Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rare Performances – Things Unique and Unexpected #7
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The series is moving very slow, and you must be thinking that I may have forgotten about it. Rest assured, I have not. These songs and recordings are one of a kind, and I will most certainly post the complete set of ten such surprising items that have been hidden away from the minds and memory of the listeners, for decades.
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Hey baabu

Posted on: June 4, 2014


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The 1960 film ‘Chhabeeli’ is not well remembered or talked about much. It was planned as the launch vehicle for Tanuja, by her mother Shobhna Samarth. Whatever else may have been the performance and success factors of the film otherwise, there is one aspect that is unique and significant about this film. Which also makes one wonder about the peculiarities of the cinema world, and its stereotyping. The film has a very delightfully mesmerizing song – “Ae Mere Hamsafar, Rok Apni Nazar” , which is sung by Nutan herself under the music direction of Snehal Bhatkar. This song, along with another equally mesmerizing duet of Nutan and Hemant Kumar – “Lehron Pe Lehar, Ulfat Hai Jawaan” , make this film and its music worth remembering. Both the music director and the lyricist, a gentleman by the name S Ratan, have excelled in this creating these two songs. And the rendering of these songs by Nutan – ah, that is just a class by itself.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

She was born as Tejeshwari, a name given to her by her father. She was also called Fatima, a name given to her by her mother. The story of her parents and her birth, is like a fairy tale of destiny. As they say, when love has to happen, it will. And at the place where it is destined to happen, the players and participants all reach that place, by design.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Many Colors of Love #16 – The Legends of Love
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And so wrote the scribe

hamaare pyaar ke kisse sunaaye jaayenge
yeh geet saare zamaane mein gaaye jaayenge
ham na honge fasaana hogaa
ham na honge fasaana hogaa

(Closing lines of the song “Aanewaale Ko Aana Hoga, Jaanewaale Ko Jaana Hoga”, film ‘Sohni Mahiwal’ (1958)
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This article is the 700th article written in the blog by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Many Colors of Love #15 – The Tales of Love
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And so wrote the scribe

darr laagey duniya se balmaa ho
ulfat naa baney afsaana

In the matters of heart, when the blossoming emotions of love come to a head, then there comes a day when this precious secret of the lovers comes to be known. Sometimes it is known within a close circle, and sometimes it comes to the lips of all and sundry. A matter that was securely hidden in the two hearts now forms the grist for gossip mills. And thus are born the tales of love.
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This article is written by Sudhir. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Voice of Mukesh #63
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For this edition of Voice of Mukesh, I go back to 1947 and the film ‘Neel Kamal’. An unexpected and unlisted song from this film that has been sporadically heard and available on internet, but original version from the film in the voice of Mukesh is a scarce commodity. This song was pointed out to me by Harish ji Raghuvanshi, in one of his email responses to my queries about other unlisted songs of Mukesh or songs that were discovered after the publication of the Mukesh Geet Kosh by him.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The pen that wrote the immensely soothing verses of “Haath Seene Pe Jo Rakh Do To Qaraar Aa Jaaye” (‘Mirza Sahibaan’, 1947), is the same pen that also produced such immensely fun and popular iconic number like “Laara Lappa Laara Lappa Laai Rakhdaa” (‘Ek Thi Ladki’, 1949) with music director Vinod, and such a comely and alluring blockbusters like “Huzoor e Waala, Jo Ho Ijaazat”(‘Ye Raat Phir Na Aayegi’, 1966), created with OP Nayyar.
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Jaao rasiyaa

Posted on: May 24, 2014


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sometimes the temptation to write an article about an artist is to start with a sampler of the fabulous, memorable songs by him/her, to represent the variety, the flavor and the endearing memories that artist has created as a legacy and a treasure presented for generations to enjoy. But when one is writing about an artist of the stature of Rafi, or Lata, or Naushad, giving even an extended sampler for such artists is like lighting a lamp in bright sunlight (literally ‘suraj ko diya dikhana’). There are a few artists of such eminence that need no introductions through a sampler list of their songs. A name that definitely belongs to this category is Majrooh Sb.

Remembering Majrooh Sultanpuri on the anniversary of his passing away today (24th May).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Aah, the wonderful world of Chitragupt’s melodies. A composer par excellence, whose creations do never cease to surprise, as one continues to come encounter heretofore songs that seemed to have got lost in the folds of time. This song today is a very old friend from the radio listening days, that dipped below the horizons of memories for some time.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

When I first saw Chetan Anand’s ‘Haqeeqat’ (1964), on TV, I was a pre teen kid, not old enough to really appreciate the human pathos and the emotions involved in the storyline. But of course, there are a few passages and images that simply stuck to my mind. Randomly they would pass through the mind’s screen. This would continue for many, many years till the time I revisited the film, and then sat through it for a complete view. This was after I had read a lot about this film, its background, its actors, and its impact on the public mind during those troubled war years of 1960s and early 1970.
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