Archive for the ‘Post by Sadanand Kamath’ Category
Vadnana karo archana karo
Posted on: January 28, 2014
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today, January 28th is the 84th birth anniversary of Pandit Jasraj, the living legend of the Mewati gharana of Hindustani classical music. Mewati is the region partly located in southern Haryana and partly in north-east Rajasthan.
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Tumhe yaad ho ke na yaad ho
Posted on: January 21, 2014
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Tum mere pass hote ho goya
Jab koi doosra nahi hota
Most of the readers of this blog may have known this she’r albeit with a minor variation in the song o mere shaah e khubaan written by Hasrat Jaipuri in ‘Love in Tokyo’ (1966). But how many of us would have known ( including me until few months back) that this original she’r was written by Momin Khan ‘Momin’, one of the prominent Urdu poets in the Mughal court during early 1800s. And what a beautiful romantic she’r!. Mirza Ghalib who was the contemporary and a close friend of Momin is reported to have offered his entire ‘Diwan e Ghalib’ for Momin’s this she’r, one among the nine she’rs in his ghazal ‘asar usko jaraa nahin hota’.
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Na jaane kya hai dil ka raaz
Posted on: January 19, 2014
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
After ‘Devdas’(1935), the most talked about film of New Theaters-P C Barua combination was ‘Mukti’ (1937). It was a path breaking film. It had a bold story relative to the time period and the new techniques of direction. It is claimed that ‘Mukti’ (1937) is the first film which was extensively shot outdoors in the forest of Gauripur (Assam). It was also the first film in which Gurudev Rabindranath Tagore’s poems were used for the songs in the Bengali version based on his tunes. Incidentally, when the untitled story of the film was narrated to Gurudev Rabindranath Tagore, he gave this movie its title viz. ‘Mukti’.
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Hamri laaj nibhaao
Posted on: January 18, 2014
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
LAGAN (1941) was produced under the banner of New Theatres and was directed by Nitin Bose. The star cast included K L Saigal, Kanan Devi, Nawab Kashmiri, Nemo, Jagdish Sethi, Girdhari Lal Vaid, Naresh Bose, Rohmat Bibi etc. There were 11 songs in the film, all penned by Arzoo Lucknowi which were set to music by R C Boral. The film was 5th largest grosser on the box office for 1941 and got the Bengal Film Journalists Association’s award for the best film of 1941. Incidentally, after this film, both K L Saigal and Kanan Devi left New Theatres, the former to Bombay (Mumbai) and the latter joined M P Productions of P C Barua. K L Saigal, however, returned to New Theatre for doing ‘My Sister’ (1944) which was his last film for New Theatres.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
BHANWRAA (1944) was produced under the banner of Ranjit Movietone and it was directed by Kidar Sharma. The star cast included K L Saigal, Monica Desai, Arun Ahuja, Kamala Chatterjee, Yakub, Brijmala etc. There were 11 songs in the films written by Kidar Sharma (9), Swami Ramanand Sarswati (1) and Pandit Indra Chandra (1) which were composed by Khemchand Prakash. Out of 11 songs, K L Saigal sang as many as 6 songs which have already been covered in this blog.
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Lo khaa lo madam khaana
Posted on: January 14, 2014
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
STREET SINGER (1938) is regarded as one of the three tops films of K L Saigal produced under the banner of New Theaters. If ‘Devdas’ (1935) confirmed the arrival of K L Saigal as an actor-singer, ‘Street Singer’ (1938) and ‘Zindagi’ (1940) made him the first star actor-singer of the Hindi film industry. People used to watch his films more for his songs than for the film itself. The flip side of Saigal’s popularity as a singer was that his songs virtually eclipsed the songs sung by other singers in his films.
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Rang de re jeewan ki chunariya
Posted on: January 9, 2014
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Three Hindi films of the 50s which had created lots of hype during their pre-released days were ‘Aan’ (1952), ‘Jhanak Jhanak Paayal Baaje’ (1955) and ‘Navrang’ (1959). They were all made in Technicolor. With nearly all the films made during that time and earlier in black and white, there was curiosity among film buffs to watch these Technicolor films. While none of these films had good story lines, they all ran in the theaters for a long time. I remember ‘Jhanak Jhanak Paayal Baaje’ (1955) had completed 100 weeks of run in Metro theater and ‘Navrang’ (1959) ran for over 50 weeks in Liberty theater of Mumbai.
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Aapan jeewan darpan nyaara
Posted on: January 8, 2014
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
New Theatres Private Ltd founded by B N Sircar had been a pioneer in producing socially relevant films especially in the 30s and 40s. The storyline of their films with captivating music by R C Boral, Pankaj Mullick and Timit Baran mostly based on Rabindra Sangeet attracted audience to the cinema halls. DOCTOR (1941) was no exception. The film was directed by Phani Majumdar and Subodh Mitra. The star cast included Pankaj Mullick, Panna Rani, Ahindra Choudhury, Bharti Devi, Jyoti Prakash, Amar Mullick, Nemo, Indu Mukherjee etc. Songs were written by Arzoo Lucknowi and A H Shor which were set to music by Pankaj Mullick. So Pankaj Mullick was an actor-singer-music director.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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