The star cast included Nadia, Navinchandra, Leela Pawar, S Nazir, Shaqir, Agha, Munshi Kanzar, Vasantrao Pehlwan etc. From the star cast it can be safely assumed that the film belonged to the genre of stunt/action. I have no idea about the story of the film. But Nadia being the heroine in the film, one can expect that the story of the film would revolve around her role of striking out the forces of evil and restore goodness to the society. She would generally attain this by doing spectacular stunts and acrobatics which would please the front benchers in the theatres.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s -39
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BETI (1941) was produced under the banner of Ranjit Moveitone and it was directed by Jayant Desai. The star cast included Khursheed Bano, Aroon Ahuja, Vasanti, E. Billimoria, Ghory, Khatoon, Kesri, Bhagwandas, Rewashankar etc. A gist of the story of the film which has been culled out from the review of the film published in the March 1942 issue of ‘Filmindia’ magazine is given below:
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s -38
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PRARTHANA (1943) was produced under the banner of Minerva Movietone and it was directed by Sarvottam Badami. The star cast included Motilal, Jahanara Kajjan, Sabita Devi, K N Singh, Nimbalkar, Ghulam Hussein, Sadat Ali, Abu Bakar etc. There were 10 songs in the film and five of them were rendered by Jahanara Kajjan. All the songs penned by Dr Safdar Aah Sitapuri were set to music by Saraswati Devi. The main features of all the songs were that they were all based on Hindustani classical raagas.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 37
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Most readers of the Blog may recall the high publicity blitz that preceded the release of Hema Malini’s first Hindi film ‘Sapnon Ka Saudagar’. In the publicity, she was referred to as ‘dream girl’. The film failed at the box office but thereafter Hema Malini’s Hindi film career was firmly launched and established.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I had the good fortune of talking over the phone to Shri Srinivas Chary, courtesy Shri Arunkumar Deshmukh, in the last week as well as this week. Srinivas ji was a Mumbaikar till the middle of the 1970s when he decided to settle down in Chennai. He is a member of RMIM (Rec. Music. Indian. Music). During our talk, Srinivas ji told me about RMIM meeting held in April 2006 at Bangalore wherein, among others things, 2 CDs containing some rare film and non-film songs of Talat Mehmood were presented. He was associated with the preparation of the CDs and he contributed some of the songs of Talat Mehmood from his collections. He said that songs from Talat CDs as well as songs from some other CDs are available on Dr Surjit Singh’s Website.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Lata Mangeshkar who first sang in a Marathi film ‘Gajabhau’ (1944), is still continuing to sing for Hindi films albeit very sparingly. As per http://www.myswar.com, she sang a solo song for the film ‘Dunno No Y2 Life is a Moment’ (2015). That gives her playback career a span of over 7 decades – a world record, I guess, in playback singing for films. In fact, she sang for 46 films between 2000-2015. I thought why not do a similar exercise for Talat Mehmood.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE SECRETARY (1938) was produced under the banner of Ranjit Movietone and it was directed by Chaturbhuj Doshi. The star cast included Madhuri, Trilok Kapoor, Charlie, Kalyani, Begg, Wahidan Bai, Rajkumari etc. The film was based on a story written by Gunvantrai Acharya, one of the most prolific novelists in Gujarati language. By the way, I observe that Gunvantrai Acharya wrote story and screen play for films directed by Chaturbhuj Doshi for Ranjit Movietone like Gorakh Aaya (1938), Musaafir (1940) and Sasural (1941). Both came to Ranjit Movietone after their stints with journalism in Gujarati newspapers. Incidentally, all the three films and the film under discussion had Gyan Dutt as the music director.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, May 8th 2016 is being celebrated as Mothers’ Day in many countries including India. Whether it is Mothers’ Day or any other day, whenever I remember my mother, I always recall the famous dialogue ‘mere paas maa hai’ written by Salim-Javed and delivered on the screen by Shashi Kapoor in the film ‘Deewar’ (1975). These four simple words say a lot about the importance of the mother. I used to wonder what gave Salim-Javed the idea to create this famous dialogue. I checked their profiles and came to know that both of them had lost their mothers in their respective childhoods. My own take is that somewhere in their sub-conscious minds, they missed their mothers and that was how this dialogue came about. In any case, this dialogue fitted well in the film. Shashi Kapoor had his mother as the only possession which he valued above materialistic possesions.
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